Haydn: Six German Dances, Hob.IX:9

This page lists our only recording of Six German Dances, Hob.IX:9, by Franz Joseph Haydn (1732-1809) on CD.

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Haydn: Concertos, German Dances & Overtures

Catalogue No:

4804481

Discs:

2

Release date:

18th July 2011

Barcode:

0028948044818

Medium:

CD
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Haydn: Concertos, German Dances & Overtures


Haydn:

Cello Concerto No. 1 in C major, Hob. VIIb:1

Heinrich Schiff (cello)

Cello Concerto No. 2 in D major, Hob. VIIb:2 (Op. 101)

Heinrich Schiff (cello)

Trumpet Concerto in E flat major, Hob. VIIe:1

Alan Stringer (trumpet)

Keyboard Concerto No. 11 in D major, HobXVIII:11

George Malcolm (harpsichord)

Overture in D major, Hob.Ia:7

Acide e Galatea: Sinfonia in D major, Hob.Ia:5

Six German Dances, Hob.IX:9

Six Allemandes, from Hob.IX

Keyboard Concerto No. 1 in C major, Hob. XVIII:1

Simon Preston (organ)

Horn Concerto No. 1 in D major, Hob.VIId:3

Barry Tuckwell (horn)

Horn Concerto No. 2 in D major, Hob.VIId:4

Barry Tuckwell (horn)


CD - 2 discs

$14.75

In stock - usually despatched within 1 working day.

A generous collection of Haydn Concertos, Overtures and Dances, this 2CD set offers the Philips recordings of the Cello Concertos and the Argo recordings of the remaining works. Although issued in various reissues, the Marriner/Argo Haydn Concertos have never before been offered collectively, and this collection offers a great opportunity to explore these recordings from 1966–69. Familiar works such as the E flat major Trumpet Concerto and the two Cello Concertos appear together with the little-known Organ Concerto. Also on offer are two sets of German Dances/Allemandes (both making their first appearance on CD) and a pair of Overtures, of which that for Acide e Galatea is a first-on-CD release.

playHaydn: Cello Concerto No. 1 In C, Hob. VIIb:1 - I

playHaydn: Cello Concerto No. 1 In C, Hob. VIIb:1 - II

playHaydn: Cello Concerto No. 1 In C, Hob. VIIb:1 - III

playHaydn: Cello Concerto No. 2 In D, Hob. VIIb:2 - I

playHaydn: Cello Concerto No. 2 In D, Hob. VIIb:2 - II

playHaydn: Cello Concerto No. 2 In D, Hob. VIIb:2 - III

playHaydn: Trumpet Concerto In E Flat, Hob. VIIe:1 - I

playHaydn: Trumpet Concerto In E Flat, Hob. VIIe:1 - II

playHaydn: Trumpet Concerto In E Flat, Hob. VIIe:1 - III

playHaydn: Harpsichord Concerto In D, Hob. XVIii:11 - I

playHaydn: Harpsichord Concerto In D, Hob. XVIii:11 - II

playHaydn: Harpsichord Concerto In D, Hob. XVIii:11 - III

playHaydn: Overture In D, Hob. Ia:7

playHaydn: Acide E Galatea: Overture In D, Hob. Ia:5

playHaydn: Six German Dances, Hob. IX:9 - 1

playHaydn: Six German Dances, Hob. IX:9 - 2

playHaydn: Six German Dances, Hob. IX:9 - 3

playHaydn: Six German Dances, Hob. IX:9 - 4

playHaydn: Six German Dances, Hob. IX:9 - 5

playHaydn: Six German Dances, Hob. IX:9 - 6

playHaydn: Six Allemandes, From Hob. IX

playHaydn: Organ Concerto In C, Hob. XVIii:1 - I

playHaydn: Organ Concerto In C, Hob. XVIii:1 - II

playHaydn: Organ Concerto In C, Hob. XVIii:1 - III

playHaydn: Horn Concerto No. 1 In D, Hob.VIId:3 - I

playHaydn: Horn Concerto No. 1 In D, Hob.VIId:3 - II

playHaydn: Horn Concerto No. 1 In D, Hob.VIId:3 - III

playHaydn: Horn Concerto No. 2 In D, Hob. VIId:4 - I

playHaydn: Horn Concerto No. 2 In D, Hob. VIId:4 - II

playHaydn: Horn Concerto No. 2 In D, Hob. VIId:4 - III

Gramophone Magazine

(Organ Concerto)

“a delightfully crisp and vivacious performance here, at lively tempi and with neat, sharply defined phrasing”

Gramophone Magazine

(Horn Concertos)

“Written while asleep", wrote Haydn on the score of the first of these concertos. Well, perhaps. And of course one has probably heard performances during which some of the players were undoubtedly asleep. But none of them, surely, could have dropped off on this occasion: both concertos are far too alive to conceive the possibility. Barry Tuckwell plays and phrases splendidly, not in the least intimidated by the range in both directions demanded of him by Haydn. And the orchestra are with him: stylish and alert.”

Gramophone Magazine

(Harpsichord Concerto)

“The harpsichord concerto is neatly played, tempi distinctly on the lively side, but with spruce rhythms from Neville Marriner’s orchestra and a crisp and brilliant account of the harpsichord part from George Malcolm.”

Gramophone Magazine

(Cello Concertos)

“…performances of such stimulating detail and so rich in individual character…”

Penguin Guide

***

“Tuckwell plays the Horn Concerto No. 1 superbly … striking tone and finesse [from Alan Stringer in the Trumpet Concerto] … ‘the playing in the Dances and the Acide e Galatea Overture is a wonderful example of sheer style, yet readily conveys the players’ enjoyment of this innocent but rewarding music”

Click on any of the works listed above for alternative recordings.

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