Scheidt: Paduan dolorosa a 4: Cantus V

This page lists our only recording of Paduan dolorosa a 4: Cantus V, by Samuel Scheidt (1587-1641) on download (MP3 & FLAC).

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La Barcha d'Amore


Alia Vox

Catalogue No:




Release date:

29th June 2009




68 minutes


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La Barcha d'Amore




Greensleeves to a Ground

Une jeune fillette


Yo soy la locura

Caccini, G:

Amor ch'attendi

Alme luci beat

Non ha'l ciel cotanti lumi


Sosieguen, descansen


Gagliarda 'La barca d'amore'

Hidalgo, J:

Ay que me rio de amor


Rondeau du Mariage forcé

Chaconne de l'Amour médecin

Marini, B:

Passacaglia à 4, Op. 22


Lamento della Ninfa (Book 8)


Paduan dolorosa a 4: Cantus V

Courant dolorosa a 4: Cantus IX


My Sweet Little Darling


No te embarques

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La Barcha d'Amore is an eclectic, contrasting selection of some of the most beautiful vocal and instrumental music inspired by mythology and 17th-century European love poetry. Music of time and memory, performed by Montserrat Figueras and Jordi Savall, together with Ton Koopman, Hopkinson Smith,Andrew Lawrence-King and other members of the ensemble Hespèrion XX (which in 2001 became Hespèrion XXI) and the orchestra Le Concert Des Nations, have selected recordings that they made from 1976 to 1996 for the labels Emi Electrola, Dhm,Astrée and Auvidis, and from 1998 to 2008 for Aliavox. This anthology, contains vocal pieces directly related to the theme of love, such as the innovative Airs for the recitar cantando of Giulio Caccini's Le Nuove Musiche, the evocative tonos humanos by Spanish Baroque composers Sebastián Durón, Juan del Vado and Juan Hidalgo, Monteverdi's sublime Lamento della Ninfa, the mysterious folia Yo soy la locura by Henri du Bailly, not forgetting the touching Elizabethan lullaby and the tender melody Une jeune fillette, both by anonymous authors, but equally remarkable for their great beauty and depth of emotion. The various instrumental pieces, with such evocative titles as the Gaillarde "La Barcha del mio Amore" by Giacomo de Gorzanis, Samuel Scheidt's Pavane and his "Courant dolorosa", the Elizabethan "Desperada" and the highly popular improvisation piece, "Greensleeves", as well as the great Jean-Baptiste Lully's Rondeau from Le Mariage forcé and the Chaconne from L'Amour Médecin, provide the necessary complement to the vocal pieces, resulting in a great variety of sources and contrasting characters. The Barcha d'Amore is the personal testimony of Jordi Savall's unwavering and rigorous commitment to the performance of music from the Middle Ages to the age of Classicism using 'historically informed' instruments and performance techniques, which emerged in the 1970s.Those years marked the beginning of a great revival in the performance of pre-Romantic music, a continuing revival which offers the possibility of retrieving an important cultural legacy.

Giacomo De Gorzanis: La Barcha Del Moi Amore

La Barcha Del Moi Amore

Giulio Caccini: Amor Ch'Attendi

Amor Ch'Attendi

Giulio Caccini: Alme Luci Beate

Alme Luci Beate

Giulio Caccini: Non Ha'L Ciel

Non Ha'L Ciel

Biaggio Marini: Passacalio


Claudio Monteverdi: Non Havea Febo Ancora

Non Havea Febo Ancora

Claudio Monteverdi: Lamento Della Ninfa

Lamento Della Ninfa

Claudio Monteverdi: Si Tra Sdegnosi Pianti

Si Tra Sdegnosi Pianti

Samuel Scheidt: Paduan Dolorosa A 4 Voce - Cantus V

Paduan Dolorosa A 4 Voce - Cantus V

Samuel Scheidt: Courant Dolorosa A 4 Voce - Cantus IX

Courant Dolorosa A 4 Voce - Cantus IX

Sebastian Duron: Sosieguen Descansen

Sosieguen Descansen

Juan Del Vado: No Te Embarques

No Te Embarques

Juan Hidalgo: Ay Que Me Rio De Amor

Ay Que Me Rio De Amor

Anonymous: Desperada


Anonymous: Lullaby : My Litle Sweet Darling

Lullaby : My Litle Sweet Darling

Anonymous: Greensleeves To A Ground

Greensleeves To A Ground

Anonymous: Une Jeune Fillette

Une Jeune Fillette

Jean-Baptiste Lully: Le Mariage Forcé - Rondeau

Le Mariage Forcé - Rondeau

Henry Du Bailly: La Folia - "Yo Soy La Locura"

La Folia - "Yo Soy La Locura"

Jean-Baptiste Lully: L'Amour Médecin - Chaconne

L'Amour Médecin - Chaconne

BBC Music Magazine

September 2009


“…there's a surprising homogeneity of sound and style throughout - testament to Figueras and Savall's innate musicality, artistic vision and spiritual harmony in a lifetime of collaboration and discovery.”

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