Wolf, H: Verschling der Abgrund meines Liebsten Hütte

This page lists all recordings of Verschling der Abgrund meines Liebsten Hütte, by Hugo Wolf (1860-1903) on CD.

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The Very Best of Elisabeth Schwarzkopf

The Very Best of Elisabeth Schwarzkopf


Bach, J S:

Cantata BWV51 'Jauchzet Gott in allen Landen': Aria

Bist du bei mir, BWV508

Beethoven:

O wär' ich schon mit dir vereint (Marzelline)

Heuberger:

Gehen wir ins Chambre séparée) from The Opera Ball

Humperdinck:

Brüderchen, komm tanz mit mir (Dance Duet from Hänsel und Gretel)

Lehár:

Viljalied (from Die lustige Witwe)

Mozart:

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Porgi amor (from Le nozze di Figaro)

E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro)

In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni)

Come scoglio (from Così fan tutte)

Ridente la calma, K152

Schubert:

An die Musik D547

Das Lied im Grünen, D917

Nachtviolen D752 (Mayrhofer)

Der Musensohn, D764 (Goethe)

Siecynski:

Wien, du Stadt meiner Traüm

Smetana:

Endlich allein (from Die verkaufte Braut)

Strauss, J, II:

Klänge der Heimat (from Die Fledermaus)

Strauss, R:

Da geht er hin (from Der Rosenkavalier, Op. 59)

Es gibt ein Reich (from Ariadne auf Naxos)

Das war sehr gut, Mandryka (from Arabella)

Frühling (from Vier Letzte Lieder)

Im Abendrot (from Vier Letzte Lieder)

Muttertändelei, Op. 43 No. 2

Zueignung, Op. 10 No. 1

trad.:

Gsätzli

Wagner:

Einsam in trüben Tagen (from Lohengrin)

Weber:

Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz)

Wolf, H:

Auch kleine Dinge (No. 1 from Italienisches Liederbuch)

Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch)

Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch)

Verschling der Abgrund meines Liebsten Hütte

Wiegenlied im Sommer (from Sechs Lieder für eine Frauenstimme)

In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder)

Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder)

Mausfallen-Sprüchlein (from Lieder für eine Frauenstimme)


Multi-award winning opera singer Elisabeth Schwarzkopf, praised for the ‘pristine beauty of her lyric soprano’ (The Guardian), was revered in opera houses worldwide and is perhaps most famous for her Mozart roles. However, she was also at home on the concert stage and this collection combines her acclaimed portrayals of Donna Elvira, Countess Almaviva and Richard Strauss’s Marschallin, among others, with her affecting interpretations of lieder and song-cycles.

Released or re-released in last 6 months

EMI - The Very Best of... - 4165022

(CD - 2 discs)

$11.50

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Kate Royal: A Lesson in Love

Kate Royal: A Lesson in Love


Beach:

Ah, Love, but a day! Op. 44, No. 2

Bolcom:

Waitin'

Brahms:

Am Sonntag Morgen Op. 49 No. 1

Bridge:

Love went a-riding

Britten:

O Waly, Waly

Canteloube:

Songs of the Auvergne: Chut, chut

Copland:

Pastorale

Heart we will forget him

Debussy:

Apparition - song (1884)

Duparc:

Extase

Fauré:

Donc ce sera par un clair jour d’été

Hughes, H:

I will walk with my love

Liszt:

Es muss ein Wunderbares sein, S. 314

Ravel:

Chanson de la mariée

Schubert:

Gretchen am Spinnrade, D118

Rastlose Liebe, D138

Die Männer sind méchant, D866 No. 3

Du liebst mich nicht D756 (Platen)

Schumann:

Jemand

Lied der Braut II, Op. 25 No. 12

Lied der Braut I, Op. 25 No. 11

Strauss, R:

Hochzeitlich Lied Op. 37 No. 6

Tosti:

Pour un baiser

trad.:

Londonderry Air

Wolf, H:

Die Kleine

O wär dein Haus durchsichtig wie ein Glas

Erstes Liebeslied eines Mädchens (No. 42 from Mörike-Lieder)

Verschling der Abgrund meines Liebsten Hütte


Kate Royal (soprano) & Malcolm Martineau (piano)

A Lesson in Love tells the universal story of a love won and lost, and contains some beautiful and emotional German lieder, English and American songs and French mélodies.

Kate Royal’s first two orchestral discs for EMI have been critically acclaimed. Here she turns her attention towards a more intimate recital disc with piano.

A Lesson in Love charts the journey of a young girl’s relationship: from the first kiss and thrill of a blossoming love and initial intimacy through to the joy of a love fulfilled, to the disappointment and anger when the relationship breaks down - it ends with the girl’s acceptance and a cheeky sense of optimism about what her future love life might hold… Kate here creates her own unique song cycle, a thematic journey through the highs and lows of love, of young naivety lost and emotional maturity gained, feelings and experiences everyone can relate.

Kate leads us through her own personal choice of song, and her innate sense of drama and her passion for musical storytelling brings a fresh and youthful interpretation of the disc repertoire. A Lesson in Love contains a mixture of well-known songs as well as some surprising rarities, with a range of song styles and languages to appeal to a broad audience. She is joined by the most esteemed and respected accompanists, Malcolm Martineau.

“Kate Royal's beautifully sung new album, with finely characterised piano-playing from Malcolm Martineau, ranges imaginatively across a spectrum of composers who have captured the first pangs, the heartaches and the dashed hopes that can make life such a maelstrom of emotion.” Gramophone Magazine, March 2011

“Royal, with Malcolm Martineau at the piano, finds a character and colour for each of her 28 songs...William Bolcom’s gentle “Wait in” at the start and finish is well justified, and her Bridge and Britten are heartfelt, but the gem is Amy Beach’s winsome “Ah, Love but a day!”.” Financial Times, 11th February 2011 ****

“Royal's idea of combining songs of disparate eras and styles to tell a single love story works beautifully...[She] sings with radiant beauty and powerful emotional immediacy. If the golden warmth of her voice shows a hint of tightening when pushed on her high notes, it doesn't detract from the overall impact.” Classic FM Magazine, April 2011 ****

“An intriguingly fresh and unhackneyed programme...Kate Royal proves herself a compelling recitalist, colouring words with feeling and creating vivid atmosphere and character.” The Telegraph, 6th March 2011 ****

“Royal is generally in fine voice...luscious warmth is much in evidence. Royal is an exception among the majority of lyric sopranos these days in boasting an especially substantial middle range, which really glows throughout this disc.” International Record Review, March 2011

“Royal is on fine form in the Schumann and Schubert Lieder, with Malcolm Martineau at the piano stage-managing the show admirably, as indeed he does throughout.” BBC Music Magazine, April 2011 ****

EMI - 9485362

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$17.25

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Elisabeth Schwarzkopf sings Schubert & Wolf

Elisabeth Schwarzkopf sings Schubert & Wolf


Schubert:

Vedi quanto adoro (Didone abbandonata) D510A (Metastasio)

13th August 1960

with Gerald Moore (piano)

Wandrers Nachtlied I 'Der du von dem Himmel bist', D224

13th August 1960

with Gerald Moore (piano)

Auf dem Wasser zu singen, D774

13th August 1960

with Gerald Moore (piano)

Die Liebe hat gelogen D751 (Platen)

13th August 1960

with Gerald Moore (piano)

Seligkeit D433 (Holty)

13th August 1960

with Gerald Moore (piano)

Der Einsame, D800

13th August 1960

with Gerald Moore (piano)

Die Vogel D691

13th August 1960

with Gerald Moore (piano)

Das Lied im Grünen, D917

13th August 1960

with Gerald Moore (piano)

Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n'

13th August 1960

with Gerald Moore (piano)

Gretchen am Spinnrade, D118

13th August 1960

with Gerald Moore (piano)

Du bist die Ruh D776 (Rückert)

13th August 1960

with Gerald Moore (piano)

An Sylvia, D891

13th August 1960

with Gerald Moore (piano)

An mein Klavier D342 (Schubart)

13th August 1960

with Gerald Moore (piano)

Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe)

13th August 1960

with Gerald Moore (piano)

Ganymed, D544 (Goethe)

13th August 1960

with Gerald Moore (piano)

Nähe des Geliebten, D162

13th August 1960

with Gerald Moore (piano)

Fischerweise, D881 (Schlechta)

13th August 1960

with Gerald Moore (piano)

Wiegenlied, D498

13th August 1960

with Gerald Moore (piano)

An die Musik D547

13th August 1960

with Gerald Moore (piano)

Heidenröslein, D257

13th August 1960

with Gerald Moore (piano)

Ungeduld (No. 7 from Die schöne Müllerin, D795)

(encore) 7th August 1956

with Gerald Moore (piano)

Wolf, H:

Die Spröde (No. 26 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Phänomen (No. 32 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Epiphanias (No. 19 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Blumengruss (No. 24 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Anakreons Grab (No. 29 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Die Bekehrte (No. 27 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Ganymed (No. 50 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Frühling übers Jahr (No. 28 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Der Schäfer (No. 22 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Philine (No. 8 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Im Frühling (No. 13 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Elfenlied (No. 16 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Lebe wohl (No. 36 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Schlafendes Jesuskind (No. 25 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Auf eine Christblume I (No. 20 from Mörike-Lieder)

27th July 1958

with Gerald Moore (piano)

In der Frühe (No. 24 from Mörike-Lieder)

17th August 1963

with Gerald Moore (piano)

An den Schlaf (No. 29 from Mörike-Lieder)

17th August 1963

with Gerald Moore (piano)

Ein Stündlein wohl vor Tag (No. 3 from Mörike-Lieder)

17th August 1963

with Gerald Moore (piano)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Storchenbotschaft (No. 48 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Lied vom Winde

19th August 1957

with Gerald Moore (piano)

Selbstgeständnis (No. 52 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Mausfallen-Sprüchlein (from Lieder für eine Frauenstimme)

27th July 1958

with Gerald Moore (piano)

Nachtzauber (No. 8 from Eichendorff-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Die Zigeunerin (No. 7 from Eichendorff-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Tretet ein, hoher Krieger

27th July 1958

with Gerald Moore (piano)

Singt mein Schatz wie ein Fink

27th July 1958

with Gerald Moore (piano)

Du Milchjunger Knabe

27th July 1958

with Gerald Moore (piano)

Wandl' ich in dem Morgentau

27th July 1958

with Gerald Moore (piano)

Das Köhlerweib ist trunken

27th July 1958

with Gerald Moore (piano)

Wie Glanzet der Helle Mond

27th July 1958

with Gerald Moore (piano)

Mühvoll komm ich und beladen (No. 7 from Spanisches Liederbuch: Geistliche Lieder)

19th August 1957

with Gerald Moore (piano)

Herr, was trägt der Boden hier (from Spanisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

Bedeckt mich mit Blumen (No. 26 from Spanisches Liederbuch: Weltliche Lieder)

27th July 1958

with Gerald Moore (piano)

Wer tat deinem Füßlein weh? (No. 30 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Klinge, klinge, mein Pandero (No. 1 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Sie blasen zum Abmarsch (No. 28 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Wehe Der, Die Mir Verstrickte

19th August 1957

with Gerald Moore (piano)

Trau nicht der Liebe (No. 67 from Spanisches Liederbuch: Weltliche Lieder)

17th August 1963

with Gerald Moore (piano)

Mögen alle bösen Zungen (No. 13 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Geh' Geliebter, geh' jetzt (No. 34 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Wie lange schon war immer mein Verlangen (No. 11 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Was soll der Zorn, mein Schatz, der dich erhitzt? (No. 32 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Nein, junger Herr, so treibt man’s nicht, fürwahr (No. 12 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Wer rief dich denn? Wer hat dich herbestellt?

19th August 1957

with Gerald Moore (piano)

Gebet; Nun lass uns Frieden schliessen

19th August 1957

with Gerald Moore (piano)

Ich esse nun mein Brot nicht trocken mehr

19th August 1957

with Gerald Moore (piano)

Nein, junger Herr, so treibt man’s nicht, fürwahr (No. 12 from Italienisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

O wär dein Haus durchsichtig wie ein Glas

19th August 1957

with Gerald Moore (piano)

Du sagst mir, dass ich keine Fürstin sei

19th August 1957

with Gerald Moore (piano)

Schweig' einmal still (No. 43 from Italienisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

Verschling der Abgrund meines Liebsten Hütte

19th August 1957

with Gerald Moore (piano)

Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch)

19th August 1957

with Gerald Moore (piano)


Orfeo's Salzburg series finds its culmination in a group of songs by Hugo Wolf and Franz Schubert that Elisabeth Schwarzkopf sang between 1953 and 1963, with accompanists Wilhelm Furtwängler and Gerald Moore.

Schwarzkopf’s diction and the manner in which she moulds the text in Wolf’s Spanish and Italian Songbooks have remained a benchmark to the present day, and brought them to attention properly for the first time. She also turned Schubert songs such as Gretchen am Spinnrade into self-contained mini-dramas.

Historical Recordings - up to 25% off

Orfeo - Orfeo d'Or - Salzburger Festspieldokumente - C826103D

(CD - 3 discs)

Normally: $38.75

Special: $32.93

Usually despatched in 3 - 4 working days.

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