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See Terms & Conditions for p&p rates. | |  | Beethoven: Songs
Beethoven: | An die Hoffnung, Op 32 Neue Liebe, Neues Leben, Op. 75, 2 Zärtliche Liebe 'Ich liebe dich', WoO 123 Maigesang, Op. 52 No. 4 Busslied (No. 5 from 6 Lieder von Gellert, Op. 48) Der Zufriedene, Op. 75 No. 6 Resignation, WoO 149 Der Kuss, Op. 128 Adelaide, Op. 46 An die ferne Geliebte (To the distant beloved), Op. 98 Der Wachtelschlag, WoO 129 Mephistos Flohlied, Op. 75, 3 Andenken, WoO 136 Wonne der Wehmut, Op. 83 No. 1 Sehnsucht, Op. 83, 2 Mit einem gemalten Band Op. 83, No. 3 |
Re-released after a long break, this album shows the renowned tenor Ian Partridge at his most mellifluous. The album features Beethoven's only song cycle, An die ferne geliebte, and a selection of his best-loved songs including Adelaide, An die Hoffnung and Ich liebe dich. Richard Burnett accompanies on a beautiful Viennese fortepiano of the period. Fortepiano by Michael Rosenberger, Vienna c. 1800 “Crystal clear - highly commendable” Fanfare “A well chosen selection” Sunday Times | | | Usually despatched in 4 - 5 working days. |
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| |  | Marilyn Horne in Recital: Milan, 1981
Alvarez, F M: | La Partida | Beethoven: | In questa tomba oscura, WoO.133 Zärtliche Liebe 'Ich liebe dich', WoO 123 Busslied (No. 5 from 6 Lieder von Gellert, Op. 48) | Copland: | Ching-a-ring Chaw Simple Gifts (from Old American Songs, Set I) Long Time Ago At the River | Donizetti: | Il segreto per esser felici (from Lucrezia Borgia) | Duparc: | L'Invitation au voyage Extase Le Manoir de Rosemonde | Foster, S: | Beautiful Dreamer I Dream of Jeanie with the Light Brown Hair | Granados: | Tonadillas: No. 3, La maja dolorosa | Handel: | Semele: Hence, Iris, hence away | Montsalvatge: | Canción negra No. 4, Cancion de cuna para dormir a un negrito | Obradors: | El Vito (from Canciones clásicas españolas) | Rossini: | Eccomi alfine in Babilonia (from Semiramide) Se il vuol, la molinara |
Though Marilyn Horne is known mostly for her virtuosic operatic roles, she is a superb recitalist who can scale her powerful voice down to the more intimate requirements of the recital stage. In 1981, she appeared at Milan’s La Scala opera house in a recital consisting of music by Italian, German, Spanish, French and American composers. Horne was in particularly superb form that evening, partnered brilliantly by Martin Katz at the piano. 93 minutes, color, mono. Live performance: 2nd June, 1981 | | | Usually despatched in 4 - 5 working days. |
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