Reger: Bitte um einen seeligen Tod

This page lists our only recording of Bitte um einen seeligen Tod, by Max Reger (1873-1916) on CD.

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Fischer-Dieskau 85th Birthday Edition: Reger, Sutermeister & Hindemith

Label:

Audite

Catalogue No:

AUDITE95637

Discs:

1

Release date:

24th May 2010

Barcode:

4022143956378

Medium:

CD
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Fischer-Dieskau 85th Birthday Edition: Reger, Sutermeister & Hindemith

Berlin, 1972, 1979 + 1989


Hindemith:

In ewigen Verwandlungen

Die Sonne sinkt

Das Ganze nicht das Einzelne

Muss immer der Morgen

Singet leise

Ich will nicht klagen

Das Lied des Toten

Hymne

Reger:

Wenn in bangen, trüben Stunden

Ich sehe dich in tausend Bildern Op. 105, No. 2

Passionslied

Meine Seele ist still zu Gott

Bitte um einen seeligen Tod

Dein Wille Herr geschehe

Geht nun hin und grabt mein Grab

O Jesu Christ wir warten dein

Sutermeister:

Psalm 70

Psalm 86


Dietrich Fischer-Dieskau (baritone), Ulrich Bremsteller (organ) & Aribert Reimann (piano)

CD

$15.00

Usually despatched in 3 - 4 working days.

These releases from the archives of the RIAS and the Sender Freies Berlin document the unequalled quantitative and qualitative spectrum which baritone Fischer-Dieskau acquired during the five decades of his career.

They offer a fascinating insight into the breadth of his repertoire as well as his artistic approach, with which he maintained a careful balance of development and continuity until the end. These recordings – spanning Beethoven’s sacred songs Op. 48 of 1806, through Schumann, Brahms, Mahler and Reger, to Heinrich Sutermeister’s expressive psalm setting of 1948 – demonstrate the essential Fischer-Dieskau.

Not only do they document the artistic partnership with pianists such as Hertha Klust, Daniel Barenboim, Cord Garben, Aribert Reimann and Tamás Vásáry, but also the delightful collaboration with the organist Ulrich Bremsteller.

Furthermore, Dietrich Fischer-Dieskau can be heard together with his wife and musical partner, Julia Varady. This is a documentary edition both in the sense of a historic and an artistic legacy: it reveals the riches of lieder from the last two centuries which Fischer-Dieskau, in his role of musical chronicler, made accessible for the present age; and it is an impressive record of an incomparable interpretational art, according to which word and music were always treated and realised as a unit.

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