Victoria: Nigra sum - SACD

This page lists our only recording of Nigra sum, by Tomás Luis de Victoria (1548-1611) on SACD.

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Victoria: Requiem

Awards:

Penguin Guide

Rosette Winner

Label:

Coro

Catalogue No:

CORSACD16033

Discs:

1

Release date:

30th Aug 2005

Barcode:

0828021603327

Medium:

SACD

Format:

Hybrid Multi-channel
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Victoria: Requiem


Victoria:

Requiem 1605 'Officium defunctorum'

Salve Regina

Ave Regina caelorum a 5

Nigra sum

Quam pulchri sunt gressus tui

Trahe me post te

Ave Regina caelorum for eight voices

Taedet animam meam

Versa est in luctum

Libera me Domine


SACD

$16.75

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This recording features the celebrated Requiem of 1605, Victoria's final composition and a work of beguiling beauty and sumptuous simplicity. It can be seen as the summation of both his art and the Spanish Renaissance tradition. The beautiful plainsong on which it is structured can be heard arching through the texture, forming a delicate and sinuous line throughout. Subtly accompanied by a chamber organ and bajón, it is recorded here with the same forces as may well have performed it originally in the Monasterio de las Descalzas Reales. The Requiem is preceded by Marian Antiphons interspersed with three motets setting texts from the Song of Songs.

playVictoria: Salve Regina À 6

playVictoria: Ave Regina Caelorum À 5

playVictoria: Nigra Sum À 6

playVictoria: Quam Pulchri Sunt À 4

playVictoria: Trahe Me Post Te À 5

playVictoria: Ave Regina Caelorum À 8

playVictoria: Officium Defunctorum - Taedet Animam Meam

playVictoria: Missa Pro Defunctis a 6 - Introitus

playVictoria: Missa Pro Defunctis a 6 - Kyrie

playVictoria: Missa Pro Defunctis a 6 - Graduale

playVictoria: Missa Pro Defunctis a 6 - Offertorium

playVictoria: Missa Pro Defunctis a 6 - Sanctus

playVictoria: Missa Pro Defunctis a 6 - Agnus Dei

playVictoria: Missa Pro Defunctis a 6 - Communio

playVictoria: Missa Pro Defunctis a 6 - Versa Est In Luctum

playVictoria: Missa Pro Defunctis a 6 - Libera Me

BBC Music Magazine

September 2005

*****

“Harry Christophers imbues this account with maturity and assurance as well as a deep understanding of the music's architecture. He inspires some impassioned singing from the choir - plumbing the depths in the Offertory to depict the 'deep pit' and 'the pains of hell', and elsewhere using a range of rhetorical gestures to heighten intensity.”

Gramophone Magazine

December 2005

“…The Sixteen's new offering… builds on their previous recordings by complementing the voices with a chamber organ and the wonderfully robust-sounding bajón, an early Spanish bassoon whose use in polyphonic performances of the period is well documented.”

Click on any of the works listed above for alternative recordings.

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