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This is a newly available recording of the young Fischer-Dieskau performing Baroque repertoire and is the only available recording of him singing this repertoire. During the 1950s, the voice of the young Fischer-Dieskau exuded a special lyricism and melodic naturalness as no other had before him.
Heinrich Schutz: Symphoniarum sacrarum secunda pars, Op. 10, SWV 341-367
Frohlocket mit Handen, SWV 349
Der Herr ist meine Starke, SWV 345
Heinrich Schutz: Die sieben Worte Jesu Christi am Kreuz, SWV 478
Die sieben Worte Jesu Christi am Kreuz, SWV 478
Heinrich Schutz: Symphoniae sacrae, Op. 6, SWV 257-276
Symphoniarum sacrarum secunda pars, Op. 10, SWV 341-367
Symphoniarum sacrarum secunda pars, Op. 10, SWV 341-367: Singet dem Herren ein neues Lied, SWV 342
Kleiner geistlichen Concerten, Part II, Op. 9, SWV 306-337
Kleiner geistlichen Concerten, Part II, Op. 9, SWV 306-337: Ich liege und schlafe, SWV 310
December 2009
“The Seven Words from the Cross is a short oratorio… The recording…catches Fischer-Dieskau in best vocal form, giving moving utterance to the sacred words, especially to the vernacular rendering of the cry "Why hast Thou forsaken me?" From the Symphoniae sacrae and Kleine geistliche Konzerte come some wonderfully expressive solos such as the exuberant "Singet dem Herrn" and David's lament over Absolom with the solemn accompaniment of trombones.”
Click on any of the works listed above for alternative recordings.