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Courteville: | Creep softly, purling streams | Croft: | Symphony song: For rural and sincerer joys | Draghi, G B: | Where art thou, God of Dreams (from Romulus and Hersilia, 1682) Sonata in G minor | Handel: | Cantata 'Venus and Adonis', HWV 85 reconstructed by Peter Holman | Haym: | Chandos anthem: Have mercy on me, O God | Matteis the elder: | Suite in D minor | Pepusch: | Sonata in D major for two violins, cello & harpsichord 'Smallcoal' | Purcell: | Trio Sonata, for violin, bass viol and organ, Z780 reconstructed by Peter Holman Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z196 | Weldon: | Suite in D minor |
The late seventeenth century was a period of great change in English music. This was a time when the influences of Italian music were ever-increasing, brought to England by Italian composers such as Draghi, Haym and Matteis, and their German contemporaries Pepusch and Handel. In this new release we explore how the English composers, Purcell, Weldon and Croft, responded to Italian music and incorporated the style into their own works. The two works by Purcell, Sonata in G minor and The Blessed Virgin’s Expostulation, perfectly illustrate his mastery of the Italian style. This is especially evident in the latter, which Purcell wrote in the style of an Italian cantata. This distinctive blend of English and Italian influences also became evident in the works of many European composers in England, as they adopted the native English style and form. In fact the English legacy can be heard in the music of Draghi, Courteville, Matteis, Handel, Pepusch and Haym, almost as clearly as in the music of their English contemporaries. Draghi’s sonata is a prime example of this, it seems to have been influenced by English consort music, and its short, contrasted sections and unexpected harmonies are far removed from the sonatas composers were writing in Italy at the time. The works on this release are performed by Peter Holman’s early music group, The Parley of Instruments, which today is recognised as one of the leading exponents of Baroque music. The Parley’s trail-blazing work in English eighteenth-century music has led to collaborations with soloists such as Catherine Bott, Crispian Steele-Perkins and Elizabeth Wallfisch. On this release, the group is joined by soprano Philippa Hyde, with Peter Holman, conductor and founder of the Parley of Instruments. ““Tell me, some pitying angel” [is] prettily sung by Philippa Hyde” Financial Times, 21st January 2011 ** “Hyde's exciting voice has a consistently warm, unfussy tone over a wide range. She sings without vibrato, strain on the high notes or contrived embellishments. Diction is mostly perfect...The group has the lightest touch in Pepusch's Smallcoal Sonata and a mesmeric grip on dance suites by Weldon and Matteis.” Classic FM Magazine, March 2011 **** “Philippa Hyde is the well-chosen soloist...silvery-voiced, fluent, articulate, agile where necessary, vibrato-lite, she is a pleasure to hear.” International Record Review, March 2011 “It looks like a fascinating time, the richness of which could perhaps only be properly revealed by a wisely chosen programme of rarities such as this...Everything is stylish and full of understanding, and Philippa Hyde's voice is clear and strong.” Gramophone Magazine, July 2011 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Handel: Venus & AdonisCantatas & Sonatas
Ensemble Zefiro was founded in 1989 by oboists Alfredo Bernardini and Paolo Grazzi together with bassoonist Alberto Grazzi and consists of talented musicians drawn from leading Baroque orchestras. Zefiro regularly appears to great acclaim at major European, Asian and South American festivals. “Italian Baroque wind ensemble Zefiro play beautifully and programme thoughtfully...The versatile Gemma Bertagnolli sings stylishly in three languages...[her] palpitations in the first vocal phrase are emotive, and her embellishments during "Ho tanti affetti" are beguiling.” Gramophone Magazine, September 2010 “Ensemble Zefiro highlights the oboe. Their playing is delightfully alert in allegros, raptly expressive in the slow movements. The largo of the G minor trio is a highlight. Bertagnolli enchants in Mi palpita il cor” Sunday Times, 27th June 2010 *** | | | Usually despatched in 3 - 4 working days. |
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