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As a tribute to the artistry of Lorraine Hunt Lieberson, this retrospective gathers together many of the finest recordings of arias and duets made during her acclaimed association with harmonia mundi. The booklet notes include tributes from her husband, Peter Lieberson, Nicholas McGegan and her obituary from Le Monde.
Lorraine Hunt - who became Lorraine Hunt Lieberson after her marriage to the American composer Peter Lieberson in 1999 - was born on March 1st 1954, in San Francisco. Her father was a music teacher and a conductor, her mother a contralto and a voice teacher. She played viola professionally until she was 26, when she found that her voice could be a better and richer way to express her musicality and secure her professional future. Lorraine would have a professional singing career of only 2 decades (1984-2006), interrupted twice by illness. She died from cancer on July 3, 2006, aged 52.
For harmonia mundi, Lorraine Hunt Lieberson recorded operas, oratorios and Handel arias, conducted notably by Nicholas McGegan. For Erato, she added the rôles of Rameau’s Phèdre and Charpentier’s Medea, under William Christie. Since her death, other taped live performances have been added to her discography, including two Wigmore Hall Live recitals and Peter Lieberson’s Rilke and Neruda Songs.
In 2009 harmonia mundi issued a recital given at the Ravinia Festival in August 2004 with pianist Peter Serkin. More recently, new label Philharmonia Baroque has issued Lorraine’s live performances of Les Nuits d’Eté and Handel Arias.
A formidable musician, a natural-born actress, she was at her best in roles of sacrificed victims, which didn’t prevent her from displaying a dark sense of humour. After having sung during the same evening Stravinsky’s Jocasta and Britten’s Phaedra, she once said: ‘Two suicides in one night! That’s right up my alley’.
“For those who loved Lorraine and her singing, and for those who have not yet heard her, my gratitude to harmonia mundi.” PETER LIEBERSON (b.1946, d.2011)
Arioso: Qui d'amor from Ariodante
Aria: Con l'ali di costanze from Ariodante
Recit.: E vivo ancore? from Ariodante
Aria: Scherza infida from Ariodante
Aria: Dopo notte, atra e funesta from Ariodante
Air: Angels, ever bright and fair from Theodora
Recit: O Thou bright Sun from Theodora
Air: With Darkness, deep from Theodora
Air: Oh! that I on wings could rise from Theodora
Duet: To Thee, Thou glorious Son from Theodora
Rejoice greatly, O daughter of Zion from Messiah
But who may abide the day of His coming from Messiah
He was despised and rejected of men from Messiah
I know that my Redeemer liveth from Messiah
Thy hand, Belinda/When I am laid in earth from Dido and Aeneas
Aria: Va col canto lusingando from Clori, Tirsi e Fileno
Aria: Barbaro! tu non credi from Clori, Tirsi e Fileno
On Joacim may every joy attend from Susanna
Bending to the throne of glory from Susanna
Lead me to some cool retreat from Susanna
Crystal streams in murmurs flowing from Susanna
If guiltless blood be your intent from Susanna
Guilt trembling spoke my doom from Susanna
Recit: Oh Dio! parte Zenobia from Radamisto
Aria: Qual nave from Radamisto
Recit: Ben a ragion from Ottone
Aria: Vieni, o figlio from Ottone
Recit: Vani sono i lamenti from Giulio Cesare
Aria: Svegliatevi nel core from Giulio Cesare
Aria: Qual leon from Arianna
Aria: Bist du bei mir, BWV 508
24th July 2011
“Handel's popular "Angels, ever bright and fair" from Theodora and "Scherza infida" from Ariodante remind us of her musical intelligence and vitality...The final tracks on each disc, Dido's Lament and "Bist du bei mir" from the Notebook of Anna Magdalena Bach, are almost unbearably moving in their characteristic simplicity and intensity. She is much missed.”
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