This page lists all recordings of Au fond du temple saint (from Les Pêcheurs de Perles) (The Pearl Fishers Duet), by Georges Bizet (1838-75) on CD, DVD, Blu-ray & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
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See Terms & Conditions for p&p rates. | |  | The Very Best of Nicolai Gedda
Adam: | Mes amis, écoutez l'histoire (from Le Postillon de Lonjumeau) | Beethoven: | Adelaide, Op. 46 | Bellini: | Prendi l'anel ti dono (from La Sonnambula) | Berlioz: | La gloire etait ma seule idole (from Benvenuto Cellini) | Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) La fleur que tu m'avais jetée (from Carmen) | Donizetti: | Quanto è bella, quanto è cara! (from L'Elisir d'amore) Una furtiva lagrima (from L'elisir d'amore) Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) | Flotow: | Ach, so fromm (from Martha) | Glinka: | Souvenir | Goldmark: | Magische Töne, berauschender Duft (from Die Königin von Saba) | Gounod: | L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Dein ist mein ganzes Herz (from Das Land des Lächelns) | Massenet: | Pourquoi me reveiller (from Werther) Instant charmant … En fermant les yeux (from Manon) | Mozart: | Il mio tesoro intanto (from Don Giovanni) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) | Mussorgsky: | Boris Godunov: Dmitry! Tsarevich | Offenbach: | Va pour Kleinzach...Il était une fois à la cour (from Les Contes d'Hoffmann) | Puccini: | Donna non vidi mai (from Manon Lescaut) | Rachmaninov: | Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4 How fair this spot, Op. 21 No. 7 | Rossini: | Asile héréditaire (from Guillaume Tell) | Strauss, J, II: | Ja, das alles auf Ehr' (from Der Zigeunerbaron) | Strauss, R: | Heimliche Aufforderung, Op. 27 No. 3 Ständchen, Op. 17 No. 2 | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) In this moonlight, Op.73, No.3 Sred' shumnogo bala (Amid the din of the ball), Op. 38 No. 3 Serenada Don-Zhuana (Don Juan's Serenade), Op. 38 No. 1 | Thomas, Ambroise: | Elle ne croyait pas, dans sa candeur naïve (from Mignon) | Verdi: | Di' tu se fedele (from Un ballo in maschera) La donna è mobile (from Rigoletto) | Wagner: | In fernem Land (from Lohengrin) |
Nicolai Gedda, the most recorded tenor in history, is an exceptionally versatile artist who has excelled in a wide variety of operatic roles as well as in the art song. With a magnificent lyric tenor voice and extraordinary range, Gedda makes the notorious top D at the end of ‘Mes amis, écoutez l’histoire’ sound positively effortless. This collection offers a wealth of repertoire that has helped to cement Gedda’s reputation as one of the greatest tenors of his generation. | 
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| |  | Great Opera Duets
Bach, J S: | Bist du bei mir, BWV508 | Berlioz: | Ah! le ciel, cher époux (from Benvenuto Cellini) Quand des sommets (from Benvenuto Cellini) | Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) | Boieldieu: | Eh! Mais, quel est ce bruit? (from La Dame Blanche) | Delibes: | Lakmé: Dôme épais (Flower Duet) | Donizetti: | C’est moi Lucie (from Lucie de Lammermoor) Sur la tombe de mon père (Lucie de Lammermoor) Qu'une lettre en ma misere (from Lucie de Lammermoor) | Gluck: | Viens, suis un époux qui t'adore (from Orphée) | Handel: | Dixit Dominus: De Torrente in via bibet Caro autor di mia doglia, arcadian duet HWV 182a: Dagli amori flagellata Scherzano sul tuo volto (from Rinaldo) Ritorna nel core vezzosa (from Arminio) Son nata a lagrimar (from Giulio Cesare) Duetto: Sorge il di Aci/Galatea from Aci, Galatea e Polifemo | Legrenzi: | Ave Regina coelorum | Monteverdi: | Tornate, o cari baci (Book 7) Pur ti miro (I gaze upon you) from L'Incoronazione di Poppea | Mozart: | La ci darem la mano (from Don Giovanni) Bei Männern, welche Liebe fühlen (from Die Zauberflöte) Pa-pa-pa-pa-Papagena (from Die Zauberflöte) | Offenbach: | C'est le ciel qui m'envoie (from La belle Hélène) O grandes leçons du passé (from La Grande-Duchesse de Gérolstein) | Pergolesi: | Stabat mater: Opening duet | Purcell: | Your Counsel all is urg'd in vain (from Dido & Aeneas) | Rossini: | Duetto buffo di due gatti (Comic Duet for Two Cats) | Strauss, R: | Mir ist die Ehre widerfahren (from Der Rosenkavalier) | Verdi: | Libiamo, ne' lieti calici (from La Traviata) Un dì felice, eterea (from La traviata) Parigi, o cara (from La Traviata) |
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| |  | The Opera Album 2011
Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) Bryn Terfel (bass-baritone) L'amour est un oiseau rebelle 'Habanera' (from Carmen) Tatiana Troyanos (mezzo) Au fond du temple saint (from Les Pêcheurs de Perles) Luciano Pavarotti (tenor), Nicolai Ghiaurov (bass) La fleur que tu m'avais jetée (from Carmen) Plácido Domingo (tenor) Les tringles des sistres tintaient (from Carmen) Magdalena Kozená (mezzo) | Delibes: | Lakmé: Dôme épais (Flower Duet) Joan Sutherland (soprano), Jane Berbié (mezzo) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Juan Diego Flórez (tenor) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Pilar Lorengar (soprano) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) Andreas Scholl (countertenor) | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Renée Fleming (soprano) Gloire immortelle de nos aïeux (from Faust) Richard Bonynge | Handel: | Lascia ch'io pianga (from Rinaldo) Cecilia Bartoli (mezzo) Ombra mai fu (from Serse) Andreas Scholl (countertenor) | Leoncavallo: | Vesti la giubba (from I Pagliacci) Jonas Kaufmann (tenor) | Mozart: | Der Vogelfänger bin ich, ja (from Die Zauberflöte) Hermann Prey (baritone) La ci darem la mano (from Don Giovanni) Ingvar Wixell (baritone), Mirella Freni (soprano) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Patricia Petibon (soprano) | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) Joan Sutherland (soprano), Huguette Tourangeau (mezzo) Le jugement de Pâris - Au Mont Ida (from La Belle Hélène) Joseph Calleja (tenor) | Puccini: | Quando me'n vo (from La Bohème) Anna Netrebko (soprano) E lucevan le stelle (from Tosca) Andrea Bocelli (tenor) Humming Chorus (from Madama Butterfly) Giuseppe Sinopoli Nessun dorma (from Turandot) Luciano Pavarotti (tenor) Vissi d'arte (from Tosca) Kiri Te Kanawa (soprano) Si, mi chiamano Mimi (from La Bohème) Angela Gheorghiu (soprano) Signore, ascolta! (from Turandot) Montserrat Caballé (soprano) Chi il bel sogno di Doretta (from La Rondine) Renata Tebaldi (soprano) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) Teresa Berganza (mezzo) Largo al factotum (from Il barbiere di Siviglia) Leo Nucci (baritone) | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) Marilyn Horne (mezzo) | Verdi: | Anvil Chorus (from Il Trovatore) Sir Georg Solti La donna è mobile (from Rigoletto) Roberto Alagna (tenor) Libiamo, ne' lieti calici (from La Traviata) Plácido Domingo (tenor), Ileana Cotrubas (soprano) Di quella pira (from Il trovatore) José Carreras (tenor) Sempre libera (from La Traviata) Kiri Te Kanawa (soprano) Questa o quella (from Rigoletto) Rolando Villazón (tenor) Va, pensiero (from Nabucco) Silvio Varviso Celeste Aida (from Aida) Luciano Pavarotti (tenor) | Wagner: | Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Birgit Nilsson (soprano) |
This magnificent collection features the some of the greatest opera stars of all time: Cecilia Bartoli, Anna Netrebko, Bryn Terfel, Renée Fleming, Andrea Bocelli Luciano Pavarotti, Dame Joan Sutherland, Plácido Domingo, Dame Kiri Te Kanawa and José Carreras. With a carefully chosen selection of perennially popular arias, duets and choruses, this enchanting collection creates the perfect introduction to opera. With 40 tracks and over 2½ hours of music this collection is outstanding value for money. Includes Pavarotti’s classic recording of the most popular opera aria of all, Puccini’s ‘Nessun dorma’. | | | In stock - usually despatched within 1 working day. |
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| |  | The Very Best of Thomas Hampson
Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) | Cadman: | At Dawning ('I love you') | Foster, S: | I Dream of Jeanie with the Light Brown Hair Beautiful Dreamer | Gounod: | O sainte médaille... Avant de quitter (from Faust) | Grieg: | Seks Sange, Op. 48 No. 1 'Gruss' | Griffes: | An Old Song Re-sung (Masefield) | Kalman: | Komm, Zigány! [Countess Mariza] | Korngold: | Mein Sehnen (from Die tote Stadt) | Lehár: | Da geh' ich zu Maxim (from Die Lustige Witwe) | Mahler: | Blicke mir nicht in die Lieder! (Rückert-Lieder) Ich atmet' einen linden Duft (Rückert-Lieder) Ich bin der Welt abhanden gekommen (Rückert-Lieder) Von der Schönheit (Das Lied von der Erde) | Massenet: | Vision fugitive (from Hérodiade) | Mendelssohn: | Venetianisches Gondellied | Meyerbeer: | Komm du schönes Fischermädchen Der Garten des Herzens | Rossini: | Largo al factotum (from Il barbiere di Siviglia) Le Lazzarone L'ultimo ricordo | Schumann: | Dichterliebe, Op. 48 | Strauss, J, II: | Als flotter Geist (from Der Zigeunerbaron) | Thomas, Ambroise: | Comme une pale fleur (from Hamlet) | Verdi: | Dieu, tu semas dans nos âmes (from Don Carlos) Per me giunto è il di (from Don Carlo) sung in French as 'C'est mon jour suprême' Deserto sulla terra (from Il trovatore) sung in French as 'Tout est désert' Ove son io?....Vada in flamme (from Macbeth) Perfidi!…Pietà, rispetto, amore (from Macbeth) Di provenza il mar (from La Traviata) É sogno, o realta? (from Falstaff) | Wagner: | Wie Todesahnung...O du, mein holder Abendstern (from Tannhäuser) | Weber: | Wo berg ich mich? (from Euryanthe) |
A singer of exceptional intelligence and style, the American Thomas Hampson has developed an operatic career that has taken him from Mozart, Rossini and the French composers of the 19th century to the grand roles of Verdi. In the field of song, he has explored a wide repertoire, ranging in this collection from Schubert, Schumann and Mahler to Grieg, Meyerbeer and the Americans Foster and Griffes. | | | In stock - usually despatched within 1 working day. |
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| |  | Pearl Fishers' DuetWorld-Famous Operatic Duets
There is always a special pleasure in the blending of two fine voices, and composers have usually been happy to provide it during the course of their operas. Characters may join their voices in a unity of feeling, or in extreme disagreement, or in any one of the thousand shades in between. On this CD, opening with the universally beloved 'Pearl Fishers Duet' the accent is on duets between male operatic characters, singing together in contexts ranging from friendship to the sharing of mutual loss, from fierce enmity to the celebration of joint purpose. | | | In stock - usually despatched within 1 working day. |
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| |  | The Opera Gala - Live from Baden-Baden
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| |  | The Berlin ConcertLive from the 'Waldbühne'
“The greatest voices of their day came together again on Friday evening. . . Domingo still works his magic . . . Netrebko symbolizes the combination of skill, charisma and naturalness . . . Villazón is the perfect masculine counterpart. . . Great opera needs protagonists like these” (Die Welt am Sonntag, Berlin) “For all the reek of marketing hype, there's a real sense of occasion, our greatest living tenor benignly crowning superstar successors who promise comparable art and intelligence.” BBC Music Magazine, March 2007 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Willard White in Concert
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| | Aria
Grover Washington Jr. (saxophone) All tracks arranged for saxophone | | | In stock - usually despatched within 1 working day. |
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| |  | The Opera Gala - Live from Baden-Baden (DVD)The Complete Concert
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