Grieg: Melody, Op. 38, No. 3 in C major

This page lists our only recording of Melody, Op. 38, No. 3 in C major, by Edvard Hagerup Grieg (1843-1907) on CD & SACD.

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Grieg - Lyric Pieces

Label:

Audite

Catalogue No:

AUDITE92555

Discs:

1

Release date:

7th Aug 2007

Barcode:

4022143925558

Medium:

SACD

Format:

Hybrid Multi-channel
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Grieg - Lyric Pieces


Grieg:

Melody, Op. 38, No. 3 in C major

Lyric Pieces Op. 43: No. 4 - Little bird

Lyric Pieces Op. 43: No. 5 - Erotikon

Lyric Pieces Op. 43: No. 6 - To Spring

Lyric Pieces Op. 47: No. 3 - Melody

Lyric Pieces Op. 43: No. 1 - Butterfly

Berceuse in G major, Op. 38 No. 1

Lyric Pieces Op. 62: No. 4 - Brooklet

Vanished Days, Op. 57 No. 1

Lyric Pieces Op. 47: No. 2 - Album Leaf

Valse-Impromptu, Op. 47 No. 1

Lyric Pieces Op. 62: No. 5 - Phantom

Norwegian Melody, Op. 12, No. 6

Lyric Pieces Op. 57: No. 6 - Homesickness

Scherzo, Op. 54, No. 5

Lyric Pieces Op. 68: No. 3 - At your feet

Lyric Pieces Op. 65: No. 6 - Wedding Day at Troldhaugen

Secrecy. Op. 57 No. 4

Lyric Pieces Op. 62: No. 1 - Sylph

Lyric Pieces Op. 68: No. 4 - Evening in the mountains

Lyric Pieces Op. 54: No. 3 - March of the Trolls

Notturno from Lyric Suite, Op. 54


Hideyo Harada (piano)

SACD

$17.25

Usually despatched in 3 - 4 working days.

The Lyric Pieces by Edvard Grieg have long formed part of standard repertoire for musical recitals in the home; they were also excellent encores when pianists wished to thank their audience with a poetic gesture. In this recording, Hideyo Harada recalls the important tradition of these ‘songs without words’ to memory. In the groups of pieces as well as in each piece itself, Hideyo Harada maintains the dramatic tension which is the heart of Romantic musical poetry. Each piece is self-consistent and logical, clearly formed and yet with its own characteristics and with a quasi-visual force of presence.

"a thoroughly convincing and satisfying recital. Harada certainly has the virtuoso technique to accomplish it. Her poise, balance, and articulation are essentially flawless, and her sheer speed is often quite breathtaking.” Allmusic.com

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