Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Le Calme: Fernando Sor Late Works
Sor: | Etude for guitar, Op. 29 No. 23 in G major (No. 11 of Op. 29) Etude for guitar, Op. 29 No. 13 in B flat major (No. 1 of Op. 29) Etude for guitar, Op. 29 No. 17 in C major (No. 5 of Op. 29) Morceau de Concert, Op. 54 Lecon, Op. 31 No. 16 Mazurka, Op. 43 No. 4 Waltz, Op. 32, No. 2 Le Calme - Caprice, Op. 50 Etude for guitar, Op. 60 No. 22 Etude for guitar, Op. 35 No. 17 in D major Etude for guitar, Op. 35 No. 22 in B minor Lecon, Op. 31 No. 23 |
World-renowned guitarist William Carter presents an appealing collection of works by Spanish guitar virtuoso and composer Fernando Sor, a much-anticipated follow-up to his acclaimed Early Works recording of 2010 (named Gramophone Editor’s Choice). Sor’s late works demonstrate highly elaborate structures and technique which tested even the finest students and pushed the boundaries of the instrument. This second collection showcases some of Sor’s most commercially popular works with as much appeal for listeners today as for the original cosmopolitan audiences. William Carter employs a performance practice endorsed by Sor himself - playing with the finger tips, creating an intimate and unforgettable sound. A founding-member of the famous Palladian Ensemble, Carter has a deserved reputation as one of the finest classical guitarists with critically acclaimed performances as an orchestral player, chamber musician and soloist. William Carter is a member of The Academy of Ancient Music, The English Concert and Palladians and is well known as a regular performer at Early Music Festivals. His passion for the baroque guitar enthuses his playing with a freshness and vitality, coupled with faultless technique. “His mastery of the idiom is such that we only notice the music’s salon-like gentleness and intimacy, not the dextrous technique required to make it so.” Financial Times, 25th June 2011 **** “Played on the fingertips, Carter's gracefully shaped recital takes its title from the Opus 50 Caprice pour guitar seul, an idyll pitched on the cusp of Romanticism.” The Independent on Sunday, 10th July 2011 “Carter always combines an improvisational exuberance with an intense inwardness that is even more pronounced on this disc...one has the impression that one is hearing Sor's true voice, in autumnal raiment, for the first time, the sublime economy and nascent romanticism of the writing growing in significance thanks to the delicate colours afforded by this guitar's lighter construction...My disc of the year so far.” Gramophone Magazine, October 2011 | | | Usually despatched in 4 - 5 working days. |
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| |  | Fernando Sor: Studies for GuitarTwenty studies collected and edited by Andrés Segovia, and five other studies
Sor: | Etude for guitar, Op. 6 No. 8 in C major Etude for guitar, Op. 35 No. 13 Etude for guitar, Op. 6 No. 2 in A major Etude for guitar, Op. 6 No. 1 Etude for guitar, Op. 35 No. 22 in B minor Etude for guitar, Op. 35 No. 17 in D major Etude for guitar, Op. 31 No. 21 Etude for guitar, Op. 31 No. 16 Etude for guitar, Op. 31 No. 20 in A minor Etude for guitar, Op. 31 No. 19 in A major Etude for guitar, Op. 6 No. 3 Etude for guitar, Op. 6 No. 6 in A major Etude for guitar, Op. 6 No. 9 in D minor Etude for guitar, Op. 6 No. 12 in A major Etude for guitar, Op. 35 No. 16 in D minor Etude for guitar, Op. 29 No. 23 in G major (No. 11 of Op. 29) Etude for guitar, Op. 6 No. 11 in E minor Etude for guitar, Op. 29 No. 22 (No. 10 of Op. 29) Etude for guitar, Op. 29 No. 13 in B flat major (No. 1 of Op. 29) Etude for guitar, Op. 29 No. 17 in C major (No. 5 of Op. 29) Etude for guitar, Op. 29 No. 14 (No. 2 of Op. 29) Etude for guitar, Op. 35 No. 9 Etude for guitar, Op. 31 No. 4 Etude for guitar, Op. 35 No. 24 Etude for guitar, Op. 35 No. 5 |
The Twenty Guitar Studies by Fernando Sor, recorded here by young, prizewinning Italian guitarist Eros Roselli were collected and edited by Andrés Segovia, himself a passionate and effective advocate of Sor's music. The 20 Studies constitute Segovia's own personal choice which one imagines he, as a performer, would have most enjoyed playing to a recital audience. | | | Usually despatched in 2 - 3 working days. |
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| |  | The Segovia Collection
Aguado: | Eight Lessons for the Guitar | Albéniz: | Granada (from Suite española No. 1, Op. 47) | Bach, J S: | 15 works transcribed for guitar | Boccherini: | Cello Concerto No. 6 in D major (arranged for guitar) | Castelnuovo-Tedesco: | Sonata in D major, Op. 77 'Omaggio a Boccherini' | Esplá: | Antaño | Granados: | Danza española, Op. 37 No. 5 'Andaluza' Danza española, Op. 37 No. 10 'Melancólica' Tonadillas: No. 7, La maja de Goya | Milán: | Six Pavanes | Mompou: | Suite Compostelana | Murcia: | Praeludium & Allegro | Ponce, M: | Concierto del Sur Allegro in A major | Rodrigo: | Fantasia para un Gentilhombre Tres piezas españolas: No. 1 - Fandango No. 1 | Roncalli: | Passacaglia Capricci armonici sopra la chitarra Spagnola | Sanz: | Suite española | Sor: | Minuet in C minor, Op. 24 No. 1 Minuet in C major, Op. 5 No. 3 Etude for guitar, Op. 6 No. 8 in C major Etude for guitar, Op. 6 No. 2 in A major Etude for guitar, Op. 35 No. 17 in D major Etude for guitar, Op. 31 No. 20 in A minor Etude for guitar, Op. 31 No. 19 in A major Etude for guitar, Op. 35 No. 16 in D minor Etude for guitar, Op. 6 No. 11 in E minor Etude for guitar, Op. 29 No. 13 in B flat major (No. 1 of Op. 29) Etude for guitar, Op. 29 No. 17 in C major (No. 5 of Op. 29) | Torroba: | Castillos de España Piezas caracteristicas (6) |
Some recordings in mono | | | Usually despatched in 2 - 3 working days. |
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| |  | Narciso Yepes - Guitarra española
Albéniz: | Asturias (from Suite espanola, Op. 47) Recuerdos de Viaje, Op. 71: No. 6 - Rumores de la caleta Piezas Características, Op. 92: Torre Bermeja Malagueña, Op. 165, No. 3 | anon.: | Romance d'Amour (Jeux Interdits) | Bacarisse: | Passapie Concertino para guitarra y orquesta en la menor Op. 72 | Falla: | Canción del fuego fatuo El sombrero de tres picos: Danza del molinero (farruca) Homenaje a Debussy Canción del pescador (El amor Brujo) | Granados: | Danza española, Op. 37 No. 4 'Villanesca' | Llobet: | La filla del marxant La filadora El Mestre (The Master) La cancó del lladre | Montsalvatge: | Habanera | Mudarra: | Fantasìa X (que contrahaze la harpa en la manera de Ludovico) | Narvaez: | 4 Variations on "Guárdame las vacas" | Ohana: | Tiento Concierto: Tres gráficos para guitarra y orquesta | Pujol, E: | El Abejorro (Etude) | Rodrigo: | En los Trigales Concierto de Aranjuez Fantasia para un Gentilhombre Concierto Madrigal for 2 Guitars & Orchestra | Ruiz-Pipó: | Cancion y Danza No. 1 Tablas para guitarra y orquesta | Sanz: | Suite Española | Soler, A: | Sonata E-dur | Sor: | Etude for guitar, Op. 35 No. 14 in C minor Etude for guitar, Op. 29 No. 17 in C major (No. 5 of Op. 29) Etude for guitar, Op. 6 No. 2 in A major Etude for guitar, Op. 35 No. 16 in D minor Etude for guitar, Op. 35 No. 22 in B minor Etude for guitar, Op. 35 No. 21 in B major Etude for guitar, Op. 6 No. 11 in E minor Etude for guitar, Op. 35 No. 19 in C sharp major Etude for guitar, Op. 29 No. 24 in F major (No. 12 of Op. 29) Etude for guitar, Op. 31 No. 22 in B major Introduction and Variations on a Theme by Mozart, Op. 9 | Tárrega: | Alborado. Capricho Danza mora Sueño Recuerdos de la Alhambra Marieta (Mazurka) Capricho árabe Tango | Torroba: | Madroños | Turina: | Sonata for Guitar, Op. 61 Fandanguillo, Op. 36 Garrotin y Soleares Ráfaga, Op. 53 | Yepes: | Catarina d'Alió |
| | | In stock - usually despatched within 1 working day. |
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