All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Maurice Andre: Airs d'opéras(trumpet transcriptions)
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| |  | New Year's Eve Concert Gala 2010
The 2010 New Year’s Eve concert, from Berlin, frames two of the most prominent stars on DG’s roster, Elina Garanca and Gustavo Dudamel. Recorded live, this gala performance sparkles with a selection of arias and orchestral works that include excerpts from one of Garanca’s most celebrated roles, Bizet’s Carmen, and Marguerite in Berlioz’s Damnation of Faust. As well as providing world class accompaniment, the Berlin Philharmonic makes a stirring contribution to the program with the overture to Berlioz’s thrilling Roman Carnival and excerpts from Manuel de Falla’s ballet, The Three-Cornered Hat. Filmed in HD, the gala will be released in 16:9 widescreen with audio in PCM and DTS surround sound . | | | In stock - usually despatched within 1 working day. |
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| |  | Una voce poco fa: A Portrait of Teresa Berganza
and traditional Spanish folksongs
“A truly memorable Teresa Berganza compliation. Naturally, there is a good sprinkling of her classic early operatic recordings of Rossini and Mozart, which sparkle as brightly as ever...All the other items on the first disc, from the Gluck and Handel items to the Bizet, also show her on top form, a real star mezzo of character and style...this is one of the most enterprising collections in Decca's 'Portrait' series.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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| |  | Passionate Arias
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| |  | Live in Italy
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| |  | Opera de Montreal: Le Gala du 30e anniversaire
Bizet: | Près des remparts de Séville (Séguedille) (from Carmen) Nora Sourouzian (mezzo-soprano) L’orage s’est calmé (from Les pêcheurs de perles) Phillip Addis (baritone) | Delibes: | Viens, Mallika...Sous le dôme épais (from Lakmé) Aline Kutan (soprano), Alison McHardy (mezzo-soprano) Où va la jeune Indoue? 'Bell Song' (from Lakmé) Raphaelle Paquette (soprano), | Gagnon: | Le vaisseur d'or Marc Hervieux (tenor) | Gershwin: | My man's gone now (from Porgy and Bess) Marie-Josee Lord (soprano) | Gounod: | O sainte médaille... Avant de quitter (from Faust) Etienne Dupuis (baritone) | Handel: | Tornami a vagheggiar (from Alcina) Marianne Lambert (soprano) | Massenet: | Allons! Il le faut pour lui-même!... Adieu, notre petite table (from Manon) Layla Claire (soprano) Vision fugitive (from Hérodiade) Gaetan Laperriere (baritone) | Mozart: | E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Lyne Fortin (soprano) La ci darem la mano (from Don Giovanni) Pascale Beaudin (soprano), Aaron St. Clair Nicholson (baritone) | Puccini: | Dunque è proprio finita! (from La Bohème) Antoine Belanger (tenor), Marianne Fiset (soprano), Etienne Dupuis (baritone), Gianna Corbisiero (soprano) O mio babbino caro (from Gianni Schicchi) Marianne Fiset (soprano) Chi il bel sogno di Doretta (from La Rondine) Gianna Corbisiero (soprano) | Rossini: | Cruda sorte! Amor tiranno! (from L'Italiana in Algeri) Allyson McHardy (mezzo) Largo al factotum (from Il barbiere di Siviglia) Aaron St. Clair Nicholson (baritone) | Strauss, R: | Marie Theres'! ... Hab mir's gelobt (from Der Rosenkavalier) Lyne Fortin (soprano), Marianne Lambert (soprano), Stephanie Marshall (mezzo) | Tchaikovsky: | Lyubvi fse vozrastï pokornï 'Gremin's aria' (from Eugene Onegin) Randall Jakobsh (bass) Jan ye sposobna k grusti tomnoy (from Eugene Onegin) Annamaria Popescu (mezzo-soprano) | Thomas, Ambroise: | Ah, pour ce soir...Je suis Titania (from Mignon) Raphaelle Paquette (soprano) | Verdi: | Cortigiani, vil razza dannata (from Rigoletto) Gregory Dahl (baritone) Saper vorreste (from Un Ballo in Maschera) Pascale Beaudin (soprano) Imponete (from La Traviata) Caroline Bleau (soprano), Gaetan Laperriere (baritone) Bella figlia dell'amore (from Rigoletto) Aline Kutan (soprano), Annamaria Popescu (mezzo), Antoine Belanger (tenor), Alexandre Sylvestre (baritone) | Wagner: | O du, mein holder Abendstern (from Tannhäuser) Alexandre Sylvestre (baritone) |
Metropolitan Orchestra, Alain Trudel Celebrating the thirtieth anniversary of the Opera de Montreal with a stunning two disc set (at the price of one), the Directors said about this release: “Our great annual celebration of opera gives us the opportunity to present a magnificent showcase of Canadian talent. Brought together on the same stage are some of our finest voices who, along with the Orchestre Metropolitain conducted by Alain Trudel, perform some of the most beautiful arias and ensembles in the repertoire.” | 
| | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | CLASSICAL 2012
Albéniz: | Granada (from Suite española No. 1, Op. 47) | Bach, J S: | Cantata BWV169 'Gott soll allein mein Herze haben': Arioso Violin Concerto No. 1 in A minor, BWV1041: I. [Allegro] | Beethoven: | Symphony No. 8 in F major, Op. 93 - Allegretto scherzando Rondo a capriccio in G major, Op. 129 ‘Rage over a lost penny' | Bizet: | La fleur que tu m'avais jetée (from Carmen) Près des remparts de Séville (Séguedille) (from Carmen) Je crois entendre encore (from Les Pêcheurs de Perles) | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) | Cardillo: | Core 'ngrato | Chopin: | Nocturne in C minor Op. post Berceuse in D flat major, Op. 57 | Cilea: | La dolcissima effigie (from Adriana Lecouvreur) | Debussy: | Clair de Lune (from Suite Bergamasque) arr. Roelens | Delibes: | Coppelia - Waltz from Act I (Valse lente) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) | Flotow: | The Last Rose of Summer (Martha) | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Handel: | La Lucrezia (highlights) | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) | Liszt: | Consolation, S. 172 No. 3 in D flat major | Massenet: | Pourquoi me reveiller (from Werther) | Mozart: | Vesperae Solennes de Confessore, K339: Laudate Dominum | Pergolesi: | Nel chiuso centro - chamber cantata | Prokofiev: | Piano Concerto No. 1 in D flat major, Op. 10: Andante assai | Puccini: | Senza mamma, o bimbo (from Suor Angelica) | Rachmaninov: | Prelude Op. 23 No. 5 in G minor | Ramirez: | Misa Criolla: Kyrie | Schubert: | Ständchen 'Leise flehen meine Lieder', D957 No. 4 | Strauss, J, I: | Radetsky March, Op. 228 | Strauss, J, II: | Mein Herr Marquis (from Die Fledermaus) | Striggio: | Missa sopra Ecco sì beato giorno: Agnus Dei II | Tchaikovsky: | Symphony No. 5 in E minor Op. 64 (Valse (Allegro moderato) Waltz from Sleeping Beauty, Op. 66 | Verdi: | La donna è mobile (from Rigoletto) Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) La traviata: Prelude to Act 1 | Villa-Lobos: | Bachianas Brasileiras No. 5: Aria (Cantilena) | Vivaldi: | Sonno se pur sei sonno from Tito Manlio, RV738 |
| | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
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| |  | Mezzo Soprano Arias Vol. 1Complete versions and orchestral backing tracks
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| |  | Elîna Garanča: Habanera
Balfe: | I Dreamt I Dwelt in Marble Halls (from The Bohemian Girl) arr. Chicon | Barbieri, F: | Canción de Paloma (from El Barberillo de Lavapiés) | Bernstein: | I Am Easily Assimilated 'Old Lady's Tango' (from Candide) | Bizet: | Près des remparts de Séville (Séguedille) (from Carmen) Roberto Alagna (tenor) Les tringles des sistres tintaient (from Carmen) Cristina Antoaneta Pasaroiu (soprano), Giuseppina Bridelli (mezzo) L'amour est un oiseau rebelle 'Habanera' (from Carmen) L'amour est un enfant Bohème (first version of Habanera from Carmen) | Chapí: | Cunado está tan honda 'Romanza de Socorro' (from El Barquillero) | Falla: | Canción del amor dolido (from El amor brujo) Nana (No. 5 from Siete canciones populares españolas) arr. del Rey Jota (No. 4 from Siete canciones populares españolas) arr. del Rey José Maria Gallardo del Rey | Lehár: | Hör' ich Zymbalklänge (from Zigeunerliebe) | Luna, P: | El Niño Judío: De España vengo | Montsalvatge: | Canción negra No. 4, Cancion de cuna para dormir a un negrito | Obradors: | El Vito (from Canciones clásicas españolas) arr. Cuello | Ravel: | Vocalise-étude en forme de habanera arr. Hoerée | Rey, J: | Canción del amor Alberto Barletta, Enrico Maria Baroni, José Maria Gallardo del Rey, Geri Brown, Massimo Macri, Cesare Maghenzani, Roberto Vozmediano | Serrano: | Cancion de la gitana (from Le alegria del battallon) |
Elîna Garanča (mezzo) Orchestra Sinfonica Nazionale della RAI, Coro Filarmonico del Regio di Torino, Karel Mark Chichon Elîna Garanča’s supple, seductive mezzo is aflame with the neon hues and rhythmic dash of Romany in excerpts from beguiling Gypsy roles in opera and operetta. Stand alone numbers add to the panache of Habanera. With gorgeous pieces eliciting every gift Elîna Garanca boasts as a musician, Habanera's instrumental accompaniments – whether RAI’s full orchestra, small ensemble or guitar – add to the sultry atmosphere. Conductor Karel Mark Chichon contributes taut yet elastic leadership that enhances the charm and variety of Elîna Garanca’s selections. On this album, the ‘dialects’ derived from Gypsy musical language include Bizet’s Carmen, Chueca’s Tango de la Ermenegilda, Bernstein’s Candide, Lehar’s Hör ich Zymbalklänge and unknown gems like Obradors’ El vito (see the exceptional music video) making for a musically enlightening and delightful program. Every generation has its “must see” Carmen. In 2010, the list of definitive gypsy seductresses – glittering with names like Baltsa, Bumbry, Calvé, Farrar, and Stevens – is enriched by the addition of Elīna Garanča. After her triumphant success as Carmen in Riga, London, and Munich, Elīna Garanča, “the Carmen of our day” (News, Austria), has taken the NY Metropolitan Opera by storm in January 2010. This production was filmed live and the 2 DVD Set in 5.1 DTS surround sound will be released simultaneously. The Wiener Zeitung said it all when it observed of Garanča’s Carmen that “the role and the singer are perfectly matched”. “Smoochy, smoky, with lambent top notes” The Times, 28th August 2010 “Garanča's voice has been described as "creamy", "silken" and "lustrous" (her chest register is superbly produced) but it also has a surprisingly rounded maturity. What sets her apart, however, is the unteachable ability to send shivers down the spine and make grown men salivate.” Gramophone Magazine, October 2010 “Her voice impresses, though one notices that the sound has brightened of late, and that a newly found ease at the top has come...The shift allows her to interpolate a showy, but thrilling top B into Carmen's Seguidilla, and to tackle De España Vengo, the big soprano number from Luna's El Niño Judío, with abandoned ease.” The Guardian, 9th September 2010 *** “Garanča may be Lithuanian but her mezzo-soprano has Mediterranean sensuality and warmth.” The Telegraph, 13th September 2010 **** “Garanča gorgeous voice comes as a fantastic package: it caresses the ear with its velvety warmth, tingles the spine with its ringing bright overtones, and impresses the imagination with its well-supported evenness from top to bottom.” Classic FM Magazine, November 2010 *** “Garanča's is a medium-scale mezzo approach, elegant and devoid of ugly lurches into chest voice.” BBC Music Magazine, December 2010 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Lesley Garrett - Our Favourite Soprano
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