Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Karine Babajanyan – Puccini Arias
Armenian soprano Karine Babajanyan has made an international impact as Cio-Cio San in numerous Madama Butterfly productions and is one of today's outstanding performers of Puccini’s divas. “Karine Babajanyan succeeds not only acting wise but also gives us a musically complex portrayal of the title heroin...” the press wrote about her debut at the Opera House Graz as Cio-Cio-San, a role she has since performed at the New National Theatre Tokyo, the Hamburg State Opera, the Opera House Frankfurt, the State Theatres of Saarbrucken and Wiesbaden, and at the Stuttgart State Opera. Karine Babajanyan began her musical education with piano lessons at the age of seven and continued with singing and choir direction studies at the Erivan City Conservatory, graduating with distinction. After participating in master classes in Italy the young artist returned to her native country. Here, she received her first engagement at the Armenian National Opera. The versatile artist is hailed by both the press and the public for her “…warm-timbred, youthful dramatic voice…” in all the important roles of her repertoire e.g. the Contessa in ‘Le nozze di Figaro’, Fiordiligi in ‘Cosi fan tutte’, Mimi in ‘La Bohéme’, Leonora in ‘Il Trovatore’, just to name a few. In 2007 the attractive soprano made her widely noticed debut as Tosca at the Bregenz Festival in Austria – seen by cinema-goers worldwide in the opera scene in the James Bond film ‘Quantum Of Solace’. Further guest performances took Karine to the Aalto Theatre in Essen, the Mannheim National Theatre, to Bern, Basle, Oslo, Dorset and Mexico, where she keeps celebrating triumphs in roles such as Tatjana (Eugen Onegin), Norma, Leonora (La forza del destino), Maria (Mazeppa)‚ Maddalena (Andrea Chénier) and the press comments “not only is her voice true, powerful and beautiful, but she has that natural presence with which only few are blessed”. “There was great excitement at the British debut of Armenian soprano Karine Babajanyan in the title role, and she fully satisfied the anticipation. She has attracted rave reviews in Germany, Switzerland and Israel, and local audiences were indeed fortunate to see this remarkable singer so early in her career. Not only is her voice true, powerful and beautiful, but she has that natural presence with which only few are blessed, and her performance was magnetic” Blackmore Vale Magazine on Karine Babajanyan’s UK debut in Norma with Dorset Opera “Her technique sounds rock solid and her musical instincts are unerring. The surprise of the disc is the excellent condition of the 68-year-old Giuseppe Giacomini in the Butterfly and Manon Lescaut duets. He rounds off with a ringing Nessun dorma that puts most tenors half his age to shame.” Sunday Times, 5th April 2009 *** “Thanks partly to her appearance in the opera scene in Quantum of Solace, the Armenian soprano Karine Babajanyan is reaching a wide audience. Her appearance as Tosca is echoed here in a stirring "Vissi D'Arte", while her experience as Cio-Cio San comes through in the Butterfly arias "Un Bel Di, Vedremo" and the duet "Bimba Dagli Occhi Pieni Di Malia"; her partner in that, Giuseppe Giacomini, gets a showcase in "Nessun Dorma".” The Independent, 27th March 2009 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Puccini-Arien
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| |  | The Essential Plácido Domingo
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| |  | Margareta Hallin: The Early Recordings (1955-1960)
Margareta Hallin (soprano), Stig Westerberg (piano) Stockholm Royal Opera Orchestra , Swedish Radio Orchestra, Stockholm Philharmonic Orchestra, Berlin State Opera Orchestra, Arthur Rother, Fausto Cleva, Nils Grevillius, Herbert Sandberg, Stig Westerberg, Sixten Ehrling | |
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| |  | Un Bel Di ...
Margaret Burke Sheridan (soprano) Soprano Margaret Burke Sheridan (1889-1958) is Ireland's most enduring legend of the operatic stage. Born in Castlebar, County Mayo, she was orphaned at the age of eleven yet, by the time she was 29, Margaret Burke Sheridan made a dramatic debut on the professional stage. At four days' notice, still in vocal training, she was chosen to replace the indisposed soprano as Mimi in Puccini's La Bohème at Rome's Costanzi. She performed with all the greats, including the tenors Aureliano Pertile and Beniamino Gigli, and conductor Arturo Toscanini, and was coached by Puccini himself. Singing on stages throughout the world, among them Covent Garden, in Milan and Naples, and at the prestigious Carnivale season at Rimini, Margaret Burke Sheridan ultimately retired early due to a combination of tragic personal and professional circumstances. There followed a long and desultory retirement in Dublin where, as one acquaintance noted, she became "an alien among her own, outrageous and witty." She died on 16th April 1958 and is buried in Glasnevin cemetery, Dublin. Un Bel Di contains fifteen digitally remastered tracks including a live performance from Covent Garden in 1926 and five ballads never brought together on one CD before. This is truly the definitive Margaret Burke Sheridan collection. | | | Usually despatched in 4 - 5 working days. |
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| |  | Peter Anders sings Arias and Lieder - The SWR Recordings (1946-1952)
Beethoven: | Gott! Welch Dunkel hier! (from Fidelio) An die ferne Geliebte (To the distant beloved), Op. 98 | Bizet: | La fleur que tu m'avais jetée (from Carmen) Parle-moi de ma mère (from Carmen) | Kienzl: | Der Evangelimann: Selig sind die Verfolgung leiden | Puccini: | Bimba dagli occhi pieni di malia (from Madama Butterfly) Sono andati? Fingevo di dormire (from La Bohème) | Schubert: | Wohin? (No. 2 from Die schöne Müllerin, D795) Nacht und Träume, D827 Liebesbotschaft, D957 No.1 Ganymed, D544 (Goethe) Lied eines Schiffers an die Dioskuren D360 (Mayrhofer) Der Musensohn, D764 (Goethe) Frühlingsglaube, D686 | Schumann: | Schöne Fremde (No. 6 from Liederkreis, Op. 39) Zum Schluß, Op. 25 No. 26 Intermezzo (No. 2 from Liederkreis, Op. 39) Frühlingsfahrt, Op. 45 No. 2 Die beiden Grenadiere, Op. 49 No. 1 | Smetana: | So find ich dich (from Die verkaufte Braut) | Strauss, J, II: | Als flotter Geist (from Der Zigeunerbaron) Wer uns getraut? (from Der Zigeunerbaron) | Tchaikovsky: | They said: You fool, do not go, Op. 25, No. 6 None but the lonely heart, Op. 6 No. 6 Oh! Chante Encore!, Op.16 No.4 Qu'importe op.16 No.5 A tear trembles, Op. 6 No. 4 Sred' shumnogo bala (Amid the din of the ball), Op. 38 No. 3 Otchevo? (Why?), Op. 6 No. 5 | Verdi: | Giá nella notte densa (from Otello) | Wagner: | In fernem Land (from Lohengrin) | Weber: | Nein! länger trag' ich nicht die Qualen…Durch die Wälder (from Der Freischütz) |
Peter Anders (tenor), Heinz Mende (piano), Hubert Giesen (piano) Sinfonieorchester Baden-Baden und Freiburg, Otto Ackermann, Paul Burkhard This is a specially priced 2CD portrait of the great German tenor, Peter Anders. These recordings were made at the height of his career and have never been released before. Included are works by Wagner, Strauss, Beethoven, Schumann and Tchaikovsky. All tracks sung in German | | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Munich Opera Gala
| | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | Gala Concert with Mirella Freni & Eduardo Alvarez
Recorded in Munich in 1971 | | | Usually despatched in 4 - 5 working days. |
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| |  | Giuseppe di Stefano sings Verdi & Puccini
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| |  | Liebeslieder der KlassikClassical Love Songs
Bizet: | La fleur que tu m'avais jetée (from Carmen) | Brahms: | Liebeslieder-Walzer, Op. 52: excerpts O liebliche Wangen, Op. 47 No. 4 Neckereien, WoO 31 No. 2 Der Gang Zum Liebchen, Op. 31 No. 3 | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) | Flotow: | Ach, so fromm (from Martha) | Kalman: | Zwei Märchenaugen (from Die Zirkusprinzessin) Tanzen Möcht' ich (from Die Csárdásfürstin) | Lehár: | O Mädchen, mein Mädchen (from Friederike) Ich danke fur die Huldigung…Ger, gern wär’ich verliebt Dein ist mein ganzes Herz (from Das Land des Lächelns) Wer hat die Liebe uns ins Herz gesenkt | Lortzing: | Lebe wohl, mein flandrisch Mädchen (from Zar und Zimmermann) | Mendelssohn: | Ich wollt' meine Lieb' ergösse sich, Op. 63. No. 1 | Mozart: | Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Ein Mädchen oder Weibchen (from Die Zauberflöte) Donne mie la fate a tanti (from Così fan tutte) Un'aura amorosa del nostro tesoro (from Così fan tutte) Il mio tesoro intanto (from Don Giovanni) Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail) | Nicolai, C O: | Horch, die Lerche singt im Hain! 'Romance' (from Die lustigen Weiber von Windsor) | Puccini: | Che gelida manina (from La Bohème) Bimba dagli occhi pieni di malia (from Madama Butterfly) O soave fanciulla (from La Bohème) Marcello, finalmente...Mimì è una civetta (from La Boheme) | Raymond: | Schau einer schonen Frau nie zu tief in die Augen (from Maske in Blau) | Rossini: | Dunque io son? (from Il Barbiere di Siviglia) Armida: D'amor al dolce impero | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) | Schumann: | Ich denke dein, Op. 78, No. 3 | Strauss, J, II: | Eine Nacht in Venedig: Komm in die Gondel | Suppe: | Florenz hat schöne Frauen (from Boccaccio) sung in German as 'Florenz hat schöne Frauen' | Tauber: | You are the world to me from Der singende Traum sung in German as 'Du bist die Welt für mich' | Verdi: | La donna è mobile (from Rigoletto) Ah sì ben mio (from Il trovatore) |
2 CDs for the price of 1 This new release entited Classical Love Songs on Profil is a compilation of the most beautiful love songs by Mozart, Schumann, Brahms, Rossini, Donizetti and many more. The songs are sung by an exceptional array of artists including Fritz Wunderlich, Rudolf Schock, Hermann Prey, Richard Tauber, Elisabeth Schwarzkopf, Joseph Schmidt, Anneliese Rothenberger and Heinz Hoppe. | | | Usually despatched in 2 - 3 working days. |
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