Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Elisabeth Söderström: The Russian Songbook
Grechaninov: | The Lane – Five Children’s Songs, Op. 89 | Mussorgsky: | The Nursery | Prokofiev: | The Ugly Duckling, Op. 18 | Tchaikovsky: | The Cuckoo, Op. 54 No. 8 Evening, Op. 27, No. 4 The Nightingale Op. 60 No. 4 Last Night Op. 60 No. 1 None but the lonely heart, Op. 6 No. 6 Lullaby, Op. 16 No. 1 Otchevo? (Why?), Op. 6 No. 5 Strashnaya minuta (The Fearful Moment), Op. 28 No. 6 Den' li tsarit? (Does the day reign?), Op. 47 No. 6 Spring, Op 54 No. 9 Simple Words, Op. 60, No. 5 Mezza notte Sérénade, Op. 65 No. 1 Déception, Op. 65 No. 2 Qu'importe que l'hiver, Op. 65 No. 4 Les Larmes, Op. 65 No. 5 Zakatilos solntse (The sun has set), Op. 73 No. 4 Kak nad goratcheïou zoloï, Op. 25 No. 2 Moy geni, moy angel, moy drug (My genius, my angel, my friend) Pesn' Zemfiri (Zemfira's song) Do not believe, my friend Op. 6 No. 1 Zabït tak skoro (So soon forgotten) Oh! Chante Encore!, Op.16 No.4 Spirit my heart away Why did I dream of you?, Op. 28 No. 3 To bilo ranneyu vesnoy (It happened in the early spring), Op. 38 No. 2 Sred' shumnogo bala (Amid the din of the ball), Op. 38 No. 3 If only I had known, Op.47, No.1 Was I not a blade of grass?, Op. 47 No. 7 My little garden, Op. 54 No. 4 Do not ask, Op. 57 No. 3 This, our first reunion, Op. 63 No. 4 O ditya, pod okoshkom tvoim (Serenade), Op. 63 No. 6 Rondel, Op. 65 No. 6 We sat with you, Op. 73 No. 1 Behind the window, Op 60 No. 10 |
Elisabeth Söderström was a born storyteller. She told stories not just in music, but also peppered her recitals on stage with tales and anecdotes. It made her a perfect interpreter for the collection of children’s songs by Mussorgsky, Prokofiev and Gretchaninov she recorded with Vladimir Ashkenazy in 1977–78 which appear on CD2 of this set, the first (LP) issue greeted with enthusiasm by Gramophone reviewer W.S.M. with the words ‘the best record of song to appear in 1979’. It later went on to win the 1979 Gramophone’s Solo Vocal Award. But there was more: a selection of Tchaikovsky songs over two LPs; a substantial survey of the Rachmaninov songs (‘one of the gramophone’s crown jewels’ wrote John Steane in Gramophone) as well as the complete Sibelius songs. Born in Stockholm on 7 May 1927 to a Russian mother and Swedish father, Söderström she was a talented recitalist, as much in demand in the concert hall as she was in the opera theatre. From 1991–96 she also directed the Drottingholm Festival Opera with much success. The two LPs of Tchaikovsky songs were issued in part by Decca on CD and this is their first complete release in this format. Overshadowed by his orchestral works, they are nonetheless absolute gems, with their piano parts of almost orchestral scope. Ashkenazy’s is, too, the disembodied voice that speaks a few of Pushkin’s lines in the early setting of Zemfira's song. ‘Söderström came to be known internationally in the late 1950s,’ wrote John Steane, ‘and over the next three decades, on until her retirement from singing in the early 1990s she never “blotted her copybook”. She neither sought nor won cheap success.’ Söderström passed away in Stockholm on 20 November 2009, aged 82, from complications from a stroke. This release marks the launch of an Eloquence series of notable recitals of songs and opera arias by some of the great voices of Decca and Deutsche Grammophon. “The Maikov Lullaby is enchantingly done, especially with the gentle wash of piano tone in the background from Ashkenazy … a delightful, excellently recorded recital of some songs which we know too little … Tchaikovsky wrote some exquisite songs; and it is splendid to have them being explored so skilfully, intelligently and sensitively” Gramophone Magazine (Tchaikovsky Songs) “brilliant … endearing … musicianly” Gramophone Magazine (Songs for Children) | | | In stock - usually despatched within 1 working day. |
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| |  | Zara Dolukhanova: Lieder, Songs, Arias and Duets
Arensky: | Mutual guarantee (No. 2 from Six Children's Songs, Op. 59) | Beethoven: | In the little woods (No. 13 from Songs of Various Nationalities, WoO 157) Oh, rivers, rivers (No. 14 from Songs of Various Nationalities, WoO 157) Sung in Russian | Bizet: | Douce mer Sung in Russian | Brahms: | Vor Der Tür Op. 28 No. 2 Sung in Russian | Britten: | Nurse's Song (No. 5 from A Charm of Lullabies) A Charm (No. 4 from A Charm of Lullabies) Sung in Russian | Caldara: | Come raggio di sol | Cardillo: | Core 'ngrato | Carissimi: | Vittoria, mio core! | Cui: | Confidant, Op. 57 No. 8 Evening glow Ici bas, Op. 54 No. 5 | Dargomïzhsky: | Fair maidens | Delibes: | Bonjour, Suzon! Sung in Russian | Falla: | Siete Canciones populares españolas | Giordani, G: | Caro mio ben | Liszt: | Gebet, S265 O quand je dors (Hugo), S282 Der Glückliche, S.334 Die Lorelei Sung in Russian | Marcello, B: | Quella fiamma che m'accende | Medtner: | Lish’ rozï uvyadayut, Op. 36, No. 3 Spanish Romance, Op. 36 No. 4 Winterabend, Op. 13 No. 1 | Mozart: | Exsultate, jubilate, K165 Sung in the original Latin Ridente la calma, K152 Komm, liebe Zither, K351 Als Luise die Briefe, K520 An Chloë, K524 Ah, guarda, sorella (from Così fan tutte) Sung in Russian | Niedermeyer: | Pietà, Signore | Offenbach: | O Dieu, de quelle ivresse (from Les contes d'Hoffmann) Sung in Russian | Pergolesi: | Se tu m'ami | Rachmaninov: | Morning, Op. 4 No. 2 Water lily, Op. 8 No. 1 Prayer, Op. 8 No. 6 Summer nights Op.14 No. 5 Oh, do not grieve, Op.14 No. 8 They replied, Op. 21 No. 4 Lilacs, Op. 21 No. 5 The Muse, Op. 34 No. 1 A dream, Op. 8 No. 5 | Ravel: | Deux mélodies hébraïques: Kaddisch | Rossini: | La regata veneziana (C. Pepoli) La Pesca Sung in Russian | Schubert: | Wiegenlied, D498 Die Forelle, D550 Du bist die Ruh D776 (Rückert) Wohin? (No. 2 from Die schöne Müllerin, D795) Ave Maria, D839 Ihr Bild, D957 No. 9 Sung in Russian | Schumann: | Frauenliebe und -leben, Op. 42 Sung in Russian | Scriabin: | Romance (c. 1894) | Strauss, R: | Allerseelen, Op. 10 No. 8 Cäcilie, Op. 27 No. 2 Heimliche Aufforderung, Op. 27 No. 3 Morgen, Op. 27 No. 4 Traum durch die Dämmerung, Op. 29 No. 1 Hat gesagt - bleibt's nicht dabei, Op. 36 No. 3 Sung in Russian | Taneyev: | Music, when soft voices die (Pust' otsvuchit) Op. 17 No. 3, 1905 (Bal'mont/Shelley) | Tchaikovsky: | Spirit my heart away Ni slova, o drug moy (Not a word, O my friend), Op. 6 No. 2 Both painfully and sweetly, Op. 6 No. 3 Look: there is a silver cloud, Op. 27, No. 2 Do not leave me, Op. 27 No. 3 To bilo ranneyu vesnoy (It happened in the early spring), Op. 38 No. 2 Na zemlyu sumrak upal (Dusk fell on the earth), Op. 47 No. 3 Sleep, my poor friend, Op.47, No. 4 Den' li tsarit? (Does the day reign?), Op. 47 No. 6 Skazhi, o chom v teni vetvey (Tell me, what in the shade of the branches), Op. 57 No. 1 Do not ask, Op. 57 No. 3 This, our first reunion, Op. 63 No. 4 This, our first reunion, Op. 63 No. 4 O ditya, pod okoshkom tvoim (Serenade), Op. 63 No. 6 Pesn' Zemfiri (Zemfira's song) Mezza notte Au Jardin, près du ruisseau, Op. 46 No. 4 (Paul Collin) | Verdi: | Ave Maria, for voice & strings or piano | Wolf, H: | Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) Der Rattenfänger (No. 11 from Goethe-Lieder) Verborgenheit (No. 12 from Mörike-Lieder) Wenn du zu den Blumen gehst (No. 65 (No. 20 from Spanisches Liederbuch: Weltliche Lieder) Seltsam ist Juanas Weise (No. 3 from Spanisches Liederbuch: Weltliche Lieder) Sung in Russian |
“The whole set of four discs is in fact something of a voyage of discovery into the art of this superb mezzo. Though she is indeed full of expression in the Aria Antiche there is no over emoting...she is technically and tonally at an exceptional level...One can hear something Ferrier-like in the middle and lower registers of her voice...Her Ravel has the requisite histrionic projection.” MusicWeb International, September 2004 | | | Usually despatched in 8 - 10 working days. |
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