Geržinič: Žalostno pismo (Sad Letter)

This page lists our only recording of Žalostno pismo (Sad Letter), by Alojz Geržinič (1915-2008) on CD.

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Slovenija!

Catalogue No:

HMC902065

Discs:

1

Release date:

28th Feb 2011

Barcode:

0794881984121

Medium:

CD
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Slovenija!

Slovenic Art Songs & Duets


Adamič:

Trobentice (Primroses)

Uspavanka (Lullaby)

Gerbič:

Kam? (Where?)

Pojdem na prejo (I’ll Watch the Girls Spinning)

V noči (In the Night)

with Marcos Fink (bass-baritone)

Geržinič:

Žalostno pismo (Sad Letter)

Jesenska pesem (Autumn Song)

Mrak Dusk

Pomladna radost (Spring Delight)

Ipavec:

Pomladni počitek (Spring Rest)

with Marcos Fink (bass-baritone)

V noči (In the Night)

Divja roža in bršljan (Wild Rose and Ivy)

Pomladna noč (Spring Night)

Mak žari (Poppy Glows)

Božji volek (Ladybird)

V spominsko knjigo (In a Memorial Book)

Pomladni veter (Spring Breeze)

Jenko:

Na tujih tleh (Abroad)

with Marcos Fink (bass-baritone)

Lajovic:

Mesec v izbi (My Fatherland)

Kaj bi le gledal (Jamie Come Try Me)

Serenada (Serenade)

Mašek, K:

Pod oknom (Under the Window)

Pavčič:

Dedek samonog (Grandpa Single-Leg)

Uspavanka II (Lullaby No. 2)

Ciciban

Cicifuj

Prelovec:

Jesenska noč (Autumn Night)

Škerjanc:

Jesenska Pesem (Autumn Song)

Vizija (Vision)

Večerna impresija (Evening Impression)

Počitek pod goro (Moon over Mountain Pass)

Pesem (Song)

Beli oblaki (White Clouds)


Bernarda Fink (mezzo-soprano), Marcos Fink (bass-baritone), Anthony Spiri (piano)

CD

$17.25

In stock - usually despatched within 1 working day.

Closely associated with the folklore of the Balkans, the musical tradition of Slovenia also has a Romantic branch born at the confluence of the Alps and the Adriatic, between Austria and Italy. Bernarda and Marcos Fink (whose parents are Slovenian) have selected the most representative songs and duets of a style which, around the turn of the 20th century, combined the poetic rigour of the great European musical centres with the expression of national identity. Bernarda Fink’s repertoire ranges from Baroque to 20th - century, and she appears regularly with such great international orchestras as the Vienna and Berlin Philharmonics as well as celebrated Baroque ensembles. Among the conductors with whom she works are Nikolaus Harnoncourt, René Jacobs, Mariss Jansons and Riccardo Muti.

Bernarda Fink has taken part in more than 50 recordings, many of them for harmonia mundi. Her brother, bass-baritone Marcos has performed in concert halls and opera houses around the world. Marcos Fink is also an enthusiastic interpreter of lieder. He has participated in numerous CD recordings ranging from Baroque to contemporary music. After Canciones argentinas, this recital of Slovenian songs is the second recording the siblings Fink have made for harmonia mundi.

playAnton Lajovic (1878-1960). Mesec V Izbi / My Fatherland/ La Lune Dans Ma Chambre

playAnton Lajovic (1878-1960). Kaj Bi Le Gledal/ Jamie, Come Try Me/ Jamie, Viens Me Chercher!

playAnton Lajovic (1878-1960). Serenada/ Serenade/ Sérénade

playAlojzu Gerzinic (1915-2008). Zalostno Pismo/ Sad Letter/ Tristesse

playAlojzu Gerzinic (1915-2008). Jesenska Pesem/ Autumn Song/ Chant D'automne

playAlojzu Gerzinic (1915-2008). Mrak/ Dusk/ Le Crépuscule

playAlojzu Gerzinic (1915-2008). Pomladna Radost. Spring Delight/ Les Joies Du Printemps

playLucijan Marija Skerjanc (1900-1973). Jesenska Pesem/ Autumn Song/ Chant D'automne

playLucijan Marija Skerjanc (1900-1973). Vizija/ Vision/ Une Vision

playLucijan Marija Skerjanc (1900-1973).Vecerna Impresija/ Evening Impression/ Impression Du Soir

playJosip Pavcic (1870-1949). Dedek Samonog/ Grandpa Single-Leg/ P'tit Père n'a-Qu'une-Jambe

playJosip Pavcic (1870-1949). Uspavanka II/ Lullaby No.2/ Berceuse N°2

playJosip Pavcic (1870-1949). Ciciban, Cicifuj/ Ciciban, Cicifuj/ Tsitsiban, Tsitsibeurk

playBenjamin Ipavec (1829-1908). Pomladni Pocitek/ Spring Rest/ Le Repos Printanier

playBenjamin Ipavec (1829-1908). V Noci/ In The Night/ La Nuit

playBenjamin Ipavec (1829-1908). Divja Roza In Brsljan/ Wild Rose And Ivy/ Fleurs D'églantier

playBenjamin Ipavec (1829-1908). Pomladna Noc/ Spring Night/ Nuit De Printemps

playZorko Prelovec (1887-1939). Jesenska Noc/ Autumn Night/ Nuit D'automne

playLucijan Marija Skerjanc. Pocitek Pod Goro/ Moon Over Mountain Pass/ Halte Au Pied De La Montagne

playLucijan Marija Skerjanc. Pesem/ Song/ Chanson

playLucijan Marija Skerjanc. Beli Oblaki/ White Clouds/ Les Nuages Blancs

playKamilo Masek (1831-1859). Pod Oknom/ Under The Window/ Sous Sa Fenêtre

playBenjamin Ipavec. Mak Zari/ Poppy Glows/ Rouges Sont Les Pavots

playBenjamin Ipavec. Bozji Volek/ Ladybird/ Coccinelle

playBenjamin Ipavec. V Spominsko Knjigo/ In A Memorial Book/ Dans Le Livre Des Souvenirs

playBenjamin Ipavec. Pomladni Veter/ Spring Breeze/ Vent Printanier

playFran Gerbic (1840-1917). Kam?/ Where?/ Où Donc ?

playFran Gerbic (1840-1917). Pojdem Na Prejo/ I'll Watch The Girls Spinning/ Je M'en Vais À La Fête

playFran Gerbic (1840-1917). V Noci/ In The Night/ En Pleine Nuit

playEmil Adamic (1877-1936). Trobentice/ Primroses/ Les Primevères

playEmil Adamic (1877-1936). Uspavanka/ Lullaby/ Berceuse

playDavorin Jenko (1835-1914). Na Tujih Tleh/ Abroad/ En Terre Étrangère

Financial Times

2nd April 2011

****

“[The Finks] throw a spotlight on the little known Slovenian art-song repertoire of the late 19th century, when nationalism swept the east European fringe, defining its multi-ethnic culture in poetry and music. The salon style of these duets and solos echoes Tchaikovsky’s: the Finks have done us a favour.”

International Record Review

April 2011

“these composers' voices are distinctive and Bernarda Fink and her brother Marcos...are persuasive advocates for their music. Marcos is an attractively buzz-saw-sounding bass-baritone with a hint of Southern Comfort in the middle of the voice...Bernarda is on tip-top form too...The top of the voice too has a silvery lining to it.”

Gramophone Magazine

September 2011

“Throughout, the singing of both artists is wonderfully sensitive and persuasively understanding on a disc that will give continuing pleasure, vividly recorded and admirably documented.”

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