Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Meyerbeer in ItalyPieces from all six of Meyerbeer's Italian Operas
Bruce Ford, Yvonne Kenny, Alastair Miles, Diana Montague, Della Jones, Chris Merritt, Bronwen Mills, Anne Mason, Paul Nilon, Ugo Benelli, Ian Platt Philharmonia Orchestra and the Royal Philharmonic Orchestra, Geoffrey Mitchell Choir, David Parry “Meyerbeer, born 1791, was in Italy from 1816 to 1824. On this showing, you're tempted to think he should have stayed there. He's remembered for the big Paris operas, such as Les Huguenots, Leprophète and L'Africaine, hugely successful in their time but latterly somewhat buried in their own grandeur. The Italian period was nearer to the 18th century and Mozart. There was also the presence of Rossini (almost exactly Meyerbeer's age); and the music is that of a young man, gifted, energetic, confident and wealthy. The operas were admired and, remarkably, he was accepted by the public, despite being a German and having an unfashionable interest in orchestration. These excellent selections include something of all six operas from the eight years in Italy, with Il crociato in Egitto returning regularly like the theme in a rondo. All the recordings are drawn from previous issues in the Opera Rara catalogue. One of the most attractive numbers is the semi-comic trio from Margherita d'Anjou in which Margaret's protectors pit their wits against those of Richard, Duke of Gloucester. In fact, it seems fairly typical of Meyerbeer at this stage: his genius seems to lie in the light touch, the graceful phrase, the felicitous orchestral scoring; if there's a weakness, it's revealed in the grandly dramatic moments, for which his music remains incorrigibly jolly. The other great delight of the disc is the singing. Meyerbeer's vocal line, like Rossini's, is written for virtuosos, and that, almost without exception, is a description to which the soloists can lay claim. Each has to negotiate passagework of a kind that half a century ago would have made everybody shake their head and say it couldn't be done by 'today's' singers. Bruce Ford, particularly, performs wonders in the revised (Trieste) version of Crociato; Alistair Miles is on top form in L'esule di Granata; but all do well, carrying off their respective prizes with easy competence and no fuss.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | A Hundred Years of Italian Opera 1820-1830Forgotten Operatic Arias of the 19th Century including works by Balducci and Bellini
Balducci: | Non piu veggo in quel tristo sembiante (from Tazia) | Bellini: | Dopo l'oscuro nembo (from Adelson e Salvini) Amo ed amata io sono (from Zaira) | Carafa: | D'un orribile tempesta (from Le nozze di Lammermoor) | Coccia: | Perchè non ho del vento (from Rosmonda) Vieni, o Grande!…Ecco l'indegna (from Maria Stuart, regina di Scozia) | Conti: | A che di fiori e lagrime (from Giovanna Shore) | Cordella: | Oh soave mia speranza (from Lo sposo di provincia) | Donizetti: | In lei vegg'io l'oggett (from Le Nozze in Villa) A te nell'appressarmi (from La Zingara) Tremante, smarrito (from Chiara e Serafina, ossia Il Pirata) Che potrei dirti, o caro? (from Alfredo il Grande) Qui pel figlio una madre gridava (from Il paria) | Mayr: | Se fiero, Ippolito (from Fedra) | Mercadante: | Qui fu commesso, o popoli (from Amleto) Se m'abbandoni (from Nitocri) La testa di bronzo: Overture | Meyerbeer: | Quel parlar! Quell'aria incerta! (from Margherita d'Anjou) Si mel credi allor che pensi (from L'esule di Granata) | Pacini: | Ah si ch'io t'amo … La sotto il salice (from I fidanzati, ossia Il contestabile di Chester) | Ricci, L: | Io ti ho dato il sangue mio (from Il diavolo condannato a prender moglie) | Rossini: | Zelmira: 'Perché mi guardi, e piangi' Vieni, o cara (from Ugo Re d'Italia) |
Claire Daniels, Lynne Davies, Nuccia Focile, Eiddwen Harrhy, Marilyn Hill Smith, Yvonne Kenny, Linda Kitchen, Susan McCulloch, Bronwen Mills, Jennifer Rhys-Davies, Theresa Goble, Della Jones, Fiona Kimm, Anne Mason, Diana Montague, Patricia Spence, Penelope Walker, Bruce Ford, Brendan McBridge, Paul Nilon, Ivan Sharpe, Ian Thompson, David Ashman, Karl Morgan Daymond, Geoffrey Dolton, Ian Platt, John Rawnsley, Russell Smythe, Jonathan Veira, Clive Bayley, Mark Glanville, Alastair Miles, Ashley Thorburn Philharmonia Orchestra, Geoffrey Mitchell Choir, David Parry | | | (also available to download from $34.25) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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