Villa-Lobos: Valsa-Concerto No. 2, Op. 8

This page lists all recordings of Valsa-Concerto No. 2, Op. 8, by Heitor Villa-Lobos (1887-1959) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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The Complete Guitar Works of Heitor Villa-Lobos

The Complete Guitar Works of Heitor Villa-Lobos


Villa-Lobos:

Chôros No. 1 for guitar

Estudos (12) for guitar

Valsa-Concerto No. 2, Op. 8

Preludes (5) for guitar

Suite populaire brésilienne

Valse-chôro


Mickael Viegas (guitar)

Paraty - PARATY125139

(CD - 2 discs)

$20.25

(also available to download from $10.00)

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Villa-Lobos: The Guitar Manuscripts Vol. 2

Villa-Lobos: The Guitar Manuscripts Vol. 2


Villa-Lobos:

Dime perché

World Première Recording

Valsa-Concerto No. 2, Op. 8

Sextuor mystique for Flute, Oboe, Alto Saxophone, Guitar, Celesta and Harp

Introduction Aux Choros

Chôros No. 1 for guitar

Chôros No. 6 for orchestra

Floresta do Amazonas: Canção do Amor (Song of Love)


Andrea Bissoli (guitar)

Ensemble Musagète, Orquestra Filarmônica de Minas Gerais, Fabio Mechetti

Heitor Villa-Lobos’s mother dismissed the guitar as “an instrument played by scoundrels”, but his earliest surviving work, Dime perché, comes from a time when he was composing almost exclusively on this instrument. By completing his unfinished Valsa Concerto No. 2, Andrea Bissoli brings to life the subject of a notorious anecdote between Segovia and Miguel Llobet, and the Sexteto místico echoes Brazilian street band sounds, anticipating Villa-Lobos’s “new form” of the mystical Choros. The intimate serenade Canção do Amor is from his soundtrack for the film Green Mansions.

Naxos The Guitar Manuscripts - 8573116

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Gypsy Ballad

Gypsy Ballad


includes:

Bogdanovic:

Six Balkan Miniatures: Siroko (Wide Song)

Six Balkan Miniatures: Sitni Vez (Tiny-knit Dance)

Rodrigo:

Junto al Generalite

Torroba:

Suite Castellana

Villa-Lobos:

Valsa-Concerto No. 2, Op. 8


Eleftheria Kotzia (guitar)

Here are a few words from the celebrated Greek guitarist Eleftheria Kotzia, which encapsulate the significance of this enchanting new release from SOMM.

“It was the folkloric element, expressed by the special, intimate sound of the guitar which attracted me to the repertoire chosen for this recording. In a way, I feel as though I’ve come full circle since recording The Blue Guitar (incl. the first recording of Tippett’s Guitar Sonata), Mediterraneo (works by composers inspired by Greek music, which also reflect my Greek roots), La Guitarra Latina (South American music) and Fuoco (Mediterranean music). These in turn inspired me to research and record music which pulled all these diverse strands together in repertoire containing folkloric, ethnic elements from both the old and the new world. The disc consists of a wide-ranging repertoire of little known works which I hope will be both stimulating and entertaining. They express the voice of the contemporary classical guitar and it’s music that I love.”

"The disc includes Suite Castellana, the first work ever written for guitar by a non guitarist, the Spaniard Moreno Torroba, as well as songs and dances from the ‘old world’ (Armenia, Macedonia, the Balkans, Persia[Iran]). Joaquin Rodrigo was influenced by Romani music and the gypsy song Sostar Mange, was beautifully crafted by the Czech composer Sylvia Bodorová in her Gypsy Ballad. From the ‘new world’ the famous tangos Cumparsita and El Choclo from Argentina and Uruguay are the only arrangements, alongside original salon music from Brazil, the infectious rhythms of the Afro-influenced music of the Caribbean and the purity of Venezuelan song.”

Somm - SOMM0130

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$12.00

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Villa-Lobos: Complete Guitar Music

Villa-Lobos: Complete Guitar Music


Villa-Lobos:

Preludes (5) for guitar

Suite populaire brésilienne

Valsa-Concerto No. 2, Op. 8

Andante – Valsa brilhante Simples

Mazurka

Chôros No. 1 for guitar

Etudes for Guitar, W 235 Nos. 1-12 (complete)

Valse-chôro

Etude for Guitar, W 235 No. 10 in B minor

Etude for Guitar, W 235 No. 11 in E minor

1928 version


Frédéric Zigante (guitar)

Heitor Villa-Lobos is widely recognised as Brazil’s most important composer, whose style reflects his country and his era: rooted in 20-th century European modernism, he developed his own unique style, blending all colours, smells and sounds of his homeland into his rich, exuberant and vibrant music. Villa-Lobos wrote an immense oeuvre. An important place hold his guitar works, the perfect instrument to present his own style, fusing Latin-American folk-inspired elements with more “learned” European forms, like Etudes and Preludes. The complete guitar works of Villa Lobos, played by one of the best classical guitarists of today, Frédéric Zigante.

Villa-Lobos is perhaps best known for his large scale and exotic orchestral works, but he had a passion for the guitar that went back to his youth, and on which he was a masterful performer. Listeners who know the large orchestral works such as Choros Nos.9 and 12 will be surprised that this group of works – Choros, (which numbered 14 in all, and are all based on Brazilian folk music) started with a work for solo guitar – no.1 is included on CD2 of this set. His output for guitar is slim, but of good quality, and it suffers little from the weaknesses that are apparent in his 12 symphonies, or the 5 piano concertos. When he is at his most improvisatory, and free from formal structures and ‘classical’ restraints he is at his best, and the music has a fresh and spontaneous feel. Villa-Lobos saw a connection between the music of Bach and the music of his native country, and he explored this in his series of works ‘Bachianas brasileiras’.

The 12 Etudes from 1928 were written for Segovia.

Brilliant Classics - 9196

(CD - 2 discs)

$10.00

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Anthology of Classical Guitar Music

Anthology of Classical Guitar Music


Albéniz:

Aragón (from Suite española Op. 47, 1886)

Cantos de España (5), Op. 232, No. 2 'Orientale'

Sevilla (from Suite Española, Op. 47)

Granada (from Suite española No. 1, Op. 47)

Cadiz (from Suite Española, Op. 47)

Córdoba (from Chants d’Espagne Op. 232)

Cuba (from Suite Española, Op. 47)

Asturias (from Suite espanola, Op. 47)

Castilla/Seguidillas (from Suite Española, Op. 47)

Cataluna (from Suite Española, Op. 47)

Sous le palmier, Op. 232, No. 3

Albini:

Corale No. 45, notturno

Asafyev:

Preludes (12) for guitar

Bach, J S:

Lute Suite No. 1 in E minor, BWV996

Lute Suite No. 4 in E major, BWV1006a

Partita for solo violin No. 2 in D minor, BWV1004

(arr. for guitar)

Beethoven:

Sonatine for mandolin and fortepiano in C minor, WoO 43a

Sonatine for mandolin and fortepiano in C major, WoO 44a

Andante and Variations in D Major, WoO 44b

Variations (6) in G major on the duet 'Nel cor più non mi sento' from the opera La Molinara by Giovanni Paisiello, WoO 70

Biberian:

Guitar Sonata No. 1

Bobrowicz:

Variations and Polonaise on a duet from Bellini's I Capuleti e i Montecchi, Op. 30

Bogdanovic:

Sonata No. 1 for Guitar

Sonata No. 2 for Guitar

Cinque Pezzi di Mare

Introduction, Passacaglia and Fugue for the 'Golden Flower'

Quatre Bagetelles

Polyrhythmic and Polymetric Studies

Bortolazzi:

Variations on Nel cor piu non mi sento, Op. 8

Brouwer, L:

Sonata del Caminante

Estudios Sencillos

Nuevos estudios sencillos (2001)

Preludios Epigramaticos

Carulli:

Solo, Op. 76, No. 1

Trois Menuets et Trois Valses, Op. 84

From L’Utile e l’Agréable: Grande et seul recueil, Op. 114

Petits solos brillants et non difficiles, Op. 262

Trois Divertissements in E, Op. 223 for tuned guitar

Cassadó:

Preambulo y Sardana

Castelnuovo-Tedesco:

24 Preludes and Fugues for 2 Guitars Op. 199 (selection)

Cimarosa:

Keyboard Sonata in A Minor, C.2

Keyboard Sonata, C.3

Keyboard Sonata, C.4

Keyboard Sonata, C.5

Keyboard Sonata, C.16

Keyboard Sonata in D Minor, C.17

Keyboard Sonata in D Minor, C.9

Keyboard Sonata, C.14

Keyboard Sonata, C.15

Keyboard Sonata, C.18

Keyboard Sonata, C.19

Keyboard Sonata, C.20

Keyboard Sonata, C.21

Keyboard Sonata, C.22

Keyboard Sonata, C.23

Keyboard Sonata, C.24

Keyboard Sonata, C.25

Keyboard Sonata, C.33

Keyboard Sonata, C.34

Keyboard Sonata, C.35

Keyboard Sonata, C.36

Keyboard Sonata, C.37

Keyboard Sonata, C.47

Keyboard Sonata, C.49

Keyboard Sonata, C.50

Keyboard Sonata, C.53

Keyboard Sonata, C.55

Keyboard Sonata, C.56

Keyboard Sonata, C.58

Keyboard Sonata, C.61

Coste, N:

25 Etudes, Op. 38

Grande Sérénade, Op. 30

Fantaisie on two themes from Bellini's Norma, Op. 16

Introduction and Variations on a theme by Bellini (Il Pirata)

Diabelli:

Sonata No. 1 in C Major

Sonata No. 2 in A Major

Sonata No. 3 in F Major

Falla:

Homenaje

Farkas:

Exercitium Tonale

Farnaby, G:

Sonata No. 2

Sonata No. 3

Sonata No. 4

Ginastera:

Guitar Sonata, Op. 47

Giuliani, Mauro:

Introduction, Theme with Variations and Polonaise in A, Op. 65

Sinfonia nell'opera La Gazza Ladra del M. Rossini

Sinfonia nell'opera l'Assedio di Corinto del M. Rossini

Sinfonia nell'opera Elisabetta Rigina di Inghilterra del M. Rossini

Sinfonia nell'opera La Cenerentola del G. Rossini

Sinfonia nell'opera Il Pirata del M. Bellini

Ouverture de l'opera La Vestale par M. Spontini

Variations on "Deh alma oh cliel" from Rossinis Otello for Guitar "terzina" and String Quartet Op. 101

Henze, H:

Drei Tentos

Royal Winter Music 1 - First Sonata on Shakespearean Characters for Guitar

Royal Winter Music 2 - Second Sonata on Shakespearean Characters for Guitar

Holguín:

Pequeña Suite No. 1, Op. 80

Hummel, J:

Sonata for fortepiano and mandolin in C major, Op. 37a

Potpourri for Piano and Guitar in G minor, Op. 53

Jappelli:

Light Frameworks

Sei Intonazioni

Lasala:

Nocturno

Lauro:

Cuatro valses venezolanos

Legnani:

Duetto Concertante, Op. 23

Cavatina d'Ernani

Gran Duetto, Op. 87

Cavatina D'Elvira

Llobet:

Leonesa

La cancó del lladre

El Noi de la Mare (The Mother's Son)

El Mestre (The Master)

Lo rossinyol

L'Heureu Riera

El Testament d'Amelia (Amelia's Testament)

Lo fill del rei

La pastoreta

Plany

La filadora

La filla del marxant

La nit de Nadal

La preço de Lleida

Scherzo - Vals

Mazurka for Federico Bufaletti

Romanza

Variaciones sobre un tema de Sor

Manca:

Notturno No. 3

Ulisse

Mertz:

Bardenklange, Op. 13

Opern-Revue, Op. 8: Fantasia No. 11 on Marino Faliero (after Donizetti)

Mirto:

3 Nocturnes

Mompou:

Cancion i danza No. 10

Suite Compostelana

Montaña:

Suite Colombiana No. 4

Nepomuceno:

Suite Antiga, Op. 11

Paganini:

Ghiribizzi

Grande sonata concertata MS 3

Palacios, A:

Sonata para guitarra

Pernambuco:

Sons de carrilhões

Piazzólla:

Cuarto Estaciones Porteñas

Tango Sensations (5) for bandoneón & string quartet

Concerto for Bandoneon, Guitar & Orchestra 'Hommage à Liege'

Ponce, M:

Sonatina Meridional

Guitar Sonata No. 3

Sonata Mexicana

Twenty Four Preludes

Sonata Mexicana

Tres canciones populares

Tres instantes de éxtasis

Miniaturas sinaloenses

Pujol, M D:

Historias sin Palabras

Nocturno

Regondi:

Rêverie nocturne, Op. 19

Fete Villageoise (Rondo Caprice), Op. 20

Air Varié No 1, Op. 21

Air Varié No 2, Op. 22

Introduction and Caprice, Op. 23

Air Varié de l'opera de Bellini I Capuleti e i Montecchi

Rodrigo:

Invocación y danza

Rozsa:

Valse crépuscalaire

Salvo:

La notte di Penelope

Sauguet:

Cadence

Trois preludes

Six Pièces faciles

Musique pour Claudel No. 1

Musique pour Claudel No. 2

Scarlatti, D:

Keyboard Sonata K377 in B minor

Keyboard Sonata K208 in A major

Keyboard Sonata K209 in A major

Keyboard Sonata K32 in D minor

Keyboard Sonata K77 in D minor

Keyboard Sonata K34 in D minor

Keyboard Sonata K291 in E minor

Keyboard Sonata K292 in E minor

Keyboard Sonata K481 in F minor

Keyboard Sonata K476 in G minor

Keyboard Sonata K213 in D minor

Signorile:

Ninna nanna a Donegal

Le colline di Karen, notturno africano

Sor:

Etudes for Guitar (excerpts)

Tansman:

Cavatina

Hommage a Chopin

Suite in Modo Polonico

Inventions

Deux chansons populaires

Tárrega:

Capricho árabe

La alborada

Marieta (Mazurka)

Pavana

María, gavota

Isabel (Vals) [Johann Strauss II]

La cartagenera

Adelita

Rosita

El columpio

Danza Mora

Gran vals

Malagueña fácil

Recuerdos de la Alhambra

Mazurka in G

Las Dos Hermanas

Minuetto in E major

Paquito (Vals)

Pepita

Danza odalisca

Sueno

Vals (in D)

Variations on Carnival of Venice

Torresan:

Notturno

Torroba:

Sonatina in A major for solo guitar

Nana

Puertas de Madrid

Sonata-Fantasía

trad.:

About 500 Years

Turina:

Fandanguillo, Op. 36

Sevillana, Op. 29

Ráfaga, Op. 53

Garrotin y Soleares

Sonata for Guitar, Op. 61

Vanhal:

6 Variations, Op. 42

Villa-Lobos:

Preludes (5) for guitar

Suite populaire brésilienne

Valsa-Concerto No. 2, Op. 8

Simples

Visée:

Guitar Suite in F-Sharp Major

Guitar Suite in B Minor

Guitar Suite in G Major

Guitar Suite in D Minor

York, A:

Into dark


Guitar lovers are lucky enough to have their pick of repertoire, spanning the entire globe as well as many centuries. Never before, however, have they been able to listen to their favourite pieces all in one place – from Baroque to 20th Century, from Latin America to north Germany. This ambitious and expansive set of 40 CDs brings together a wide range of works for solo guitar guaranteed to satisfy those eager to explore repertoire both known and unknown.

We start our journey with Robert de Visée, born around 30 years before J.S. Bach. His Suites – which may also have been played on a lute or theorbo – are fascinating examples of some of the only existing French Baroque music for guitar. Bach himself did not write as much music for the stringed instrument as he did for keyboard; however, the transcriptions of his violin Partitas work perfectly on the guitar. Likewise, Sonatas by Domenico Scarlatti have been transcribed here from the keyboard for the guitar. The Italian composer worked in Spain for the majority of his life, and the Spanish influences he picked up there make a smooth transition to the stringed instrument.

The Classical and Romantic eras saw a period of development. Fernando Sor, one of the most important figures in guitar music, elevated the guitar from a 'tavern' instrument to one that commanded respect. He himself contributed a vast amount to the guitar canon – such as his Études – alongside the Italians Ferdinando Carulli and Luigi Rinaldo Legnani and Sor's pupil, Napoléon Coste, who became the leading guitarist in his native France.

Sor's 20th-century successor is arguably Francisco Tárrega, considered the father of the guitar. His technical innovations helped to raise the profile of the guitar as a solo instrument, as he successfully persuaded Antonio de Torres Jurado to construct a large instrument suitable for use in concert halls. The Spaniards dominated this period – alongside Tárrega were Isaac Albéniz (who never actually wrote specifically for the guitar, but whose music has been arranged a number of times), Joaquín Turina, Joaquín Rodrigo and Manuel de Falla. Rodrigo's homage to Falla – the Invocación y danza – shows the composer's recognition of Falla as one of the greatest influences on Spanish composers working in the latter half of the 20th century.

Next, we travel across the Atlantic to investigate one of the most important locations for the creation of guitar music: Latin America. Composers working here took particular inspiration from indigenous influences, including the Paraguyan Agustín Barrios Mangoré and the Argentinian Ástor Piazzolla. Manuel Ponce, a leading Mexican composer, wrote his famous Estrellita, which soon became a beloved Mexican folk song. It is present here in a sparkling arrangement for solo guitar.

The 20th century saw the expansion of the guitar across the globe. The repertoire grew widely, thanks to composers from such diverse places as Russia, Poland and the Netherlands. German composer Hans Werner Henze wrote his original Royal Winter Music, based on Shakespearean characters, in the late 1970s. Jewish composer Mario Castelnuovo-Tedesco, born in Italy, spent much of his career in Hollywood, after fleeing the Nazi threat in Europe in 1939. He still wrote much classical music alongside his works for the big screen, including his well known Les Guitares bien tempérées. Dutch composer Henk Badings was discredited after the war for having cooperated with the Nazis. A recent renewed interest in his music has resulted in this recording of his Twelve Preludes for solo guitar – a world premiere for Brilliant Classics, first released in 2012.

This set features performers of international quality. Among them are: the Paganini expert Luigi Attademo; Cristiano Porqueddu, who will be performing in New York's Carnegie Hall in July 2017; Frédéric Zigante; Giulio Tampalini; and many more besides. There are numerous world premiere recordings, of works both modern and older, thanks to recent rediscoveries. The guitars used range from carefully crafted modern instruments to period instruments, including the 'Sabionari' guitar by Antonio Stradivari. The release will be sure to satisfy both guitar aficionados and those looking to dip in and out of a diverse mixture of guitar music from around the globe.

The most extensive guitar collection available! This 40 CD set spans several centuries of guitar music: from the Baroque where the guitar gained preference over its ancestor the Lute, to the Classical Period in which the instrument was emancipated and gained its rightful place as a serious concert instrument, through Spain, its country of origin, right into the 20th century where famous composers extended its sonic possibilities to the very borders of the spectrum. A treasure trove of unprecedented scope and substance, for both connoisseur and music lover, performed by world class guitarists!

Recorded between 1996 and 2015.

Contains liner notes written by Philip Borg-Wheeler specially for this release.

The booklet presents the necessary background to the music, putting each composer in his historic perspective.

Released or re-released in last 6 months

Brilliant Classics - 95480BR

(CD - 40 discs)

$91.00

Usually despatched in 2 - 3 working days.

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