This page lists all recordings of Non, non, non, vous n'avais jamais, je gage (from Les Huguenots) (Urbain's song), by Giacomo Meyerbeer (1791-1864) on CD & DVD. Generally, more recent releases are listed first, but with priority given to those that are in stock. |
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See Terms & Conditions for p&p rates. | |  | Vesselina Kasarova: A Portrait & French Opera Arias
Bellini: | Ascolta! Se Romeo t'uccise un figlio...La tremenda ultrice spada (from I Capuleti) | Berlioz: | Ah! Je vais mourir (from Les Troyens) | Donizetti: | Fia dunque vero…O mio Fernando (from La Favorita) Sposa a Percy...Per questa fiamma indomita (from Anna Bolena) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) | Gounod: | Ô ma lyre immortelle (from Sapho) Depuis hier je cherche en vain mon maître...Que fais-tu, blanche tourterelle (from Roméo et Juliette) Nuit resplendissante (from Cinq-Mars) | Handel: | Or la tromba (Rinaldo) | Lalo: | De tous côtes j'apercois...Lorsque je t'ai vu soudain (from Le Roi d'Ys) | Massenet: | De cet affreux combat…Pleurez, mes yeux ! (from Le Cid) | Meyerbeer: | Non, non, non, vous n'avais jamais, je gage (from Les Huguenots) Donnez, donnez (from Le Prophète) | Mozart: | Voi che sapete (from Le nozze di Figaro) Batti, batti, o bel Masetto (from Don Giovanni) | Rossini: | Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola) Pensa alla patria (from L'Italiana in Algeri) Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Connais-tu le pays (from Mignon) |
“[Portrait] is the stuff of legends: I can't recall the last time I heard a debut opera recital that has given me so much pleasure. The vibrant richness of Kasarova's tone allied to her totally uninhibited manner before the microphone allow her to bring to astonishing life each of the characters portrayed within.” Gramophone Magazine, February 2007 | | | In stock - usually despatched within 1 working day. |
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| |  | Montserrat Caballe and Marilyn Horne: Two Gala Concerts:Evviva Bel Canto & Le Grande Primadonne
The Spanish soprano and American mezzo-soprano perform together in two gala concerts 'Evviva Belcanto' and 'Le Grande Primadonne' filmed live at the Philharmonic Hall, Munich. | | | Usually despatched in 4 - 5 working days. |
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| |  | Armida Parsi-Pettinella
Bizet: | Les tringles des sistres tintaient (from Carmen) Sung in Italian Je vais danser en votre honneur (from Carmen) Sung in Italian | Braga: | La serenata | Donizetti: | O mio Fernando (from La Favorita) | Gounod: | Faites- lui mes aveux (from Faust) Sung in Italian | Massenet: | Repose o belle amoureuse (from Le Roi de Lahore) Sung in Italian | Meyerbeer: | Nobles seigneurs, salut! (from Les Huguenots) Sung in Italian Non, non, non, vous n'avais jamais, je gage (from Les Huguenots) Sung in Italian Ah, mon fils! (from Le Prophète) Sung in Italian | Ponchielli: | Figlia, che reggi il tremulo pie (from La Gioconda) Voce di donna o d'angelo (from La Gioconda) Angele Dei (from La Gioconda) | Thomas, Ambroise: | Me voici dans son boudoir 'Gavotte' (from Mignon) Sung in Italian | Verdi: | Stride la vampa (from Il Trovatore) Condotta ell’era in ceppi (from Il Trovatore) Giorni povero vivea (from Il Trovatore) Al suon del tamburo (from La Forza del Destino) Rataplan, rataplan, della gloria (from La forza del destino) Fu la sorte dell'armi a' tuoi funesta (from Aida) | Wagner: | Ortrud! Wo bist du? (from Lohengrin) Sung in Italian |
Armida Parsi-Pettinella (mezzo) recorded 1904-9 Fonotipia | | | Usually despatched in 2 - 3 working days. |
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| |  | A Gala Concert with Joan Sutherland and Marilyn Horne
A 1961 concertante performance of Vincenzo Bellini's Beatrice di Tenda was of lasting importance in the careers of the two prima donnas. It was here that they met each other and performed together for the first time, and thereafter they formed a brilliant partnership who starred together in many performances and concerts of works from the bel canto repertoire. This recording of a gala concert at Sydney Opera House offers a varied programme presenting a representative cross-section from the extraordinarily broad repertoires of both these exceptional singers. Each of them performs as a soloist on a variety of songs and operatic arias, and naturally they also join voices for bravura performances of famous operatic duets. And finally the two singers show with Benedict's "The Gypsy and the Bird" and Foster's "Beautiful Dreamer" that they are not above indulging a taste for lighter musical forms. Recording Date: 1986
Place of recording: From the Sydney Opera House
Running Time: 141 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, F, SP
Subtitle Languages PAL: D, GB, F, I, SP
| | | Usually despatched in 2 - 3 working days. |
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| |  | Leontyne Price: The Complete Collection of Operatic Recital Albums
Barber, S: | He has come, he has come! (from Vanessa) Do not utter a word (from Vanessa) Give Me Some Music (from Antony and Cleopatra, Op. 40) Give me my robe (from Antony and Cleopatra) Knoxville: Summer of 1915, Op. 24 | Beethoven: | Abscheulicher! Wo eilst du hin? (from Fidelio) | Bellini: | Sediziose voci (from Norma) Casta Diva (from Norma) Mira, o Norma (from Norma) with Marilyn Horne (mezzo) | Berlioz: | La Damnation de Faust: D'amour l'ardente flamme | Bizet: | Je dis que rien ne m'épouvante (from Carmen) | Boito: | L'altra notte in fondo al mare (from Mefistofele) | Britten: | On rivalries 'tis safe for kings...O God, my King (from Gloriana) | Charpentier, G: | Depuis le jour (from Louise) | Cilea: | Ecco: respiro appena. Io son l'umile ancella (from Adriana Lecouvreur) Poveri fiori (from Adriana Lecouvreur) | Debussy: | L'annee en vain...Cependent les soirs (from L'enfant Prodigue) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) | Flotow: | The Last Rose of Summer (Martha) | Gershwin: | Porgy and Bess (highlights) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Handel: | Care selve (from Atalanta) Semele: Where'er you walk Vivi, tiranno, io t'ho scampato (from Rodelinda) Marilyn Horne (mezzo) Fermati! No, crudel! (from Rinaldo) | Korngold: | Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt) | Leoncavallo: | Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci) | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) | Massenet: | Allons! Il le faut pour lui-même!... Adieu, notre petite table (from Manon) Dis-moi que je suis belle (from Thaïs) | Menotti: | While I waste these precious hours (from Amelia Goes to the Ball) | Meyerbeer: | In grembo a me [Sur mes genoux] (from L'Africaine) Sung in French Non, non, non, vous n'avais jamais, je gage (from Les Huguenots) Marilyn Horne (mezzo) | Mozart: | E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Don Ottavio, son morta!...Or sai chi l'onore (from Don Giovanni) Ch'io mi scordi di te?... Non temer, amato bene, K505 Porgi amor (from Le nozze di Figaro) Se il padre perdei (from Idomeneo) Ach, ich fühl's (from Die Zauberflöte, K620) Giunse alfin il momento... Deh, vieni, non tardar… (from Le nozze di Figaro) L'amerò, sarò costante (from Il re pastore) Bella mia fiamma, addio... Resta, oh cara, K528 Crudele? Ah no, mio bene! ... Non mi dir, bell'idol mio (from Don Giovanni) Oh smania! oh furie!...D'Oreste, d'Aiace (from Idomeneo) Ah, guarda, sorella (from Così fan tutte) with Marilyn Horne (mezzo) Dove sono i bei momenti (from Le nozze di Figaro) | Offenbach: | Tu n'es pas beau, tu n'es pas riche (from La Périchole) | Poulenc: | Mes filles, voilà que s'achève (from Dialogues des Carmelites) | Puccini: | Un bel di vedremo (from Madama Butterfly) Tu? Tu? Piccolo iddio (from Madama Butterfly) Chi il bel sogno di Doretta (from La Rondine) Vissi d'arte (from Tosca) Signore, ascolta! (from Turandot) Tu che di gel sei cinta (from Turandot) Senza mamma, o bimbo (from Suor Angelica) O mio babbino caro (from Gianni Schicchi) Si, mi chiamano Mimi (from La Bohème) Donde lieta usci (from La Bohème) Quando me'n vo (from La Bohème) Addio, addio mio dolce amor! (from Edgar) Ore dolci e divine (from La Rondine) Vissi d'arte (from Tosca) In quelle trine morbide (from Manon Lescaut) Sola, perduta, abbandonata (from Manon Lescaut) Se come voi piccina io fossi (from Le Villi) Un bel di vedremo (from Madama Butterfly) L'amore e un altra cosa (from La Fanciulla del West) Laggiù nel Soledad (from La Fanciulla del West) Oh, sarò la più bella...Tu, tu, amore? (from Manon Lescaut) with Placido Domingo (tenor) Bimba, bimba, non piangere (from Madama Butterfly) with Placido Domingo (tenor) In questa reggia (from Turandot) Chi il bel sogno di Doretta (from La Rondine) Una nave da guerra...Scuoti quelle fronda (from Madama Butterfly) with Marilyn Horne (mezzo) | Purcell: | Thy hand, Belinda … When I am laid in earth (from Dido & Aeneas) | Rossini: | Non temer, d' un basso affetto (from Maometto II) Marilyn Horne (mezzo) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) | Strauss, R: | Zweite Brautnacht! (from Die Ägyptische Helena) Salome: Dance of the Seven Veils Salome: Zwischenspiel Ah! Du wolltest mich nicht deinen Mund küssen lassen (from Salome) Es gibt ein Reich (from Ariadne auf Naxos) | Tchaikovsky: | Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin) | Verdi: | Ritorna vincitor! (from Aida) Qui Radamès verrà!... O patria mia (from Aida) Tacea la notte (from Il Trovatore) D'amor sull'ali rosee (from Il Trovatore) Teneste la promessa...Addio, del passato (from La Traviata) Era più calmo? (from Otello) Mia madre aveva...Piangea cantando...Ave Maria (from Otello) Vegliammo invan due notti (from Macbeth) Una macchia è qui tutt'ora (from Macbeth) O madre, dal cielo …Se vano, se vano è il pregare (from I Lombardi) Come in quest'ora bruna (from Simon Boccanegra) È strano! è strano!...Ah! fors è lui (from La traviata) Sempre libera (from La Traviata) Tu che la vanità (from Don Carlo) Giá nella notte densa (from Otello) with Placido Domingo (tenor) Teco io sto (from Un ballo in maschera) with Placido Domingo (tenor) La luce langue (from Macbeth) Caro nome (from Rigoletto) Silenzio! Aida verso noi s'avanza (from Aida) with Marilyn Horne (mezzo) Pace, pace mio Dio! (from La forza del destino) | Wagner: | Du bist der Lenz (from Die Walküre) Dich, teure Halle (from Tannhauser) Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) | Weber: | Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz) Ozean, du Ungeheuer (from Oberon) | Zandonai: | Paolo, datemi pace! (from Francesca Da Rimini) |
Leontyne Price is simply one of the best sopranos of all time. Hailed as the “Stradivarius of singers” she had a unique, unmistakable and unforgettable voice which graced the stage of the Met an astonishing 164 times throughout her career. The Leontyne Price catalogue is divided into two “Complete Collections”; Song and Spiritual Albums and Operatic Recital Albums. These collections are housed in original LP design cardboard slipcases and presented in a hardback boxset. “her core stage repertoire was restricted to a dozen or so roles...These 14 recital albums extend her range from Purcell’s Dido to Menotti’s Amelia: her Handel and Mozart may have dated stylistically, but few Countess Almavivas or Donna Annas have sounded more temperamental and voluptuous...All in all, a banquet for opera-lovers.” Sunday Times, 8th January 2012 | | | In stock - usually despatched within 1 working day. |
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