For many years after his death, Vivaldi’s vast output of sacred music lay silent and forgotten until Alberto Gentili tracked down an incredible 27 volumes of manuscripts in the 1920s. These volumes contained motets, movements of Masses, the oratorio Juditha triumphans, psalm settings and Marian antiphons. These works ranged from short single-movement works to larger-scale compositions with twelve or more sections.
One of the most famous works unearthed by Gentili was the Gloria. Today, this work is as popular as The Four Seasons and is among Vivaldi’s best-known music. The Gloria, like much of the sacred music by Vivaldi, is easily accessible, like his famous concertos. The music has a very human spirituality – nothing mystic, just a desire to explain the text in a clear pictorial way.
Much of Vivaldi’s sacred music was written for the Ospedale della Pietà, a state-funded foundlings’ home for girls, where he became music director after his ordination in 1703. His writing focused almost entirely on instrumental music, especially concertos, when the choirmaster Francesco Gasparini went on leave and failed to return. Vivaldi was asked to help out, and the results can be heard on these seven CDs.
This set is a must-have for those who love Vivaldi’s music and wish to explore beyond the famous concertos.
New booklet note by Vivaldi scholar Michael Talbot.
April 1992
“This is a radiant, joyful piece of virtuoso writing for the voice. With its many subtle contrasts and vivid word-painting, it seems to me to sit comfortably atop the Vivaldi solo sacred music tree along with the Stabat Mater and Nisi Dominus.
There are no weak links in this beautiful, often exhilarating piece and listeners will not, by and large, be disappointed by the performance. Dawson and Zádori are at an advantage, perhaps, in singing the music
at a lower Baroque pitch, but even so Marshall hits her high notes – and there is no shortage of them – dependably and with panache.”
May 2011
“These are not period-instrument performances and they are often given with quite large forces with a tendency to a certain sturdiness. Yet's there a drive and enthusiasm in Negri's conducting that is very winning, and he's helped by crisp choral singing...The real delight here is the music - Vivaldi at his most varied and inventive.”
Click on any of the works listed above for alternative recordings.
