This page lists all recordings of Udite, udite, o rustici (from L'elisir d'amore) (Dulcamara's aria), by Gaetano Donizetti (1797-1848) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Bryn Terfel - Bad Boys
Bryn Terfel, a gentle man in real life, recruits a gang of “bad boy” characters from opera and musicals to serenade us with tunes from the sinister side of the bass clef. Thoroughly convincing as villains you would not want to meet alone in the dark, Bryn Terfel wields a full, wide ranging bass-baritone ever in service to dramatic instincts rare in any era Bad Boys delivers an original concept sure to seduce the media, wow the classical crowd and exert powerful mass appeal. No singer morphs from Don Giovanni to Mack the Knife to Sweeney Todd with Terfel’s devilish ease – Bad Boys is a delightful box of mixed (dark) musical bonbons “…Terfel is a consummate singing actor. …what other artist could find such different voices for singing Il Commendatore, Don Giovanni and Leporello in the closing scene of Mozart's opera.” BBC Music Magazine, Christmas 2009 **** “Terfel, of course, brings the smell of the theatre into everything he does. His powerful vocal presence is born of physical presence and he harnesses words, in any language, like few others. Brecht's words for "The Ballad of Mack the Knife" casually slip off Terfel's cords like the threats of a slickly attired bouncer... Sweeney Todd's "Epiphany" (with a flash of Anne Sofie von Otter's cockney Mrs Lovett - not 'arf bad) is scary to behold...” Gramophone Magazine, November 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Great Operatic Arias 9 - Andrew ShoreSung in English
Donizetti: | Udite, udite, o rustici (from L'elisir d'amore) Sung in English as 'Attention! Attention! You country folk!’ Voglio dire, lo stupendo (from L'Elisir d'amore) Sung in English as ‘Good doctor...It was Tristan who employed it’ Barry Banks (Nemorino) Quanto amore (from L'elisir d'amore) Sung in English as 'How he loved me!' Mary Plazas (Adina) Ei corregge ogni difetto (from L'elisir d'amore) Sung in English as 'It will give you cheeks like peaches' Mary Plazas (Adina), Barry Banks (Nemorino), Ashley Holland (Belcore) Un foco insolito, mi sento addosso (from Don Pasquale) Sung in English as 'Quite unexpectedly passions inflame me’ Jason Howard (Malatesta) Signorina, in tanta fretta (from Don Pasquale) Sung in English as 'Well good evening! You’re in a hurry’ Lynne Dawson (Norina) Cognato, in me vedete un morto che cammina (from Don Pasquale) Sung in English as 'Ah brother… a living corpse is standing here before you’ Jason Howard (Malatesta) | Mozart: | Madamina, il catalogo è questo (from Don Giovanni) Sung in English as 'Pretty lady, I have something to show you’ | Rossini: | A un dottor della mia sorte (from Il barbiere di Siviglia) Sung in English as 'Dare you offer such excuses?’ Ai capricci della sorte (from L'Italiana in Algeri) Sung in English as 'All the changes in my fortune' Della Jones (Isabella) | Verdi: | Ehi! Paggio! ... L'onore! Ladri! (from Falstaff) Sung in English as 'Hey, Page boy!...Your honour? Vermin!’ |
| | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Baritone Arias Vol. 2Complete versions and orchestral backing tracks
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| |  | Great Swedish Singers: Erik Saedén
Erik Saedén (bass-baritone) | |
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| |  | Opera Arias for Bass
Cimarosa: | Il maestro di cappella recorded in Milan, 1955 Pomeriggi Musicali, I, Bruno Amaducci | Donizetti: | Udite, udite, o rustici (from L'elisir d'amore) recorded in Geneva, 1954-55 Swiss Romande Orchestra, Alberto Erede Un foco insolito, mi sento addosso (from Don Pasquale) recorded in Geneva, 1954-55 Swiss Romande Orchestra, Alberto Erede | Mozart: | Donne mie la fate a tanti (from Così fan tutte) recorded in Rome, 1954-55 Santa Cecilia Academy Orchestra, Rome Madamina, il catalogo è questo (from Don Giovanni) recorded in Geneva, 1954-55 Swiss Romande Orchestra, Peter Maag Ah, pieta, signori miei! (from Don Giovanni) recorded in Geneva, 1954-55 Swiss Romande Orchestra, Peter Maag | Rossini: | Il mio piano e preparato (from La gazza ladra) recorded in Geneva, 1954-55 Swiss Romande Orchestra, Alberto Erede A un dottor della mia sorte (from Il barbiere di Siviglia) recorded in Geneva, 1954-55 Swiss Romande Orchestra, Alberto Erede |
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| |  | Montemezzi: L'Amore Dei Tre Reand opera arias sung by Ezio Pinza
Recorded on 15th February 1941 “This particular performance has been around in pirated LPs and CDs. But it can surely never have been heard as well as on this most excellent transfer...It is Ezio Pinza who easily walks away with the vocal honours. As the blind Archibaldo, his magnificent voice radiates majesty and authority. It is unlikely that the role has ever been better sung” American Record Guide, October 2003 “[Pinza's] King Archibaldo tends to dominate proceedings both vocally and histrionically. The other members of the quartet are not ciphers. Richard Bonelli, though not the greatest interpreter among baritones, produces elegant singing.” International Record Review, July/August 2003 “...the voices are clearly heard and the dynamic variety wrought by the composer as conductor is there to be heard and enjoyed...Whilst it is the presence and singing of Pinza that is the great calling card of this performance, the others in the cast do not let the side down...This is as good as it gets with recordings from this source and period.” MusicWeb International | | | Usually despatched in 8 - 10 working days. |
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| |  | Joseph Rouleau: Hommage
Boito: | Prologue from "Mefistofele" Son lo Spirito che nega (from Mefistofele) Ecco il mondo, vuoto e tondo (from Mefistofele) Luciano Salvari (Faust) Orchestre et Choeur Philharmonique de Radio France, Nello Santi | Brahms: | Vier ernste Gesänge, Op. 121 Pierre Jasmin (piano) | Donizetti: | Ah! Cedi, cedi o più sciagure (from Lucia di Lammermoor) Dalle stanze, ove Lucia (from Lucia di Lammermoor) Joan Sutherland (Lucia) Covent Garden Opera Chorus and Orchestra, Tullio Serafin Udite, udite, o rustici (from L'elisir d'amore) Charles Reiner (piano) | Duparc: | Phidylé La Vague et la Cloche Chanson triste Colombe Pelletier (piano) | Fauré: | Tristesse, Op. 6 No. 2 Chanson du pêcheur Op. 4 No. 1 Colombe Pelletier (piano) | Flégier: | Le Cor Louise-Andrée Baril (piano) | Grieg: | Ich liebe Dich, Op. 5 No. 3 Sung in French as 'Je t'aime' Louise-Andrée Baril (piano) | Handel: | Samson: How willing my paternal love Charles Reiner (piano) | Ibert: | Chanson de la mort de Don Quichotte Henk Sprint (piano) | Mathieu, R: | Saisons canadiennes Claude Savard (piano) | Monteverdi: | Bois aimés Charles Reiner (piano) | Mussorgsky: | Song of the Volga boatmen Sung in French as 'Les batteliers de la Volga' Mephistopheles' Song of the Flea Sung in French Charles Reiner (piano) Songs and Dances of Death Sung in French Charles Reiner (piano) | Ravel: | Don Quichotte à Dulcinée Charles Reiner (piano) | Saint-Saëns: | Danse macabre (song) Louise-Andrée Baril (piano) | Tosti: | L'ultima canzone La serenata Louise-Andrée Baril (piano) | Verdi: | Carlo il sommo imperatore (from Don Carlo) Omroep Orkest, Carlo Maria Giulini Abbietta zingara, fosca vegliarda!...Brevi e tristi giorni visse (from Il Trovatore) E deggio...e posso crederlo? (from Il Trovatore) Peter Glossop (Luna), Gwyneth Jones (Leonora), Bruno Prevedi (Manrico), Elizabeth Bainbridge (Ines), John Dobson (Ruiz) |
Rouleau was acclaimed on the world’s greatest opera stages and performed with the greatest singers, including Sutherland, de Los Angeles, Callas, Pavarotti and Domingo. This collection draws from his impressive discography and includes arias by Donizetti, Verdi, Boito and many others; all demonstrating his vigour and vitality. | | | In stock - usually despatched within 1 working day. |
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Gramophone Magazine