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See Terms & Conditions for p&p rates. | |  | Valentina Lisitsa: Live at the Royal Albert Hall
Beethoven: | Für Elise (Bagatelle in A minor, WoO59) Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight' | Chopin: | Nocturne No. 2 in E flat major, Op. 9 No. 2 Nocturne No. 13 in C minor, Op. 48 No. 1 Nocturne No. 8 in D flat major, Op. 27 No. 2 | Liszt: | Grande Étude de Paganini, S. 141 No. 3 'La Campanella' Un Sospiro from 3 Concert Studies, S144 No. 3 Liebestraum, S541 No. 3 (Nocturne in A flat major) | Rachmaninov: | Prelude Op. 23 No. 5 in G minor Prelude Op. 32 No. 5 in G major Prelude Op. 32 No. 12 in G sharp minor Prelude Op. 32 No. 10 in B minor Étude-Tableau, Op. 39 No. 6 in A minor | Scriabin: | Deux poèmes, Op. 32 Étude Op. 42 No. 3 in F sharp major 'La Moustique' |
Valentina Lisitsa (piano) The DVD recording of Valentina’s Lisitsa’s 19th of June 2012 Royal Albert Hall concert. With more than 43 million views and over 52,000 subscribers to her YouTube channel, the young pianist is not only one of the fastest-rising stars of the international concert scene but probably the single most-watched classical musician, having rapidly overtaken long-established giants of the piano world in terms of global online viewing figures. “Critics love to trash this kind of 'semi-pops' programme, yet Lisitsa often plays beautifully. While her opening salvo, Rachmaninovs G minor Prelude, is rather rushed and glib, the pianist quickly settles down to a direct and eloquent Fur Elise, followed by a breathtakingly brisk, imaginatively shaded La campanella.” Gramophone Magazine, Awards Issue 2012 “there's an admirable lightness of touch and appreciation of rhythmic flow to her "Für Elise", and her negotiation of Liszt's "Un Sospiro" is captivating.” The Independent, 7th July 2012 **** “ This recital disc of short piano pops proves Lisitsa's technical skill rather than the potential depth or reach of her musicality. She opens, in reckless mood, with Rachmaninov's Prelude in G Minor, then settles into an elegant Für Elise” The Observer, 9th July 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Valentina Lisitsa: Live at the Royal Albert Hall
Beethoven: | Für Elise (Bagatelle in A minor, WoO59) Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight' | Chopin: | Nocturne No. 2 in E flat major, Op. 9 No. 2 Nocturne No. 13 in C minor, Op. 48 No. 1 Nocturne No. 8 in D flat major, Op. 27 No. 2 | Liszt: | Grande Étude de Paganini, S. 141 No. 3 'La Campanella' Un Sospiro from 3 Concert Studies, S144 No. 3 Liebestraum, S541 No. 3 (Nocturne in A flat major) | Rachmaninov: | Prelude Op. 23 No. 5 in G minor Prelude Op. 32 No. 5 in G major Prelude Op. 32 No. 12 in G sharp minor Prelude Op. 32 No. 10 in B minor Étude-Tableau, Op. 39 No. 6 in A minor | Scriabin: | Deux poèmes, Op. 32 Étude Op. 42 No. 3 in F sharp major 'La Moustique' |
Valentina Lisitsa (piano) Born in Kiev, Ukraine, Valentina began playing the piano at the age of three and performed her first solo recital just one year later. She has won prestigious awards for her playing internationally, including the Murray Dranoff Two Piano Competition (together with her husband Alexei Kuznetsoff). Valentina Lisitsa has already performed at major international venues including Carnegie Hall and Avery Fisher Hall in New York and the Vienna Musikverein, and in countries as far apart as the Netherlands and Brazil. She has played with renowned orchestras including Chicago Symphony, Seattle Symphony, San Francisco Symphony and the Pittsburgh Symphony, collaborating with conductors Manfred Honeck, Yannick Nézet-Séguin, and Jukka-Pekka Saraste, among others. Upcoming performances are confirmed with the Rotterdam Philharmonic, Philharmonie im Gasteig, Munich with Münchner Symphoniker and recitals at the Victoria Hall in Geneva and Philharmonie in Berlin. With more than 43 million views and over 52,000 subscribers to her YouTube channel, the young pianist is not only one of the fastest-rising stars of the international concert scene but probably the single most-watched classical musician, having rapidly overtaken long-established giants of the piano world in terms of global online viewing figures. “Lisitsa emerges as a hugely confident and spontaneous performer. There's grace in her turns of phrase and relish in her sense of rhetoric...Sometimes, though, a downside appears when loud passages threaten to career a tad out of control and miss their point.” BBC Music Magazine, December 2012 *** “there's an admirable lightness of touch and appreciation of rhythmic flow to her "Für Elise", and her negotiation of Liszt's "Un Sospiro" is captivating.” The Independent, 7th July 2012 **** “This recital disc of short piano pops proves Lisitsa's technical skill rather than the potential depth or reach of her musicality. She opens, in reckless mood, with Rachmaninov's Prelude in G Minor, then settles into an elegant Für Elise” The Observer, 9th July 2012 “genuine gifts for lyricism and dazzling display...those musical gifts quickly hit the ears on this closely recorded CD.... Track three is Liszt’s La campanella, intelligently shaped, its bell sounds glittering as rarely before...Lisitsa tends to play with the lights fully on, with not enough shading in the wide expanse between loud and quiet. This gets rather tiring...But at the moment there is only one Valentina Lisitsa.” The Times, 13th July 2012 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Tchaikovsky: Piano Concerto No. 1and solo works by Rachmaninov
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| |  | Richard Farrell - The Complete Recordings, Volume 2
Brahms: | Variations and Fugue on a Theme by Handel, Op. 24 Klavierstücke (4), Op. 119 Rhapsody in G minor, Op. 79 No. 2 | Chopin: | Scherzo No. 1 in B minor, Op. 20 Mazurka No. 10 in B flat major, Op. 17 No. 1 Mazurka No. 41 in C sharp minor, Op. 63 No. 3 Étude Op. 10 No. 3 in E major 'Tristesse' Previously unreleased Étude Op. 10 No. 4 in C sharp minor Previously unreleased Étude Op. 10 No. 5 in G flat major 'Black Key' Étude Op. 10 No. 10 in A flat major Previously unreleased Étude Op. 25 No. 11 in A minor 'Winter Wind' Previously unreleased Nocturne No. 4 in F major, Op. 15 No. 1 Waltz No. 14 in E minor, Op. post., KKIVa:15, B 56 Polonaise No. 6 in A flat major, Op. 53 'Héroïque' Previously unreleased | Debussy: | Clair de Lune (from Suite Bergamasque) | Granados: | Goyescas: Quejas ó La Maja y el Ruiseñor | Liszt: | Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Widmung S566 after Schumann (Liebeslied) Hulanka (Drinking Song, after Chopin) | Mendelssohn: | Song without Words, Op. 38 No. 6 in A flat major 'Duetto' | Rachmaninov: | Variations on a theme of Corelli, Op. 42 First ever stereo release Prelude Op. 3 No. 2 in C sharp minor First ever stereo release Prelude Op. 23 No. 4 in D major First ever stereo release Prelude Op. 23 No. 5 in G minor First ever stereo release Prelude Op. 23 No. 6 in E flat major First ever stereo release Prelude Op. 32 No. 5 in G major First ever stereo release Prelude Op. 32 No. 12 in G sharp minor First ever stereo release | Schumann: | Arabeske in C major, Op. 18 |
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| |  | Horowitz: The Legendary Berlin Concert18th May 1986
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| |  | Horowitz in Moscow
“In 1986 Horowitz returned to his native Russia for the first time in more than half a century. He's seen here performing, being interviewed and chatting with old family members. Touching and with some extraordinary playing.” BBC Music Magazine, July 2006 **** “The return to his homeland in 1986 by the world's most famous living instrumentalist after an absence of 61 years caught the public imagination. …the 83-year old Horowitz's arrival in Moscow prompted the kind of reception reserved usually for pop stars. Brian Large's Emmy Award-winning film captures all this well... Few have conjured from a piano such a palette of tonal colours with such convincing imagery and musical imagination as Horowitz does in this recital. The audience listens with rapt concentration. A man sits motionless with tears streaming down his face in Träumerei. Unforgettable.” Gramophone Magazine, February 2006 | | | In stock - usually despatched within 1 working day. |
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| |  | Gabriela Montero - Recital & Improvisations
“No matter how jaw-dropping her miraculously clean-fingered negotiation of such as Liszt's Mephisto Waltz, it's what happens between the notes, the way she grippingly characterises everything she plays, that constantly arrests the listener's attention. not since George Cziffra's hey-day have such white-hot, volcanic eruptions of pianistic derring-do been captured on disc. ...Montero also magics her phrasing poetically, as witness Chopin's heavenly D flat Nocturne. But what sets the seal on this remarkable release is the bonus disc of Montero's self-penned improvisations, whose jazz-styled inflections will have all die-hard romantics misting over on contact. Her spine-tingling rethink of Rachmaninov's Vocalise is worth the price of the disc alone.” BBC Music Magazine, October 2005  BBC Music Magazine
Instrumental Choice - October 2005 |
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| |  | Rachmaninov - Solo Piano Works
BBC Music Magazine Disc of the month - April 2005 |
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| |  | Favourite Rachmaninov
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| |  | Conrad Tao: Voyages
The premiere disc from this remarkable young Chinese-American pianist and composer. Features music by Rachmaninov and Ravel, as well as compositions by Conrad himself, including an inspired work for iPad and piano. Also a work by New York born composer, Meredith Monk. Conrad describes this album as being “about iridescence, about color, shifting, Perception, hallucinatory shapes”. “He is exceptionally gifted, and an 18 year old teenager of the digital era. Quite a catch for the future.” Jean Philippe Rolland, President of A&R, EMI Classics | 
| | | Scheduled for release on 10 June 2013. Order it now and we will deliver it as soon as it is available. |
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