Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Joan Sutherland: Classic Australian Performances1926-2010
These performances were all recorded live at the Sydney Opera House. This collection demonstrates what a priceless legacy has been left by one of the greatest singers the world has ever known and brings together “The Best of Joan Sutherland” Vols.1 & 2 at a bargain price. It includes some of Sutherland’s famous performances such as the Mad Scene from Lucia di Lammermoor. | | | Usually despatched in 2 - 3 working days. |
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| |  | Fritz Wunderlich - The LegendArias, Opera & Operetta Scenes and Songs
Dostal: | Wie tanzen dort die Paare (from Extrablätter) | Mascagni: | O Lola, ch'ai di latti la cammisa (from Cavalleria Rusticana) Sung in German as 'O Lola rosengleich bluh'n deine wangen' Tu qui, Santuzza? (from Cavalleria Rusticana) Sung in German as 'Du hier, Santuzza?' Intanto amici…Viva il vino spumeggiante (Brindisi) Sung in German as 'Ihr Freunde...' Mamma, quel vino (from Cavalleria Rusticana) Sung in German as 'Mutter, der Rote war allzu feurig' | Puccini: | Che gelida manina (from La Bohème) Sung in German as 'Wie eiskalt ist dies Handchen' Marcello, finalmente...Mimì è una civetta (from La Boheme) Sung in German as 'Marcel, du bist du...Kokett ist dieses Madchen' In un Coupe?...O Mimi, tu piu non torni (from La Bohème) Sung in German as 'In einem Wagen?' La Bohème: final scene | Raymond: | Maske in Blau: excerpts | Stolz, R: | Arrividerci, bella Italia (from Signorina) Einmal hat mir zur Fruhlingszeit das Gluck gelacht (from Prinzessin Ti-Ti-Pa) | Strauss, J, II: | So muss allein ich bleiben (from Die Fledermaus) Trinke Liebchen, trinke schnell (from Die Fledermaus) Die Fledermaus: Bruderlein und Schwesterlein |
This CD is dedicated to the young Fritz Wunderlich's earliest commercial recordings. We hear a young, twenty-five-year-old singer who is getting ready to win the hearts of his audience and conquer the opera houses of the world. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Legendary Recordings: A Portrait (Elisabeth Schwarzkopf)
Dvorak: | Moravian Duets, Op. 32, B. 60 & B. 62: excerpts | Humperdinck: | Brüderchen, komm tanz mit mir (Dance Duet from Hänsel und Gretel) Abendsegen 'Abends will ich schlafen gehn' (Hänsel und Gretel) | Lehár: | Hab' in Paris mich noch nicht (from Die Lustige Witwe) Viljalied (from Die lustige Witwe) | Mozart: | Exsultate, jubilate, K165: excerpt | Puccini: | Tu che di gel sei cinta (from Turandot) O mio babbino caro (from Gianni Schicchi) | Strauss, J, II: | O, habet Acht (Saffi) Seht, dies Gefunkel (from Der Zigeunerbaron) Wer uns getraut? (from Der Zigeunerbaron) So muss allein ich bleiben (from Die Fledermaus) Trinke Liebchen, trinke schnell (from Die Fledermaus) Dieser Anstand, so manierlich (from Die Fledermaus) Klänge der Heimat (from Die Fledermaus) Wiener Blut (operetta): excerpts | Strauss, R: | Herr Gott in Himmel! (from Der Rosenkavalier) | Suppe: | Boccaccio: excerpts |
“Radiant was an adjective applied frequently to Elisabeth Schwarzkopf by critics and others. It was used with justification. The word well described the famed and inimitable Schwarzkopf interpretations of certain heroines in Strauss operas, such as the Marschallin in Der Rosenkavalier” The Times | | | (also available to download from $21.25) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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