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There was no composer whose works were more frequently passed off as Mozart's than Eberl. Even more surprising is the documented fact that there was no protest from Mozart against the use of his name on Eberl's compositions. Eberl, a friend and (probably) a student of the great man, did mind but was too timid to take action until after Mozart had died. Finally, he published a notice in a widely read German newspaper claiming ownership of a number of his compositions attributed to Mozart. Despite this, his works still continued to be published under Mozart's name. This in itself is a telling indication as to the contemporary opinion of the quality of Eberl's works, but critical reviews of his day also spoke of works published under his own name reaching the heights of Haydn's, Mozart's and the young Beethoven's. -- Seven world premieres are presented in this collection of Eberl's solo piano output by forte-pianist John Khouri, whose previous recordings of Clementi, Hummel, Cramer, and others on Music & Arts have been acclaimed for authenticity and artistic excellence.
Anton Eberl: Keyboard Sonata in C minor, Op. 1
I. Adagio - Allegro con moto
II. Andante espressivo
III. Finale: Allegro molto
Anton Eberl: Toccata, Op. 46
Toccata, Op. 46
Anton Eberl: Keyboard Grande Sonata in F minor, Op. 12
I. Grave maestoso - Allegro agitato
II. Andantino
III. Finale: Allegro assai
Anton Eberl: Keyboard Grande Sonata in C major, Op. 16
I. Allegro con fuoco
II. Andantino
III. Rondo: Allegretto un poco vivace
Anton Eberl: Keyboard Grande Sonata in G minor, Op. 27
I. Allegro appassionato e vivace assai
II. Andante con espressione
III. Finale: Presto assai
Anton Eberl: Keyboard Grande Sonata in G minor, Op. 39
I. Allegro appassionato
II. Adagio molto expressivo
III. Allegro agitato vivace assai
Anton Eberl: Keyboard Grande Sonata in C major, Op. 43