Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Fritz Wunderlich: Die unvergessene Stim
Capua: | O sole mio | Curtis, E: | Non ti scordar di me Sung in German as 'Vergiss mein nicht' | Giordani, G: | Caro mio ben | Handel: | Ombra mai fu (from Serse) | Kalman: | Zwei Märchenaugen (from Die Zirkusprinzessin) | Lara, Augustin: | Granada | Lehár: | O Mädchen, mein Mädchen (from Friederike) Freunde, das Leben ist lebenswert (from Giuditta) Es steht ein Soldat am Wolgastrand (from Der Zarewitsch) | Liszt: | Es muss ein Wunderbares sein, S. 314 | Lortzing: | Lied: Vater, Mutter, Schestern, Bruder (from Undine) | Millöcker: | Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) | Mozart: | Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) | Strauss, J, II: | Als flotter Geist (from Der Zigeunerbaron) | Zeller: | Grüß euch Gott, alle miteinander (from Der Vogelhändler) Wie mein Ahn’l zwanzig Jahr (from Der Vogelhändler) |
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| |  | Jörg Schneider: World-Famous Operetta Arias and Scenes
| | Wiener Blut, eig’ner Saft Johann Strauss (Jr.) / A. Müller with Nina Berten (soprano) | Kalman: | Gruss mir die sussen, die reizenden Frauen (from Gräfin Mariza) | Künneke, Eduard: | Ich bin nur ein armer Wandergesell (from Der Vetter aus Dingsda) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Es steht ein Soldat am Wolgastrand (from Der Zarewitsch) Dein ist mein ganzes Herz (from Das Land des Lächelns) | Millöcker: | Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) | Stolz, R: | Wien wird bei Nacht erst schön | Strauss, J, II: | Dieser Anstand, so manierlich (from Die Fledermaus) with Nina Berten (soprano) Als flotter Geist (from Der Zigeunerbaron) Ach, wie so herrlich zu schau'n (from Die Fledermaus) Eine Nacht in Venedig: Komm in die Gondel Als ich ward ihr Mann (from Wiener Blut) Johann Strauss (Jr.) / A. Müller | Zeller: | Wie mein Ahn’l zwanzig Jahr (from Der Vogelhändler) | Ziehrer: | Verliebt (from König Jérome, Op. 319) |
Jörg Schneider (tenor) Wiener Salonorchester The Austrian tenor Jörg Schneider has enjoyed a career that has flourished in Europe and especially in Italy, where he has sung in almost every important opera house. In this release for Capriccio, Jörg Schneider sings a selection of his favourite arias and scenes from world famous operettas, including Johann Strauss (Jr.): Die Fledermaus, Der Zigeunerbaron and Wiener Blut, Emmerich Kalman: Gräfin Mariza, Carl Millöcker: Der Bettelstudent, Eduard Künneke: Der Vetter aus Dingsda and Franz Lehar: Paganini. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | The Jussi Bjorling SeriesRare and Alternative Recordings 1920-1949
Armand: | Var det en drom? | Beneken: | O, hur stilla | Borodin: | Medlenno den ugasal (Slowly the day has faded) (from Prince Igor) | Dresser: | On the banks of the Wabash, far away | Enders: | Lilla prinsessa | Foster, S: | I Dream of Jeanie with the Light Brown Hair | Gounod: | L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Hardelot: | Because | Mascagni: | Mamma, quel vino (from Cavalleria Rusticana) O Lola, bianca come fior di spino (from Cavalleria Rusticana) | Millöcker: | Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) sung in Swedish | Nyblom: | Brinnande gula flod | Offenbach: | Le jugement de Pâris - Au Mont Ida (from La Belle Hélène) sung in Swedish | Rossini: | Stabat Mater: Cujus animam gementem | Strauss, J, II: | Wer uns getraut? (from Der Zigeunerbaron) sung in Swedish | trad.: | I Himmelen, I Himmelen Guds rena lamm oskyldig | Verdi: | Ah sì ben mio (from Il trovatore) Di quella pira (from Il trovatore) È il sol dell'anima (from Rigoletto) | Wennerberg: | Psalm 24 (Gören portarna höga) |
| | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Welch Unbekannter Zauber...Songs for Tenor
Adam: | Mes amis, écoutez l'histoire (from Le Postillon de Lonjumeau) | Boieldieu: | Viens, gentille dame (from La Dame blanche) | Capua: | O sole mio | Curtis, E: | Ti voglio tanto bene Sung in German | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) | Engel-Berger: | Stern von Rio | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) | Heymann: | Heute Nacht oder nie | Künneke, Eduard: | Ich bin nur ein armer Wandergesell (from Der Vetter aus Dingsda) | Lara, Augustin: | Granada | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) Freunde, das Leben ist lebenswert (from Giuditta) | Leoncavallo: | Mattinata - 'L'aurora di bianco vestita' | Mario: | Santa Lucia luntana | Marschner, H A: | Gonne mir ein wort der Liebe (from Hans Heiling) | Millöcker: | Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) Ich knüpfte manche zarte Bande (from Der Bettelstudent) | Rossini: | Languir per una bella (from L'Italiana in Algeri) | Strauss, J, II: | Ach, wie so herrlich zu schau'n (from Die Fledermaus) | Tauber: | You are the world to me from Der singende Traum Sung in German | Toselli: | Serenata Op. 6 |
Andreas Post (tenor), Tatjana Dravenau (piano) | |
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| |  | Jussi Björling LiveBroadcast Concerts 1937-1960
Adam: | O Holy Night Recorded 20th December 1954 | Alfvén: | Skogen sover, Op. 28 No. 6 Recorded 11th April 1949 Jag längtar dig (Text: Ernest Thiel) Recorded 5th August 1960 | Althen: | Land, du välsignade (Thou Blessed Country) Recorded 12th May 1946 Land, du välsignade (Thou Blessed Country) Recorded 25th May 1952 | Flotow: | M'appari (from Martha) Recorded 19th November 1945 | Foster, S: | I Dream of Jeanie with the Light Brown Hair Recorded 19th November 1945 I Dream of Jeanie with the Light Brown Hair Recorded 7th November 1949 | Geehl: | For You Alone Recorded 21st January 1946 For You Alone Recorded 8th January 1951 | Giordano, U: | Come un bel dì di maggio (from Andrea Chénier) Recorded 23rd October 1950 | Glover: | Rose of Tralee Recorded 12th March 1951 | Godard, B: | Cachès dans cet asile (Jocelyn) Recorded 25th March 1946; sung in English Cachès dans cet asile (Jocelyn) Recorded 11th August 1949; sung in English | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Recorded 12th May 1946 Nuit d'hyménée from Roméo et Juliette Recorded 23rd October 1949 Anna-Lisa Björling (soprano) Nuit d'hyménée from Roméo et Juliette Recorded 30th September 1951 Bidú Sayão (soprano) Prison Scene (from Faust) Recorded 5th December 1937; Björling sings in Swedish | Grieg: | Jeg Elsker Deg, Op. 41 No. 3 Recorded 25th March 1946 | Hardelot: | Because Recorded 25th March 1946 | Herbert, V: | Neapolitan Love Song Recorded 25th March 1946 Neapolitan Love Song Recorded 4th April 1949 | Leoncavallo: | Recitar!...Vesti la giubba (from I Pagliacci) Recorded 16th February 1951 Mattinata - 'L'aurora di bianco vestita' Recorded 15th March 1948 Recitar!...Vesti la giubba (from I Pagliacci) Recorded 12th March 1951 | Mascagni: | Addio alla madre (from Cavalleria Rusticana) Recorded 4th April 1949 | Massenet: | Instant charmant … En fermant les yeux (from Manon) Recorded 19th November 1945 Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Recorded 23rd October 1949 Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Recorded 15th March 1948 Instant charmant … En fermant les yeux (from Manon) Recorded 8th January 1951 | Meyerbeer: | Pays merveilleux... Ô paradis (from L'Africaine) Recorded 23rd October 1950 Pays merveilleux... Ô paradis (from L'Africaine) Recorded 5th December 1937 | Millöcker: | Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) Recorded 25th May 1952; sung in Swedish | Morgan, O: | Clorinda Recorded 15th March 1948 | Nordqvist: | Till havs (Towards the Sea) Recorded 20th December 1954 | Peterson-Berger: | Jungfrun under lind (Ernst von der Recke) Recorded 12th May 1946 Jungfrun under lind (Ernst von der Recke) Recorded 11th April 1949 Jungfrun under lind (Ernst von der Recke) Recorded 8th January 1951 När jag för mig själv (When I Walk by Myself) Recorded 20th December 1954 | Ponchielli: | Cielo e mar! (from La Gioconda) Recorded 30th September 1951 | Puccini: | O soave fanciulla (from La Bohème) Recorded 25th September 1949 Licia Albanese (soprano) Che gelida manina (from La Bohème) Recorded 23rd October 1949 O soave fanciulla (from La Bohème) Recorded 23rd October 1949 Anna-Lisa Björling (soprano) E lucevan le stelle (from Tosca) Recorded 30th September 1951 Che gelida manina (from La Bohème) Recorded 7th November 1949 Donna non vidi mai (from Manon Lescaut) Recorded 8th January 1951 O sventata, sventata (from La Bohème) Recorded 30th January 1956 Che gelida manina (from La Bohème) Recorded 30th January 1956 Si, mi chiamano Mimi (from La Bohème) Recorded 30th January 1956 O soave fanciulla (from La Bohème) Recorded 30th January 1956 Renata Tebaldi (soprano) Recondita armonia (from Tosca) Recorded 5th December 1937 | Rachmaninov: | Lilacs, Op. 21 No. 5 Recorded 15th March 1948 V molchanii nochi taynoy, Op. 4 No. 3 Recorded 23rd October 1950 | Rangström: | Tristans död Recorded 11th April 1949 | Romberg, S: | Will You Remember (from Maytime) Recorded 21st January 1946 | Schubert: | An Sylvia, D891 sung in English; recorded 19th November 1945 Ständchen 'Leise flehen meine Lieder', D957 No. 4 Recorded 4th April 1949 | Sjögren: | I drömmen du är mig nära Recorded 11th April 1949 | Söderman: | Trollsjön Recorded 11th April 1949 Trollsjön Recorded 25th May 1952 | Strauss, R: | Ständchen, Op. 17 No. 2 Recorded 7th November 1949 Zueignung, Op. 10 No. 1 Recorded 23rd October 1950 | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) Recorded 5th August 1960; sung in Swedish | Tosti: | L'alba separa dalla luce l'ombra Recorded 30th September 1951 L'alba separa dalla luce l'ombra Recorded 11th April 1949 | Verdi: | Quel suon…Ah! Che la morte ognora (from Il Trovatore) Recorded 21st January 1946 Eleanor Steber (soprano) Solenne in quest'ora (from La Forza del Destino) Recorded 5th December 1937 Se quel guerrier io fossi!…Celeste Aida (from Aida) Recorded 12th March 1951 Celeste Aida (from Aida) Recorded 12th March 1951 | Wagner: | In fernem Land (from Lohengrin) Recorded 20th December 1954 In fernem Land (from Lohengrin) Recorded 5th August 1960; sung in Swedish |
This month is an excellent one for Björling fans. This collection is a treasury of rare performances from the US and Sweden and includes previously unreleased material. There is commentary and interviews, as well as Art and popular songs, Arias and duets and there are many guest artists such as Licia Albanese, Anna Lisa Björling and Renata Tebaldi. “Björling recorded [Lensky's aria] many times but never, I think, so poignantly as here. As a prologue to this year's centenary celebrations the album is a worthy offering and this track an especially moving example of the great tenor's art at its best.” Gramophone Magazine, March 2011 | | | Usually despatched in 2 - 3 working days. |
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| |  | Jussi Björling: The Swedish Caruso
Adam: | O, helga natt | Alfvén: | Saa tag mit Hjerte (Text: Tove Ditlevsen) | Althen: | Land, du välsignade (Thou Blessed Country) | Atterberg: | Fanal: Final Scene | Beach: | Ah, Love, but a day! Op. 44, No. 2 | Beethoven: | Adelaide, Op. 46 | Bizet: | La fleur que tu m'avais jetée (from Carmen) Je crois entendre encore (from Les Pêcheurs de Perles) | Campbell-Tipton: | A Spirit Flower | Capua: | O sole mio | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) | Flotow: | M'appari (from Martha) | Foster, S: | I Dream of Jeanie with the Light Brown Hair | Friml: | Only A Rose (from The Vagabond King) | Geehl: | For You Alone | Giordano, U: | Come un bel dì di maggio (from Andrea Chénier) Amor ti vieta (from Fedora) | Godard, B: | Berceuse from Jocelyn | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) De grâce demeurez… Ange adorable (Roméo et Juliette) | Hardelot: | Because | Leoncavallo: | Recitar!...Vesti la giubba (from I Pagliacci) Mattinata - 'L'aurora di bianco vestita' I Pagliacci: excerpts Victoria de los Angeles (Nedda), Leonard Warren (Tonio), Paul Franke (Beppe), Robert Merrill (Silvio) | Mascagni: | Mamma, quel vino (from Cavalleria Rusticana) O Lola, ch'ai di latti la cammisa (from Cavalleria Rusticana) | Massenet: | Instant charmant … En fermant les yeux (from Manon) Je suis seul, seul enfin... Ah fuyez douce image (from Manon) | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) | Millöcker: | Soll ich redden…Ich setz’ den Fall (from Der Bettelstudent) Sung in Swedish Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) Sung in Swedish | Nordqvist: | Bön I ofredstid (Prayer in Time of War) Bisp Thomas frihetssång (Bishop Thomas' Song of Freedom) Till havs (Towards the Sea) | Offenbach: | Le jugement de Pâris - Au Mont Ida (from La Belle Hélène) | Peterson-Berger: | När jag för mig själv (When I Walk by Myself) Bland skogens höga furustammar (Among the High Fir-Trees in the Forest) Jungfrun under lind (Ernst von der Recke) | Ponchielli: | Cielo e mar! (from La Gioconda) | Puccini: | Che gelida manina (from La Bohème) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) Ch'ella mi creda libero e lontano (from La Fanciulla del West) O soave fanciulla (from La Bohème) Hjödis Schymberg (Mimi) Nessun dorma (from Turandot) Donna non vidi mai (from Manon Lescaut) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) La Bohème (highlights) Victoria de los Angeles (Mimi), Lucine Amara (Musetta), Robert Merrill (Marcello), John Reardon (Schaunard), Giorgio Tozzi (Colline) Madama Butterfly (highlights) Victoria de los Angeles (Butterfly), Miriam Pirazzini (Suzuki), Mario Sereni (Sharpless), Piero de Palma (Goro) | Rachmaninov: | In the silence of the secret night, Op. 4 No. 3 Lilacs, Op. 21 No. 5 | Rimsky Korsakov: | Song of the Hindu Guest (from Sadko) | Rossini: | Stabat Mater: Cujus animam gementem | Salén: | Sången till havet (Song to the Sea) Visa kring slånblom och månskära (Song of Blackthorn and Crescent Moon) | Schrader, M: | Sommarnatt (Summer Night) | Sibelius: | Demanten på marssnön, Op. 36 No. 6 (Wecksell) | Sjöberg: | Tonerna (text: Erik Gustaf Geijer) | Söderman: | Kung Heimer och Aslög (Text: Frans Hedberg) Trollsjön | Speaks: | Sylvia | Stenhammar: | Sverige (Sweden) | Strauss, J, II: | Wer uns getraut? (from Der Zigeunerbaron) Sung in Swedish | Strauss, R: | Morgen, Op. 27 No. 4 Cäcilie, Op. 27 No. 2 | Tosti: | Ideale L'alba separa dalla luce l'ombra | Verdi: | Se quel guerrier io fossi!…Celeste Aida (from Aida) La donna è mobile (from Rigoletto) Ingemisco (from Requiem) Ah sì ben mio (from Il trovatore) (two recordings) Di quella pira (from Il trovatore) (two recordings) Questa o quella (from Rigoletto) (two recordings) Di' tu se fedele (from Un ballo in maschera) | Widestedt: | Nämner du Sverige (If You Mention Sweden) |
This 5 CD set covers the best of Björling’s EMI solo recordings and includes highlights from the three complete operas: CD 1 contains Opera and Oratorio Arias and Songs in their original language recorded between 1936 and 1941. CD 2 covers similar repertoire from 1941 to 1950. CD 3 goes back to the period from 1929 when Björling was still a local Swedish artist and recorded all his material in Swedish. The CD opens with the two recently discovered test recordings that Björling made for EMI Sweden on 4 September 1929: ‘For You Alone’ and ‘Mattinata’, both sung in Swedish. CD 4 contains a selection of Lieder and Songs, all sung in their original language, recorded between 1939 and 1959. CD 5 contains a generous selection of highlights from Björling’s three complete EMI operas: La bohème, Pagliacci and Madama Butterfly. He is partnered in all three recordings by the soprano Victoria de los Angeles. All tracks, except those from Pagliacci and Madama Butterfly on CD 5, have been transferred and digitally remastered at Abbey Road Studios from the best available source material in the EMI Archives by the award-winning audio restoration engineer Andrew Walter. | | | In stock - usually despatched within 1 working day. |
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| |  | Nicolai Gedda: Lyric Poet of the Tenor Voice85th Birthday
Adam: | Mes amis, écoutez l'histoire (from Le Postillon de Lonjumeau) | Auber: | Du pauvre seul ami fidèle (from La Muette de Portici) | Bach, J S: | Cantata BWV189 'Meine Seele ruhmt und preist' Cantata BWV55 'Ich armer Mensch, ich Sündenknecht' Cantata BWV160 'Ich weiß, daß mein Erloeser lebt' St Matthew Passion, BWV244: Geduld, Geduld Mass in B minor: Benedictus | Beethoven: | Christus am Ölberge: Jehova, du mein Vater...Meine Seele ist erschüttert Adelaide, Op. 46 An die ferne Geliebte (To the distant beloved), Op. 98 | Bellini: | Prendi l'anel ti dono (from La Sonnambula) | Berlioz: | Une heure encore (from Benvenuto Cellini) Seul pour lutter, seul avec mon courage (from Benvenuto Cellini) | Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles) La fleur que tu m'avais jetée (from Carmen) | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Delibes: | Lakmé! Lakmé! Ah! Viens dans la forêt profonde (from Lakmé) | Donizetti: | Quanto è bella, quanto è cara! (from L'Elisir d'amore) Una furtiva lagrima (from L'elisir d'amore) Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) Povero Ernesto...cercherò lontano terra (from Don Pasquale) Com'é gentil…Tornami a dir (from Don Pasquale) Spirto gentil ne' sogni miei (from La Favorita) | Flotow: | Jungfrau Maria (from Alessandro Stradella) Ach, so fromm (from Martha) | Glinka: | A Life for the Tsar: Bratsï! V metel', v nevedomoy glushi | Gluck: | Alceste : Air d'Admete 'Bannis la crainte et les alarmes Unis des la plus tendre enfance (from Iphigénie en Tauride) Divinité des grandes âmes (from Iphigénie en Tauride) Che puro ciel (Orfeo ed Euridice) French version J'ai perdu mon Eurydice (from Orphée et Eurydice) | Goldmark: | Magische Töne, berauschender Duft (from Die Königin von Saba) | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Mon cœur est plein d'un noir soucis... Anges du Paradis (from Mireille) L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Kalman: | Tanzen Möcht' ich (from Die Csárdásfürstin) Wenn es Abendd … Grüß mir mein Wien (from Gräfin Mariza) Auch ich war einst ein feiner Csárdákavalier … Komm, Zigan (from Gräfin Mariza) Heut' Nacht hab' ich geträumt von Dir (from Das Veilchen von Montmartre) | Lalo: | Vainement, ma bien-aimée (from Le roi d’Ys) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Allein, wieder allein (from Der Zarewitsch) Dein ist mein ganzes Herz (from Das Land des Lächelns) O Mädchen, mein Mädchen (from Friederike) | Lortzing: | Lebe wohl, mein flandrisch Mädchen (from Zar und Zimmermann) | Massenet: | Instant charmant … En fermant les yeux (from Manon) Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Un autre est son époux! Traduire! (from Werther) | Mendelssohn: | Elijah: Ye people, rend your hearts Elijah: If with all your hearts | Meyerbeer: | Beauté Divine (from Les Huguenots) Ô Paradis (from L'Africaine) | Millöcker: | Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) | Mozart: | Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail) In Mohrenland gefangen war (from Die Entführung aus dem Serail) Un'aura amorosa del nostro tesoro (from Così fan tutte) Se all' Impero (from La Clemenza di Tito) Per pieta, non ricercate KV 420 Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Dalla sua pace (from Don Giovanni) Il mio tesoro intanto (from Don Giovanni) | Mussorgsky: | At midnight, in the garden, by the fountain (from Boris Godunov) That wily Jesuit has firmly seized me (from Boris Godunov) Why my sad heart? (from Sorochinsky Fair) | Nicolai, C O: | Horch, die Lerche singt im Hain! 'Romance' (from Die lustigen Weiber von Windsor) | Offenbach: | Va pour Kleinzach...Il était une fois à la cour (from Les Contes d'Hoffmann) | Ponchielli: | Cielo e mar! (from La Gioconda) | Puccini: | Donna non vidi mai (from Manon Lescaut) Che gelida manina (from La Bohème) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) Bimba dagli occhi pieni di malia (from Madama Butterfly) Nessun dorma (from Turandot) | Rimsky Korsakov: | Solynshko nizko, vecher uzh blisko (The sun is low, the evening is approaching) (from May Night) Kak tikho, kak prokhladno tut! (How peaceful, how fresh it is here!) (from May Night) Song of the Hindu Guest (from Sadko) | Rossini: | Asile héréditaire (from Guillaume Tell) Ecco, ridente in cielo (from Il Barbiere di Siviglia) | Rousseau, J-J: | Je vais revoir ma charmante maîtresse... Quand on sait (from Le Devin du Village) | Schubert: | Die schöne Müllerin, D795 | Straus, O: | Ich hab' mit Freuden angehört (from Ein Walzertraum) | Strauss, J, II: | Eine Nacht in Venedig: Komm in die Gondel Als flotter Geist (from Der Zigeunerbaron) | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) Forgive me, loveliest of creatures (from Pique Dame) What is our life? A game! (from Pique Dame) | Thomas, Ambroise: | Adieu, Mignon! Courage! (Mignon) | Verdi: | Ella mi fu rapita! (from Rigoletto) Parmi veder le lagrime (from Rigoletto) La donna è mobile (from Rigoletto) Di' tu se fedele (from Un ballo in maschera) Forse la soglia attinse (from Un ballo in maschera) Se quel guerrier io fossi!…Celeste Aida (from Aida) Ingemisco (from Requiem) | Wagner: | In fernem Land (from Lohengrin) Mein lieber Schwan (from Lohengrin) | Weber: | Nein! länger trag' ich nicht die Qualen…Durch die Wälder (from Der Freischütz) Von Jugend auf in dem Kampfgefild (from Oberon) Vater! Hör' mich flehn zu dir! (from Oberon) |
and lieder by Faure, Poulenc, Debussy, Hahn, Mendelssohn, Strauss, Grieg, Alfven, Peterson-Berger, Sjöberg, Sibelius, Rachmaninoff, Veracini, Respighi, Turina, Curtis, Bixio, Rotter, Tauber, Stolz,
“Gedda's standard of vocalisation and his grasp of many styles are uniformly excellent...his humour is always special, as is the technique which sees quite a light voice safely through "Nessun Dorma" and the Butterfly duet.” Gramophone Magazine, June 2010 | | | In stock - usually despatched within 1 working day. |
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