Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Kiri te Kanawa sings Mozart & Strauss
Mozart: | E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Porgi amor (from Le nozze di Figaro) Ruhe sanft, mein holdes Leben (from Zaïde) Crudeli, oh dio! (from La Finta Giardiniera) S’altro che lagrime (from La clemenza di Tito) Ei parte...Per pietà (from Così fan tutte) L'amerò, sarò costante (from Il re pastore) Pupille amate (from Lucio Silla) Se il padre perdei (from Idomeneo) Bella mia fiamma, addio... Resta, oh cara, K528 Ach, ich fühl's (from Die Zauberflöte, K620) Bester Jüngling (from Der Schauspieldirektor) Nehmt meinen Dank, ihr holden Gönner!, concert aria K383 | Strauss, R: | Four Last Songs Madrigal, Op.15, No. 1 Morgen, Op. 27 No. 4 Er ist der Richtige nicht für mich … Aber der Richtige, wenn's einen gibt für mich (from Arabella) Und jetzt sag ich Adieu, mein lieber Dominik (from Arabella) O Arabella, gibt es was Schöneres als Sie auf einem Ball! (from Arabella) Das war sehr gut, Mandryka (from Arabella) Dann aber, wie ich Sie gespürt hab hier im Finstern stehn (from Arabella) Allerseelen, Op. 10 No. 8 Die Nacht, Op. 10 No. 3 Capriccio: Intermezzo (Moonlight Music) Wo ist mein Bruder? (from Capriccio) Kein andres, das mir so im Herzen loht (from Capriccio) Du Spiegelbild der verliebten Madeleine (from Capriccio) |
Dame Kiri te Kanawa was presented with a lifetime achievement award at the Classical Brits 2010. Decca’s first-ever compilation devoted to the two composers most closely associated with Kiri te Kanawa: Mozart & Richard Strauss. Selection includes arias from operas by both composers which te Kanawa has sung on stage as well as concert arias and songs she has featured in concert. Kiri te Kanawa is accompanied by two of her greatest musical mentors – Sir Georg Solti - in his dual role as conductor and pianist – and Sir Colin Davis (with whom she first sang the role of the Countess in Le nozze di Figaro at The Royal Opera House, Covent Garden, in 1971. | | | In stock - usually despatched within 1 working day. |
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| |  | Renée Fleming sings Mozart Arias
Mozart: | Nehmt meinen Dank, ihr holden Gönner!, concert aria K383 Giunse alfin il momento... Deh, vieni, non tardar… (from Le nozze di Figaro) In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Ach ich liebte, war so glücklich (from Die Entführung aus dem Serail) L'amerò, sarò costante (from Il re pastore) Ach, ich fühl's (from Die Zauberflöte, K620) Geme la tortorella (from La finta giardiniera) Crudeli, oh dio! (from La Finta Giardiniera) Ah del pianto, dal singhlozzo (from La finta giardiniera) Ruhe sanft, mein holdes Leben (from Zaïde) Lieve sono al par del viento (from Il sogno di Scipione) Giunse alfin il momento - Al desio di chi t'adora K492/577 |
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| |  | Opera Arias
AAD | | | (also available to download from $10.50) | Usually despatched in 8 - 10 working days. (Available now to download.) |
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| |  | Kiri Te Kanawa sings Mozart
Mozart: | Ruhe sanft, mein holdes Leben (from Zaïde) London Symphony Orchestra, Sir Colin Davis Crudeli, oh dio! (from La Finta Giardiniera) London Symphony Orchestra, Sir Colin Davis S’altro che lagrime (from La clemenza di Tito) London Symphony Orchestra, Sir Colin Davis Ei parte...Per pietà (from Così fan tutte) London Symphony Orchestra, Sir Colin Davis L'amerò, sarò costante (from Il re pastore) London Symphony Orchestra, Sir Colin Davis Pupille amate (from Lucio Silla) London Symphony Orchestra, Sir Colin Davis Se il padre perdei (from Idomeneo) London Symphony Orchestra, Sir Colin Davis Ach, ich fühl's (from Die Zauberflöte, K620) London Symphony Orchestra, Sir Colin Davis Et incarnatus est (from Great Mass in C minor) Academy of St. Martin in the Fields, Sir Neville Marriner Vesperae Solennes de Confessore, K339: Laudate Dominum John Constable (organ) London Symphony Chorus & Orchestra, Sir Colin Davis Exsultate, jubilate, K165 John Constable (organ) London Symphony Orchestra, Sir Colin Davis Porgi amor (from Le nozze di Figaro) London Philharmonic Orchestra, Sir Georg Solti E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) London Philharmonic Orchestra, Sir Georg Solti Bester Jüngling (from Der Schauspieldirektor) Wiener Philharmoniker, Sir John Pritchard Come scoglio (from Così fan tutte) Wiener Philharmoniker, James Levine Traurigkeit (from Die Entführung aus dem Serail) Lungi da te, mio bene (from Mitridate, Rè di Ponto, KV87) Frank Lloyd (horn) Or sai chi l'onore (from Don Giovanni) Peter Bronder (tenor) Crudele? Ah no, mio bene! ... Non mi dir, bell'idol mio (from Don Giovanni) Martern aller Arten (from Die Entführung aus dem Serail) English Chamber Orchestra, Jeffrey Tate Misera, dove son? - Ah! non son' io che parlo! K369 Ch'io mi scordi di te?... Non temer, amato bene, K505 Ah, lo previdi... Ah, l'invola agl'occhi miei, K272 Vado, ma dove? oh Dei!, K583 O temerario Arbace... Per quel paterno amplesso, K79 Chi sà, chi sà qual sia, K582 Non più, tutto ascoltai - Non temer, amato bene, K490 Rainer Küchl (violin) Bella mia fiamma, addio... Resta, oh cara, K528 Wiener Kammerorchester, György Fischer Nehmt meinen Dank, ihr holden Gönner!, concert aria K383 Wiener Kammerorchester, György Fischer |
While Kiri Te Kanawa was still preparing for that career-defining debut as the Countess in Le nozze di Figaro, she made her first Mozart disc under Colin Davis: a collection of sacred music, including the Solemn Vespers, KV 339, with its serene setting of ‘Laudate Dominum’, and Exsultate, jubilate. The Countess became the singer’s calling-card, and she repeated the role immediately in San Francisco and at Glyndebourne. The thwarted Donna Elvira in Don Giovanni followed, again under Davis at Covent Garden, before Kiri took her Countess to the Met in New York in February 1976, and sang her first Fiordiligi in Paris, in a production by Jean-Pierre Ponnelle. The Paris Opera was also the location of Kiri’s debut as Pamina in Die Zauberflöte in 1977. Her leap into superstardom came when she sang at the wedding of Prince Charles and Diana in July 1981. The previous month she had committed her Countess to disc in a classic recording for Decca under Georg Solti. This collection brings together for the first time on disc, Dame Kiri’s complete Mozart recital discs for Decca (with György Fischer) and Philips (with Sir Colin Davis and Jeffrey Tate). Included too are two arias from her celebrated recording of Le nozze di Figaro with Sir Georg Solti, an aria from her sublime recording of Così fan tutte with James Levine (for Deutsche Grammophon) as well as sacred arias, and sacred music conducted by Neville Marriner and Colin Davis. “Te Kanawa's special relationship with Mozart is documented alongside distinguished colleagues. Tone is apt; more textual focus is required.” BBC Music Magazine, July 2012 **** | | | In stock - usually despatched within 1 working day. |
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