Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Weber: Wind Concertos
The multi-award-winning Scottish Chamber Orchestra returns with Weber Wind Concertos, the sixteenth album in its celebrated series with Linn. This recording gives the internationally acclaimed principal musicians a chance to dazzle in Weber’s virtuosic and thrilling concertos. The Clarinet Concerto is one of the cornerstones of the clarinet repertoire. For this performance Peter Whelan has reconstructed a version of the 1822 Bassoon Concerto score rather than employing the commonly used 1865 version. In a unique twist Alec Frank-Gemmill performs his own version of the cadenza in the virtuosic Horn Concertino famous for its chromatic pitches and the requirement of multiphonic chords. The SCO has an impressive recording history including a Grammy-nominated set of Brahms Symphonies, winning the Orchestral category of the BBC Awards in 2009 and a 2011 ECHO Klassik Award for its Mozart recordings, in addition to much critical acclaim. Spanish clarinettist Maximiliano Martin is rapidly establishing himself as one of the most exciting and charismatic musicians of his generation. Peter Whelan, one of Europe’s leading exponents of historical and modern bassoon, won a Gramophone Award for his recording of Vivaldi bassoon concertos with La Serenissima. Alec Frank-Gemmill is much in demand as a soloist and is also frequently invited to play principal horn with orchestras such as the London Philharmonic and the Philharmonia. “There must have been astonishing wind players in early 19th-century Germany. And after hearing the irresistible concertos that Carl Maria von Weber penned for them, one can imagine what moody, flamboyant characters they were.” The Times, 15th September 2012 **** “I especially enjoyed Alec Frank-Gemmill's cheeky handling of the runs and decorations in the Horn Concertino” Gramophone Magazine, Awards Issue 2012 “Most clarinettists accept the revisions carried out by Barmann but Martin Spangenburg keeps strictly to the letter of Weber's score. He is a fine player, and there is much to admire in his perofrmances, but the recessed orchestral sound, with the strings lacking in bite, hinders the music-making from taking wing.” BBC Music Magazine, November 2012 **** “When you hear Peter Whelan play the Bassoon Concerto, you’ll forgive Weber anything; his is such an expressive, plangent sound...Both [clarinet works] are dispatched with wit and fire by Maximiliano Martín...This is a beguiling CD; feelgood music of the best sort” The Arts Desk, 1st December 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Weber: Clarinet Concertos Nos. 1 & 2 & Concertino
On this disc, the exclusive Chandos artist, Michael Collins, plays the clarinet in three works for clarinet and orchestra by Weber, as well as conducting the City of London Sinfonia. The disc also includes Weber’s horn concertino, featuring the soloist Stephen Stirling. The two concertos and the concertino for clarinet and orchestra are considered among the repertoire cornerstones for today’s clarinettists. Weber wrote the works for his personal friend Heinrich Bärmann, the principal clarinettist of the Munich court orchestra, whose own embellishments of the works (changes of articulation, extra grace notes, and even an added accompanied cadenza in the first concerto) have been incorporated in the performances recorded here. Michael Collins suggests that these changes ‘do not make the music any easier to play, but they do make it more thrilling’. Each of the works displays a well-balanced mix of virtuosity, daring, humour, and sheer beauty, and throughout, the role of the orchestra is much more than a mere accompaniment. The woodwind solos, a trio of horns, blaring trumpets, and dashing violins contribute greatly to making these works so captivating. Written in 1806, when Weber was just nineteen years old, the virtuosic Horn Concertino pushed known horn techniques to new limits, requiring the soloist among other feats to produce a ‘four-note chord’, the technique known as multiphonics. The work is today considered a gem in the horn repertoire, and our soloist, Stephen Stirling, is ‘a player gifted with the utmost sensitivity and imagination, which is shown through the beautiful way he shapes musical phrases and the extraordinary range of colours he employs’ – in the words of the late Richard Hickox. “straightforward and sunny - bright and playful performances of the clarinet works (Michael Collins conducts himself) and Stephen Stirling evidently enjoying himself in the Horn Concertino and its tricky cadenza.” Gramophone Magazine, February 2012 “Collins directs the orchestra as well as dispatching the solo parts with wit and aplomb, and he also takes charge of the accompaniment to Stephen Stirling's performance of Weber's Concertino for horn, a piece that inevitably sounds rather staid alongside the glittering clarinet works.” The Guardian, 25th January 2012 **** “Collins, acting as both soloist and conductor, offers dazzling performances that make use of the elaborations Baermann made to the clarinet part. He is equally at home in the intimate lyricism of Weber's slow movement as he is in the brilliance of the writing elsewhere...[Stirling] rises to the challenge of the extreme technical demands [of the Concertino]” BBC Music Magazine, March 2012 ***** “At first listening this might not seem to be the most sheerly virtuosic playing on the market, partly because Collins does not restrict himself to what he can do smoothly, his dynamic range or his staccato speed just past their safe limit when his sense of the music's drama requires it...It is hardly self-evident that a new release of these famiiar works will find something new to say” International Record Review, February 2012 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Horn - Greatest Works
Brahms: | Horn Trio in E flat major, Op. 40 Peter Damm (hunting horn), Amadeus Webersinke (piano), Manfred Scherzer (violin) | Françaix: | Divertimento Peter Damm (horn), Peter Rösel (piano) | Gounod: | 6 Mélodies (selection) Peter Damm (horn), Peter Rösel (piano) | Haydn: | Horn Concerto No. 1 in D major, Hob.VIId:3 Peter Damm (horn), Matthias Eisenberg (harpsichord), Matthias Pfaender (cello), Manfred Pernutz (double bass) Kammerorchester C. P. E. Bach der Deutschen Staatsoper Berlin, Hartmut Haenchen | Heinichen: | Concerto for 2 Horns and 2 Flutes in F major Peter Damm (horn), Dieter Pansa (horn) Capella Sagittariana, Eduard Melkus | Mendelssohn: | Der Jäger Abschied: Wer hat dich, du schöner Wald, Op. 50 No. 2 (arr. for horn quartet) Members of the Leipzig Radio Symphony Orchestra Abschied vom Walde (No. 3 from Sechs Lieder in Freien zu singen, Op. 59) (arr. for horn quartet) Members of the Leipzig Radio Symphony Orchestra | Rossini: | Le rendez-vous de chasse Prelude, Theme & Variations Peter Damm (horn), Peter Rösel (piano) | Saint-Saëns: | Morceau de concert in F minor, Op. 94 Peter Damm (horn) Staatskapelle Dresden, Siegfried Kurz Romance in F major, Op. 36 Peter Damm (horn), Peter Rösel (piano) | Schumann: | Konzertstück for four horns, Op. 86 Peter Damm (horn), Klaus Pietzonka (horn), Dieter Pansa (horn), Johannes Friemel (horn) Staatskapelle Dresden, Siegfried Kurz Adagio and Allegro in A flat major, Op. 70 Peter Damm (horn), Amadeus Webersinke (piano) | Weber: | Horn Concertino in E minor, Op. 45 Peter Damm (horn) Staatskapelle Dresden, Siegfried Kurz |
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| |  | Horn Concertos
Cherubini: | Sonata No. 2 in F for Horn & Strings | Förster, C: | Horn Concerto No. 1 in E flat major | Haydn: | Horn Concerto No. 1 in D major, Hob.VIId:3 | Haydn, M: | Horn Concerto (Concertino) in D major, MH 134, P. 134 | Mozart, L: | Horn Concerto in D | Punto: | Horn Concerto Nos. 5, 6, 10 & 11 | Telemann: | Concerto TWV 51:D8 in D major for horn, strings & b.c. | Weber: | Horn Concertino in E minor, Op. 45 |
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| |  | Weber: Overtures, Horn Concertino & Symphonies Nos. 1 & 2
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| |  | Romantic Horn Concertos
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| |  | Hermann Baumann Collection
and concertos by Telemann & Haydn and music for hunting-horn ensembles by Zwierzina, Schneider, Corrette, Chalmel, Rossini & Pont.
Hermann Baumann is one of the world’s greatest horn players. He won the ARD International Music Competition in Munich 1964 (Jessye Norman was second that year, and won in 1965), and from then on he played in some of the greatest orchestras, conductors and ensembles in the world. Claudio Abbado asked him during rehearsals in Rome for Mahler 6 ‘why aren’t you in Berlin?’ He played with Concerto Amsterdam under Jaap Schröder, for Karl Munchinger and the Stuttgart Chamber Orchestra, and for Nikolaus Harnoncourt and Concentus Musicus Wien. A lifetime of concert giving around the world and an extensive discography has ensured that his stupendous technique and versatility, and characterful playing has been heard and admired by thousands of music lovers. This extensive survey of his art embraces the major concertos and some rarities, some fascinating chamber works, and a selection of virtuoso showpieces that display the artistry of this multi-faceted musician. Booklet essay by Hermann Baumann, recollecting his career. “Hermann Baumann is the principal soloist in all five [Telemann] works and, while using a modern instrument to virtuoso effect, reproduces the brilliant tone of the baroque original. The other horn soloists blend well
and an excellent balance has been achieved throughout” Gramophone Magazine, June 1985 “He plays the whole programme very well… Masur gives rich-textured accompaniments with the Leipzig orchestra, especially lush in the Straussian passages of the Gliere and the orchestral interludes of the Chabrier – in both
there is a real feeling of ecstasy at times. Excellent recording too, warm and full and not muddy” Gramophone Magazine, May 1993 | | | Usually despatched in 2 - 3 working days. |
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