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The present collection of Schubert Lieder contains the only recording of a live concert by Christoph Prégardien. The CD contains Lieder recorded in two concerts during 2003 and 2006 when Prégardien was at the peak of his vocal career.
After Songs of love & death this CD is the second recording with Christoph Prégardien accompanied by guitar. The accompaniment of the Romantic Lied by guitar was well accepted by Schubert’s contemporaries and the guitar itself was pretty en vogue in these times. In Prégardien’s opinion Schubert’s Lieder are closely connected with the intimate sound of the guitar.
Tilman Hoppstock has selected 12 Lieder of Winterreise and five others and arranged them for his instrument.
Franz Schubert: Winterreise, Op. 89, D. 911 (excerpts) (arr. T. Hoppstock for tenor and guitar)
No. 1. Gute Nacht
No. 2. Die Wetterfahne
No. 3. Gefror'ne Tranen
No. 5. Der Lindenbaum
No. 6. Wasserflut
No. 12. Einsamkeit
No. 11. Fruhlingstraum
No. 15. Die Krahe
No. 21. Das Wirtshaus
No. 22. Mut
No. 23. Die Nebensonnen
No. 24. Der Leiermann
Franz Schubert: Heidenroslein, Op. 3, No. 3, D. 257 (arr. T. Hoppstock for tenor and guitar)
Heidenroslein, Op. 3, No. 3, D. 257 (arr. T. Hoppstock for tenor and guitar)
Franz Schubert: Die schone Mullerin, Op. 25, D. 795 (excerpts) (arr. T. Hoppstock for tenor and guitar)
No. 5. Am Feierabend
Franz Schubert: Der Tod und das Madchen, Op. 7, No. 3, D. 531 (arr. T. Hoppstock for tenor and guitar)
Der Tod und das Madchen, Op. 7, No. 3, D. 531 (arr. T. Hoppstock for tenor and guitar)
Franz Schubert: Der Konig in Thule, Op. 5, No. 5, D. 367 (arr. T. Hoppstock for tenor and guitar)
Der Konig in Thule, Op. 5, No. 5, D. 367 (arr. T. Hoppstock for tenor and guitars)
Die schone Mullerin, Op. 25, D. 795 (excerpts) (arr. T. Hoppstock for tenor and guitar)
No. 2. Wohin?
December 2011
***
“With its different weight, measure and dynamic voicing, the guitar simply cannot recreate Schubert's subtle patterning of keyboard-conceived inflection and accenting...The guitar comes into its own, though, in the bleak, hurdy-gurdy accompaniment of 'Der Leiermann'. Prégardien's singing is just as intelligent and sentient as ever.”
Click on any of the works listed above for alternative recordings.