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Nikolai Tcherepnin (1873–1945) was the first of what would become his family’s musical dynasty: a conductor, composer, and professor at the St Petersburg Conservatory.
He was principal conductor for the first few seasons of the Ballets Russes A student of Rimsky-Korsakov and Lyadov, his most famous student was Prokofiev, who was very fond of his conducting professor and dedicated three of his early works to him Tcherepnin developed a flair for colourful orchestration from these earlier composers as well as an interest in Russian folklore, art, mythology and fairy tales as subjects for musical inspiration.
He also became an enthusiast for French Impressionism from frequent trips to Paris, where he eventually emigrated – so much so that his friends used to tease him by calling him ‘Debussy Ravelovich’ These influences show in his piano music here: the Three Pieces (early 1890s) have echoes of Chopin and Rachmaninov, and the remainder is inspired by classics of Russian children’s literature and the exquisite illustrations of Alexander Benois – the Fourteen Sketches from Benois’ alphabet book for children, and Pushkin’s famous poem The Fisherman and the Fish complete with watery splashes! Benois’s exquisite illustrations are reproduced beautifully in the full-colour booklet.
Nikolai Tcherepnin: 3 Pieces, Op. 24
No. 1. Reverie
No. 2. Etude
No. 3. Idylle
Nikolai Tcherepnin: 14 Sketches on Pictures from the Russian Alphabet, Op. 38
No. 1. Moor
No. 2. Baba-Yaga
No. 3. General
No. 4. Dacha
No. 5. Egypt
No. 6. Stars
No. 7. Mama
No. 8. The Lake
No. 9. Bed-time
No. 10. The Forest
No. 11. Sweets
No. 12. The Khan
No. 13. The Tzarina
No. 14. Stuffed Bear
Nikolai Tcherepnin: 6 muzikal'nikh illyustratsiy k, "Skazke o ribake i ribke" Pushkina (6 Musical Illustrations to Pushkin's, "Tale about the Fisherman and the Fish"), Op. 41
I. Andantino commodo
II. Moderato assai
III. Moderato assai molto risoluto
IV. Andantino mosso
V. Marziale maestoso
VI. Andantino con moto
15th May 2011
“Tcherepnin (1873-1945), patriach of a still-thriving musical dynasty, student of Rimsky-Korsakov and teacher of Prokofiev, is revealed in all his pianistic glory in these fascinating first recordings...David Witten is entirely at home in the vivid imagery of "The Fisherman and the Fish" – all watery splashes and flashing sunlight. Enchanting stuff.”