This page lists all recordings of Sandmännchen, WoO 31 No. 4, by Johannes Brahms (1833-97) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
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Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) Vergebliches Ständchen, Op. 84 No. 4 Sandmännchen, WoO 31 No. 4 Nachtgesang, WoO 32 No. 14 Och Moder, ich well en Ding han! (No. 33 from Deutsche Volkslieder, WoO. 33) Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33) Mein Mädel hat einen Rosenmund (No. 25 from Deutsche Volkslieder, WoO 33) | Liszt: | Es muss ein Wunderbares sein, S. 314 | Mahler: | Selbstgefühl (Lieder und Gesänge aus der Jugendzeit) Rheinlegendchen (Des Knaben Wunderhorn) Aus! Aus! (Lieder und Gesänge aus der Jugendzeit) | Schubert: | Das Wandern (No. 1 from Die schöne Müllerin, D795) Der Lindenbaum (No. 5 from Winterreise, D911) Die Forelle, D550 Gretchen am Spinnrade, D118 Seligkeit D433 (Holty) Wiegenlied, D498 Erlkönig, D328 Ständchen 'Leise flehen meine Lieder', D957 No. 4 Heidenröslein, D257 | Schumann: | Widmung, Op. 25 No. 1 | Strauss, R: | Zueignung, Op. 10 No. 1 | Wolf, H: | Gebet (No. 28 from Mörike-Lieder) |
Kirchschlager amd Lehrbaumer take us on a “lieder journey” across Austria. They have included the songs which they feel particularly close to in this collection. Their survey of Austro-German Song also includes works by Schumann, Liszt and Richard Strauss. | | | In stock - usually despatched within 1 working day. |
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| |  | Alois & Christoph, Florian und Karsten
Alois Mühlbacher (boy soprano) & Franz Farnberger (piano) This collection is a well conceived tribute to the romantic lied of the 19th century. Included are lieder and duets by Mendelssohn, Schumann and Brahms. The collection demonstrates the mastery which Alois Mühlbacher and the St. Florian Boys’ Choir have gained in this field. | | | Usually despatched in 2 - 3 working days. |
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| |  | When Night Falls
Brahms: | Two songs for contralto with viola obbligato, Op. 91 Yuri Bashmet (viola) Sandmännchen, WoO 31 No. 4 Wiegenlied, Op. 49 No. 4 (Lullaby) | Canteloube: | Brezairola Chants d'Auvergne: Oï Ayaï | Copland: | The Little Horses | Falla: | Nana (No. 5 from Siete canciones populares españolas) | Haydn: | Ar hyd y nos (All through the night), Hob.XXXIb:9 Jonathan Rees (violin) | Kertsman: | Cantiga de Ninar (Baby's Goodnight Song) | Menotti: | I shall bring to you shells and stars (from The Consul) | Mozart: | Sehnsucht nach dem Frühlinge, K596 | Rodgers, R: | Edelweiss (from The Sound of Music) | Schubert: | Wiegenlied, D498 Wiegenlied D867 (Seidl) | Sondheim: | Stay with me (from Into the Woods) Sweeney Todd: Not while I'm around | Weber: | Laß mich schlummern, Herzlein, schweige, Op. 25, No. 3 | Zemlinsky: | Süße, süße Sommernacht |
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| |  | Lullabies and Dances
Bach, J S: | English Suite No. 2 in A minor, BWV807: Bourrée Prelude in D minor, BWV926 | Brahms: | Die beiden Konigskinder (No. 15 from Deutsche Volkslieder, WoO 33) Sandmännchen, WoO 31 No. 4 Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33) Das Mädchen und der Tod (No. 23 from Deutsche Volkslieder, WoO 33) | Falla: | Nana (No. 5 from Siete canciones populares españolas) | Fauré: | Les berceaux, Op. 23 No. 1 | Haydn: | Ar hyd y nos (All through the night), Hob.XXXIb:9 | Mozart: | Variations (12) on ‘Ah, vous dirai-je, Maman' in C major, K265 | Schumann: | Kinderszenen, Op. 15: Von fremden Ländern und Menschen | Senfl: | Ach Elslein, liebes Elselein | Strauss, R: | Wiegenlied, Op. 41 No. 1 | Tárrega: | Lagrima | trad.: | O can ye sew cushions? Dandling Songs My Lady Carrie's Dompe All the Pretty Little Horses |
Julianne Baird (soprano), Bill Crofut (vocals) The Crofut Consort This is a recording of folk and classical music transcribed for folk instruments. The connection between folk and classical is sometimes direct, as in Brahms's arrangements of existing folk tunes, or in the folk-based chorale tune of Jesu Joy of Man's Desiring; but more often the connection is one of mood, as in the folk dance-like character of My Lady Carrie's Dompe or the two bourées from Bach's English Suite. In trying to decide what to put on this recording we relied primarily on instinct, a feel for a piece, and whether it would work in transcription for folk instruments; but beyond any intellectual justification was the overriding sense of playing music we love. While the common theme is lullabies and dances, we did get sidetracked occasionally, when we simply wanted to play a particular piece. | |
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| |  | Elisabeth Schwarzkopf - The Unpublished EMI Recordings 1955-1964
Bizet: | Pastorale | Brahms: | Von ewiger Liebe, Op. 43 No. 1 In stiller Nacht (No. 42 from Deutsche Volkslieder, WoO 33) Sandmännchen, WoO 31 No. 4 Wiegenlied, Op. 49 No. 4 (Lullaby) | Flies: | Wiegenlied | Mozart: | Un moto di gioia, K579 Warnung 'Männer suchen stehts zu naschen', K433 | Parisotti: | Se tu m'ami | Schubert: | Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe) Lachen und Weinen, D777 Die Vogel D691 Der Jüngling an der Quelle, D300 (Salis-Seewis) Du bist die Ruh D776 (Rückert) Wiegenlied, D498 Die Forelle, D550 | Schumann: | Widmung, Op. 25 No. 1 | Strauss, R: | Ruhe, meine Seele!, Op. 27 No. 1 Zueignung, Op. 10 No. 1 Wiegenlied, Op. 41 No. 1 | Wagner: | Träume (No. 5 from Wesendonck-Lieder) | Wolf, H: | Nachtzauber (No. 8 from Eichendorff-Lieder) Die Zigeunerin (No. 7 from Eichendorff-Lieder) Das Köhlerweib ist trunken Tretet ein, hoher Krieger |
| | | Usually despatched in 4 - 5 working days. |
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