Byrd: Christe Redemptor

This page lists all recordings of Christe Redemptor, by William Byrd (1543-1623) on CD & SACD.

Recommendations

Disc of the month
August 2011
Editor's Choice
September 2011

All recordings

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Byrd Edition Volume  1

Byrd Edition Volume 1

Early Latin Church Music - Propers for Lady Mass in Advent


Byrd:

Domine Quis Habitat

Omni Tempore Benedic Deum

Christe Redemptor

Sermone Blando

Miserere mei

Ne Perdas Cum Impiis

Lamentatione Jeremiae Prophetae

Propers for Lady Mass in Advent a5

Alma Redemptoris Mater

Christe qui Lux

Sanctus a3

Audivi Vocem De Caelo a5

Vide Kominum Quoniam Tribulor

Peccavi Super Numerum


Cardinall's Musick & Frideswide Consort, Andrew Carwood

“This is a great start to The Cardinall's Musick's project to record Byrd's complete output. On the disc, some of the shorter motets are entrusted to The Cardinall's' habitual instrumental accomplices, the Frideswide Consort. A full list of sources is given for each piece, along with appropriate editorial commentary. Since Byrd set certain texts a number of times, such precision seems only sensible.
Much of this music is new to the CD catalogue, and even in this selection of largely unpublished motets, there are impressive finds (the nine-voice Dominequis habitabit, for instance). This repertory is the mother's-milk of English choristers, and of the younger generation of English vocal ensembles The Cardinall's Musick remains perhaps the closest to that tradition outside of actual choral establishments. So they respond to Byrd with a suavity and confidence born of longstanding acquaintance. The expansive penitential pieces, such as the early Lamentations, are far removed from the small-scale forms of the Gradualia. The Cardinall's Musick respond effectively to these different functions and moods, and the recording complements them admirably.”
Gramophone Classical Music Guide, 2010

Gaudeamus Cardinall’s Musick Complete Byrd Edition - CDGAU170

(CD)

$11.25

In stock - usually despatched within 1 working day.

Byrd: Complete Consort Music

Byrd: Complete Consort Music


Byrd:

Fantasia à 3 No. 3

Browning (The Leaves be Green)

Te Lucis Ante Terminum a4

In Nomine No. 3 a 5

Christe Redemptor

In nomine a5 (V)

Fantasia a 4

Sermone Blando a3

Fantasia a 5

Two parts in one in the 4th above

Fantasia a 3

Christe Qui Lux Es Et a4

I

In nomine a5 (II)

on the sharp

Christe Qui Lux Es Et a4

II

In Nomine a 4 in D minor

Fantasia a 6 (I & II)

Miserere a4

Fantasia a 4

Christe Qui Lux Es Et a4

III

In nomine a5 (V)

In nomine a4

I

Pavan & Galliard à 6

Fantasia a6 (III) (‘to the vyolls’)

Pavan à 5

Sermone Blando a 4 (II)

Fantasia a3 (II)

Queen's Goodnight (Prelude and Ground)


Phantasm, Laurence Dreyfus

“Phantasm’s playing is impeccable...” BBC Music Magazine

This new recording is the only complete collection of William Byrd’s consort music and includes new hymn settings that are premiere recordings.

William Byrd, who studied under Thomas Tallis, was the most celebrated Elizabethan composer of Renaissance consort music, English song, masses, Latin motets and keyboard works.

Byrd’s viol music is polyphonic and full of melancholy. The performances bring out the rich, overlapping textures of the compositions creating a mesmerising sound.

‘William Byrd Complete Consort Music’ is Phantasm’s second album with Linn; the first, ‘John Ward: Consort music for five and six viols’, was a Finalist in the 2010 Gramophone Awards.

Inspired by the great twentieth-century string quartets, Phantasm enjoys taking risks in its search for renditions that renew the expressive traditions of early music.

Critics have called Phantasm’s performances and recordings 'intoxicating', 'revelatory', 'electrifying', 'interpretations pervaded by a truly burning spirit'.

Phantasm’s recordings have won two Gramophone Awards, in addition to numerous other international nominations and citations, and are recognised as the most exciting viol consort active on the world scene today.

Director Laurence Dreyfus, who is also an esteemed musicologist, has made the study of 16th and 17th century instrumental music his life’s work. He brings this vast knowledge and immense passion into Phantasm and its recordings.

Phantasm has been made ‘Ensemble in Residence’ at Magdalen College, Oxford, which will enable them to present exciting series of concerts, both in the UK and internationally, in the coming months.

“Phantasm's new recording is intoxicating...In three, four, five and six parts, the blend, balance, ensemble and tuning is faultless, the sound sweet but never cloying” The Independent on Sunday, 15th May 2011

“With perfect balance, immaculate tuning and exquisitely mathematical rhythm, phantasm reveal the genius in Byrd. While one viol takes the steady plainsong theme in the In Nomines the others move around it, at first decorously, then, unable to resist, dancingly.” Classic FM Magazine, August 2011 *****

“Laurence Dreyfus (himself something of a Renaissance man), combines rigorous intellect with sensitive musicianship...Ensemble and intonation are flawless; keen rhythms and feather-light bowing give a lightness of touch to the dances. The recorded balance is acutely judged, too, ensuring that Byrd's contrapuntal lines are always distinct.” BBC Music Magazine, August 2011 *****

“You’re continually surprised by the potency of Byrd’s musical imagination – the occasional quirky modulation, or the subtle use of dance rhythms which give the music such lift. Linn’s production values are as exceptional as the performances, and this release is also available as a high-quality download. Blissful.” Graham Rickson, The Arts Desk, 23rd July 2011

“The playing is quite simply divine. Phantasm have long been known for their musical precision, to which they bring to this music a warm, woody, soft-edged articulation that suits it very well. The pacing of individual pieces and sections within them seems particularly sensitively judged and Byrd's textures sublimely balanced.” Gramophone Magazine, September 2011

“there is...a sense of richness and interaction between the players which gives everything a warmth and uniformity of sound that is most satisfying.” International Record Review, July/August 2012

GGramophone Awards 2011

Finalist - Early Music

GGramophone Magazine

Editor's Choice - September 2011

BBC Music Magazine

Disc of the month - August 2011

Super Audio CD

Format:

Hybrid Multi-channel

Linn - CKD372

(SACD)

$16.75

In stock - usually despatched within 1 working day.

Consorts & Consort Songs

Consorts & Consort Songs

Music by William Byrd & His Contemporaries


anon.:

When Daphne from fair Phoebus did fly

Farewell the Bliss

Byrd:

O that we woeful wretches

Sermone Blando

Ye sacred muses - an elegy for Thomas Tallis

Miserere mei

Out of the orient crystal skies

Christe Redemptor

O Lord, how vain

Christe qui Lux

Fantasia a 4

In Nomine a 4 in D minor

Dowland:

Sorrow, come

(set by William Wigthorpe)

Gibbons, O:

In Nomine a 4

Jonson:

Hear me, O God

(set as 'Four notes Pavan' by Alfonso Ferrabosco II)

Nicholson, R:

Joan quoth John

Ward, J:

Fantasia a 4


Jill Feldman (soprano)

Concerto delle Viole

Olive Music - OM004

(CD)

$17.00

Usually despatched in 2 - 3 working days.

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