Rigler: Gipsy Dances

This page lists our only recording of Gipsy Dances, by Franz Xaver Paul Rigler (1747/48-96) on CD.

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Cigánski Diabli: Adagio & Furioso

Label:

Supraphon

Catalogue No:

SU40402

Discs:

1

Release date:

4th Oct 2010

Barcode:

0099925404024

Medium:

CD
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Cigánski Diabli: Adagio & Furioso


Albinoni:

Adagio for Strings and Organ in G minor

Brahms:

Hungarian Dance No. 5

Hungarian Dance No. 12 in D minor

Dvorak:

Slavonic Dance No. 8 in G minor, Op. 46 No. 8

Songs My Mother Taught Me, Op. 55 No. 4

Haydn:

Piano Trio No. 39 in G major, Hob.XV:25: Finale 'Rondo all'ongarese'

Kalman:

Komm, Zigány! [Countess Mariza]

Liszt:

Hungarian Rhapsody, S244 No. 2 in C sharp minor

Paganini:

Caprice for solo violin, Op. 1 No. 24 in A minor

Rigler:

Gipsy Dances

Sarasate:

Zigeunerweisen, Op. 20


Cigánski diabli (Gypsy Devils), Ernest Šarközi (artistic director)

CD

$16.75

Usually despatched in 4 - 5 working days.

In Roma fairy tales, it is usually the devil who imbues Gypsy music with its inimitable vivacity. And when listening to Cigánski Diabli, you cannot help but believe it. The popularity of this Gypsy orchestra has crossed the borders of their native Slovakia into Moravia, Bohemia and much further afield. Of late, they have been giving concerts abroad with in creasing frequency – Germany (including at the Berliner Philharmoniker Hall), England, France, Canada, etc. The ensemble, made up of eight professional, classically trained musicians, has already received three platinum discs.

A traditional cimbalom band? Well, yes and no. They have, so to speak, many more strings to their bow: folk music (ranging from Slovak to Jewish), on occasions walking a tightrope between pop and jazz, at other times performing Haydn together with a “classical” pianist or a symphony orchestra. And since Brahms, Liszt and Dvořák were inspired by the “Gypsy style”, why not turn things on their head and play their music the Gypsy way?

With their characteristic virtuosity and vivacity, Cigánski diabli have entered the rarefied domain of classical music – yet in a manner entirely of their own and with arrangements not respecting the borders of genres. But what’s the use of borders when the music is of such splendour?

Click on any of the works listed above for alternative recordings.

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