Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Fritz Feinhals
and excerpts from works by Rossini and Massenet
Fritz Feinhals (baritone) Fritz Feinhals (1869 – 1940) was a German baritone whose career was mainly centered around Europe and the Metropolitan Opera where he was famous for his performances in Wagnerian opera. This release features recordings of him singing Wagner made between 1907 and 1911. | | | In stock - usually despatched within 1 working day. |
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| |  | Wagner Duets
Wagner: | Wie aus der Ferne längst (from Der Fliegende Holländer) Das susse Lied verhallt (from Lohengrin) Gruss Gott, mein Junker (from Die Meistersinger von Nürnberg) Grüß Gott, mein Evchen! (from Die Meistersinger von Nürnberg) Geliebter, sag’, wo weilt dein Sinn? (from Tannhäuser) Dir töne Lob (from Tannhäuser) Ach! Ach! Tiefe Nacht! Wahnsinn!...Furchtbare Not! (from Parsifal) Du siehst, das ist nicht so (from Parsifal) Wotan! Gemahl! Erwache (from Das Rheingold) Schlafst du, Gast? Ich bin's! (from Die Walküre) Winterstürme wichen dem Wonnemond (from Die Walküre) Du bist der Lenz (from Die Walküre) Siegmund heiß ich und Siegmund bin ich! (from Die Walküre) So tatest du, was so gern zu tun ich begehrt (from Die Walküre) Nicht streb’, o Maid, den Mut mir zu stören (from Die Walküre) Leb wohl, du kühnes, herrliches Kind! (from Die Walküre) Zu neuen Taten, teurer Helde (from Götterdämmerung) Mehr gabst du, Wunderfrau, als ich zu wahren weiß (from Götterdämmerung) Schläfst du, Hagen, mein Sohn? (from Götterdämmerung) O sink hernieder, Nacht der Liebe (from Tristan und Isolde) Tatest du's wirklich? (from Tristan and Isolde) |
Looking back at Tristan und Isolde twenty years after its composition, Wagner told his wife Cosima: ‘My model was Romeo and Juliet – nothing but duets!’ He was invoking Bellini’s opera I Capuleti e i Montecchi, which he had conducted many times as a young man. Indeed, there had been much in the Italian master’s legacy that had impressed the young Wagner, including the ‘long, long, long melodies’ that Verdi described, and the technique of melodic sequence in which a phrase is repeated with rising pitch and heightened effect. The erotic potential of such procedures is famously exploited in the ‘night of love’ in Act II of Tristan und Isolde. And while this might well claim to be Wagner’s best-known duet, this innovative 2CD set, compiled by Australia’s Wagner expert Peter Bassett (who also contributes the notes) brings together a collection of dialogues, musical conversations and duets from the major Wagner operas. The recordings are among the finest ever made. The singers are a Who’s Who of great names from the sixties, seventies and eighties – Fischer-Dieskau, Janowitz, Vickers, Thomas, Price, Kollo… with conductors like Karajan, Kleiber and Jochum directing these revelatory performances. The breadth and diversity of the emotion on this double album is matched by the generous playing times: more than two hours and forty minutes of music on a 2CD set. “a performance with the blast of the winds and whiff of the sea” Gramophone Magazine (Fliegende Holländer) “the chivalrous James King will impress you as being one of the purest, most unidiosyncratic Lohengrins you’ll have heard” Gramophone Magazine (Lohengrin) “Fischer-Dieskau’s interpretation is as musical, as richly varied, as intelligent as one could hope for […] The great and unexpected revelation is Domingo’s Walther … he provides the most lyrically ardent Walther in any of the sets to date, seconding his conductor in his long-breathed, eloquent phrasing.” Gramophone Magazine (Die Meistersinger von Nürnberg) “Nilsson rises to great heights … is predictably glorious in her pleading for mercy to be shown to her lover and Windgassen is equally good in his defiance and contrition” Gramophone Magazine (Tannhäuser) “Fischer-Dieskau and Veasey establish their characters with amazing clarity and speed” Gramophone Magazine (Rheingold) “Vickers is a passionate Siegmund … his performance is superb … and as he is in splendid voice the heroic moments are most exciting.” Gramophone Magazine (Die Walküre) “Kollo matches Price’s beauty of line with his own, so that for lyrical refinement their love duet is in a class of its own” Gramophone Magazine (Tristan und Isolde) “Helge Dernesch is at her very peak” Penguin Guide *** | 
| | | Scheduled for release on 17 June 2013. Order it now and we will deliver it as soon as it is available. |
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| |  | Jaro Prohaska
Jaro Prohaska (bass-baritone) One of the most outstanding bass-baritones between 1920 and 1950. For twelve years he was one of the most outstanding performers at Bayreuth. | | | Usually despatched in 2 - 3 working days. |
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| |  | Edition Staatskapelle Dresden - Volume 23Die Walküre: Act 1
Karl Elmendorff and Kurt Striegler were two of many composers responsible for splendid interpretations of Wagner's operas in Dresden in the first half of the twentieth century. At their disposal was the incomparable Staatskapelle, a high quality opera chorus and many outstanding singers, some of which appear on this recording. Featured are works from a selection of Wagner’s most famous operas. “The whole of Act I and the last scent of Act III of Die Walküre, and snippets from the other operas recorded late in 1944 show what the great German Wagner tradition was like.” BBC Music Magazine, May 2009 ***** | | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Julia Varady sings Opera Arias
Live Recordings 1993-1996 “Best of all is her Desdemona, in extracts from Otello in May 1996 conducted by Donald Runnicles. The confrontation from Act 3 with Giuseppe Giacomini as Otello has the authentic feel of the theatre, and the "Ave Maria" (no "Willow Song") makes a beautiful conclusion.” Gramophone Magazine, November 2007 | | | Usually despatched in 3 - 4 working days. |
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| |  | Frans Andersson: The Great Danish Bass-Baritone
Frans Andersson (bass-baritone) Royal Orchestra, The, Copenhagen Chamber Choir, John Frandsen, Arne Bertelsen | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Evelyn Lear: An 80th Birthday Tribute
Barber, S: | Knoxville: Summer of 1915, Op. 24 | Berlioz: | Villanelle (from Les nuits d'été, Op. 7) Le Spectre de la rose (from Les nuits d'été, Op. 7) | Copland: | I Bought me a Cat | Fauré: | Chanson d'amour, Op. 27 No. 1 Mandoline, Op. 58 No. 1 (Verlaine) Prison, Op. 83 No. 1 | Hahn, R: | L'heure exquise | Handel: | Se pietà di me non senti (from Giulio Cesare) | Mahler: | Das irdische Leben (Des Knaben Wunderhorn) | Mozart: | Voi che sapete (from Le nozze di Figaro) | Nicolai, C O: | Nun eilt herbei (from Die lustigen Weiber von Windsor) | Rachmaninov: | Lilacs, Op. 21 No. 5 | Saint-Saëns: | Ici les tendres oiseaux | Schubert: | Fischerweise, D881 (Schlechta) Nacht und Träume, D827 | Strauss, R: | Da geht er hin (from Der Rosenkavalier, Op. 59) Sie woll'n mich heiraten, sagt mein Vater (from Arabella) Beim Schlafengehen (from Vier Letzte Lieder) Morgen, Op. 27 No. 4 Die Nacht, Op. 10 No. 3 Ständchen, Op. 17 No. 2 | Tchaikovsky: | Sred' shumnogo bala (Amid the din of the ball), Op. 38 No. 3 Ni slova, o drug moy (Not a word, O my friend), Op. 6 No. 2 | trad.: | He's gone away | Verdi: | Mia madre aveva...Piangea cantando...Ave Maria (from Otello) | Villa-Lobos: | Bachianas Brasileiras No. 5: Aria and Dança (Martelo) Canção do carreiro | Wagner: | Wie aus der Ferne längst (from Der Fliegende Holländer) Thomas Stewart (baritone) | Zeller: | Schenkt man sich Rosen in Tirol (from Der Vogelhändler) |
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| |  | Birgit Nilsson & Hans Hotter sing arias and duets by Wagner
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| |  | Festival of the Primadonnas - The Great Sopranos
Beethoven: | Abscheulicher! Wo eilst du hin? (from Fidelio) | Bellini: | Casta Diva (from Norma) | Boito: | L'altra notte in fondo al mare (from Mefistofele) | Donizetti: | Ardon gli incensi (from Lucia di Lammermoor) | Fall: | Du mein Schonbrunn (from Die Kaiserin) | Gounod: | Ah! Je ris de me voir (from Faust) | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball | Kalman: | Höre ich Zigeunergeigen (from Gräfin Mariza) | Lehár: | Viljalied (from Die lustige Witwe) Ballsirenen (on themes from `Die lustige Witwe`) Spiel' mir das Lied von Gluck und Treu (from Die ungarische Hochzeit) | Leoncavallo: | Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci) sung in German | Mozart: | E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Alma grande e nobil core K578 Don Ottavio, son morta!...Or sai chi l'onore (from Don Giovanni) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) O zittre nicht (from Die Zauberflöte) | Puccini: | Vissi d'arte (from Tosca) Tu che di gel sei cinta (from Turandot) O mio babbino caro (from Gianni Schicchi) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) Dieser Anstand, so manierlich (from Die Fledermaus) Wer uns getraut? (from Der Zigeunerbaron) O, habet Acht (Saffi) Wiener Blut: 'Das eines kann --- Ich war ein echtes Wiener Blut ...Wiener Blut!' Frühlingsstimmen Walzer Op. 410 O, wie ist dass Leben schon (from Der Karneval in Rom) | Strauss, R: | Herr Gott in Himmel! (from Der Rosenkavalier) Ah! Du wolltest mich nicht deinen Mund küssen lassen (from Salome) | Suppe: | Florenz hat schöne Frauen (from Boccaccio) | Thomas, Ambroise: | Connais-tu le pays (from Mignon) sung in German | Verdi: | Ah, fors'è lui che l'anima (from La Traviata) Ave Maria (from Otello) | Wagner: | Dich, teure Halle (from Tannhauser) Wie aus der Ferne längst (from Der Fliegende Holländer) |
This special priced 3 CD set entitled the Festival of the Primadonnas, features some of the greatest sopranos of our time singing arias from great operas such as Tosca, Lucia di Lammermoor, La Traviata, Aida, Don Giovanni and Fidelio to name a few. This wide selection is sung by sopranos including Maria Callas and Elisabeth Schwarzkopf and they are accompanied by an impressive selection of orchestras and conductors. | | | (also available to download from $16.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Ute Vinzing: A Portrait
All items recorded between 1972 and 1985 Recorded live between 1972 and 1985 | | | Usually despatched in 2 - 3 working days. |
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