Reichenauer: Violin Concerto in C minor

This page lists our only recording of Violin Concerto in C minor, by Antonín Reichenauer (c.1694-1730) on CD.

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Antonín Reichenauer: Concertos

Label:

Supraphon

Catalogue No:

SU40352

Discs:

1

Release date:

7th Feb 2011

Barcode:

0099925403522

Medium:

CD
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Antonín Reichenauer: Concertos


Reichenauer:

Suite in B flat major for two oboes, bassoon and strings

Bassoon Concerto in C major

Bassoon Concerto in G major

Oboe Concerto in G major

Violin Concerto in C minor

Concerto in B flat major for oboe, bassoon and strings


Sergio Azzolini (bassoon), Lenka Torgensen (violin), Xenia Löffler (oboe)

Collegium 1704, Václav Luks (artistic director)

CD

$16.75

Usually despatched in 4 - 5 working days.

New recordings from Supraphon’s Gramophone Editor’s Choice winning series “Music From 18th Century Prague”

Unlike the copiously preserved sacred music, instrumental works by Czech composers in the Prague of the first third of the 18th century are as scarce as hen’s teeth. The twenty or so instrumental pieces by Antonín Reichenauer are among the most significant.

Reichenauer was a musician in Count Morzin’s chapel, in which he assumed the role of in-house composer after Johann Friedrich Fasch. The ensemble’s superb quality is documented by the Count’s regular contacts with Antonio Vivaldi, whom he engaged as his “maestro di musica in Italia”. Among other pieces, Vivaldi dedicated to Morzin his Opus 8, containing the celebrated The Four Seasons. The rarity of Reichenauer’s virtuoso concertos is emphasised by their being extremely challenging in technical terms, which serves as evidence of the skills of the chapel’s members – even Vivaldi himself lauded them!

Many a contemporary musician would find these concertos extremely difficult. This, however, is certainly not the case of the “wizard” Sergio Azzolini and the other soloists featured on this recording. Together with Collegium 1704, an ensemble that gained renown with albums of Jan Dismas Zelenka’s paramount compositions, they perform Reichenauer’s concertos with a vivacity and energy this music requires.

playConcerto In C Major For Bassoon, String And Basso Continuo: I. Allegro

playConcerto In C Major For Bassoon, String And Basso Continuo: II. Adagio

playConcerto In C Major For Bassoon, String And Basso Continuo: III. Allegro

playConcerto For Oboe, Bassoon, Strings And Basso Continuo In B Flat Major: I. Allegro

playConcerto For Oboe, Bassoon, Strings And Basso Continuo In B Flat Major: II. Adagio

playConcerto For Oboe, Bassoon, Strings And Basso Continuo In B Flat Major: III. Allegro

playConcerto For Violin, Strings And Basso Continuo In C Minor: I. Allegro

playConcerto For Violin, Strings And Basso Continuo In C Minor: II. Adagio

playConcerto For Violin, Strings And Basso Continuo In C Minor: III. Allegro

playConcerto In G Major For Oboe, String And Basso Continuo: I. Allegro

playConcerto In G Major For Oboe, String And Basso Continuo: II. Adagio

playConcerto In G Major For Oboe, String And Basso Continuo: III. Allegro

playConcerto For Bassoon, Strings And Basso Continuo In G Minor: I. Allegro

playConcerto For Bassoon, Strings And Basso Continuo In G Minor: II. Adagio

playConcerto For Bassoon, Strings And Basso Continuo In G Minor: III. Allegro

playOverture For 2 Oboes, Bassoon, Strings And Basso Continuo And B Flat Major: I. Ouverture

playOverture For 2 Oboes, Bassoon, Strings And Basso Continuo And B Flat Major: II. Bouree

playOverture For 2 Oboes, Bassoon, Strings And Basso Continuo And B Flat Major: III. Menuet

playOverture For 2 Oboes, Bassoon, Strings And Basso Continuo And B Flat Major: IV. Adagio

playOverture For 2 Oboes, Bassoon, Strings And Basso Continuo And B Flat Major: V. Allegro

playOverture For 2 Oboes, Bassoon, Strings And Basso Continuo And B Flat Major: VI. Polonese

International Record Review

April 2011

“The disc opens with the C major Bassoon Concerto. Its astonishingly florid solo line does not daunt the Baroque bassoonist Sergio Azzolini...[his] alert phrasing and sensitivity to his instrument's varied hues are most evident in the soulful Adagios of both concertos...Also impressive is the strikingly sweet-toned Baroque violinist Lenka Torgensen in her concerto, which demands both superior poetic imagination and agility from the soloist.”

Gramophone Magazine

September 2011

“Reichenhauer's was a fluent, likeable, if not specially distinctive talent...All the soloists play with skill and spirit”

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