Balakirev: Impromptu on the themes of two Preludes by Chopin

2010 sees the 200th anniversary of Chopin’s birth, and among the many celebratory recordings, this disc will stand out as an historic record of the composer’s extraordinary influence and legacy.

Chopin’s unique style of piano writing was to utterly transform the way in which composers wrote for and thought about the instrument. Few escaped some aspect of that legacy until the early years of the twentieth century; and few pianists have not had Chopin’s music in their concert repertoire. Small wonder that so many composers and pianistcomposers— major and minor—have felt moved to pay their respects to a musician for whom there is almost universal approbation. A fascinating selection of hommages are represented here.

Jonathan Plowright has recently been described as ‘one of the finest living pianists; the possessor of qualities that should no longer remain a secret’ (Gramophone). His formidable technique and musical integrity combine in a disc which is a must for any pianophile.

This CD presents a selection of the less performed impromptus that span a period of nearly two centuries. Four of the works have been recorded for the first time and are by Godowsky, Bibalo, Volaj and Mazhara. The works by Volaj and Mazhara were commissioned by Margarita Glebov for this project.

Mily Balakirev (1837-1910) was the founder of the group of Russian composers called ‘The Mighty Handful’. Together with Borodin, Rimsky Korsakov, Cui and Mussorgsky he helped create a distinctive Russian school of music that was not reliant on the influence of the Austro German school.

Studying at the St Petersburg Conservatoire, he won the praise of Glinka, and had an influence on the young Tchaikovsky. He wrote two symphonies, two piano concertos, several symphonic poems and many piano works. On these 6CDs his entire output for piano can be found.

A superb pianist, he produced one of the most taxing works ever written for the instrument, his Oriental Fantasy Islamey. His piano sonata is no less impressive, and the Seven Mazurkas are wonderfully melodic works. There is much to discover on these discs. Sadly, Balakirev suffered a complete nervous breakdown in 1871, and he withdrew from life, eventually emerging to take up a minor management role on the railways.

In 1876 he began to compose again, and in 1883 was appointed as director of the Imperial Chapel. He retired in 1895, and continued composing, but by now considered old fashioned and was forgotten even by his old friends. However, one young composer, Igor Stravinsky had a soft spot for him, and pitied him as he suffered from bouts of depression.