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There is no question of José Miguel Moreno being anything other than the leading Spanish specialist in historical plucked string instruments. As a concert performer, researcher, builder and collector of instruments and co-founder of the Glossa label, Moreno has, over the last 30 years, been the guiding beacon for a number of succeeding generations of guitarists and lutenists the world over. Glossa was the label for which he recorded two of his now legendary programmes, La Guitarra Española (1536-1836) and La Guitarra Española (1818-1918). These had previously been deleted but Glossa are now bringing them back as a double set.
Moreno plays a range of instruments made either by Lourdes Uncilla or by himself in order to infuse with a new vitality the fundamental repertories in the history of the guitar as bequeathed by the vihuelists Narváez, Milán and Mudarra, then later composed by figures such as Francisco Guerau, Santiago de Murcia and Gaspar Sanz, and subsequently through the romantic scores of Fernando Sor and Johann Kaspar Mertz. Tárrega and Llobet, the great masters of post-Romanticism, close this survey striding with infinite musicality across the most representative compositions of four centuries of the Spanish guitar. This special edition marks, as well, the departure point of a new process of collaboration between José Miguel Moreno and the label which he helped to create, with brand new recordings being planned, which will appear from the autumn of this year onwards.
Luys de Narvaez: 5 diferencias de Guardame las vacas
5 diferencias de Guardame las vacas
Luys de Narvaez: Passeavase el rey moro
Passeavase el rey moro
Luys de Narvaez: 3 diferencias de Guardame las vacas
3 diferencias de Guardame las vacas
Luys de Narvaez: La cancion del Emperador
Cancion del Emperador
Lopez: Fantasia
Fantasia
Luys Milan: Pavana No. 2
Pavana II
Alonso Mudarra: Pavana de Alexandre
Pavana de Alexandre
Alonso Mudarra: Fantasia que contrahaze la harpa, en la manera de Ludovico
Fantasia que contrahaze la harpa en la manera de Ludovico
Santiago de Murcia: Giga
Giga
Santiago de Murcia: Cumbes
Cumbes
Francisco Guerau: Marionas (version for baroque guitar)
Marionas
Francisco Guerau: Canarios
Canarios
Gaspar Sanz: Pavanas con Partidas al Aire Espanol
Pavanas con partitas al ayre Espanol
Gaspar Sanz: Folias
Folias
Gaspar Sanz: Lantururu
Lantururu
Gaspar Sanz: Canarios
Canarios
Fernando Sor: Theme varies et 12 Minuets, Op. 11
Minuet No. 5 in D major: Andante maestoso
Minuet No. 4 in D major: Andante expressivo
Fernando Sor: Introduction and Variations on a theme by Mozart, Op. 9
Introduction and Variations on a theme by Mozart, Op. 9
Fernando Sor: Variations for Guitar on Marlborough s'en va-t-en-guerre, Op. 28
Introduction
Theme
Variation 1
Variation 2
Variation 3
Variation 4
Variation 5
Fernando Sor: 6 Divertimentos, Op. 2
6 Divertimentos, Op. 2: No. 3. Andantino
Franz Schubert: Schwanengesang, D. 957 (arr. F. Tarrega)
Schwanengesang, D. 957: No. 4. Standchen (arr. F. Tarrega)
Johann Kaspar Mertz: Bardenklange, Op. 13
Bardenklange, Op. 13: Lied ohne Worte
Francisco Tarrega: Andante sostenuto
Andante sostenuto
Francisco Tarrega: Lagrima
Lagrima
Francisco Tarrega: 4 Mazurkas
4 Mazurkas: Mazurka in G major
Francisco Tarrega: Valse
Valse: I. Paquito
4 Mazurkas
No. 1 in G minor, "Adelita"
No. 3. Marieta
Miguel Llobet Soles: 13 Catalan Folksongs
No. 2. El testament d'Amelia
No. 10. El noi de la mare
No. 13. Canco del lladre
No. 11. La filadora
Francisco Tarrega: Prelude in D minor, "Endecha"
Prelude in D minor, "Endecha"
Francisco Tarrega: Sueno
Sueno
Francisco Tarrega: Prelude in D minor, "Oremus"
Prelude in D minor, "Oremus"
Francisco Tarrega: Pavana
Pavana
Franz Schubert: Adieu (arr. F. Tarrega)
Adieu (arr. F. Tarrega)
Click on any of the works listed above for alternative recordings.
5 diferencias de Guardame las vacas