All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Haydn: Arie per un'amante
Haydn: | Lo Speziale: Sinfonia in G major, Hob.Ia:10 Dica pure chi vuol dire, Hob.XXIVb/8 Quando la rosa Signor, voi sapete Il meglio mio carattere, Hob.XXIVb/17 La moglie quando è buona, Hob.XXIVb/18 Vada adagio Cavatina Di Alcina (Hob. XXIV b.9) La mia pace, Hob.XXIVb/19 Infelice sventurata, Hob.XXIVb/15 Via siate bonino, Hob.XXIVb/23 Chi vive amante, Hob.XXIVb/13 D'una sposa meschinella, Hob.XXIVb/2 Son pietosa, son bonina (Hob. XXXIIb:1) |
Nuria Rial (soprano), Margot Oitzinger (mezzo) L'Orfeo Barockorchester, Michi Gaigg | | | In stock - usually despatched within 1 working day. |
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| |  | LiaisonsArias by Cimarosa, Haydn, Mozart and Salieri
Cimarosa: | Sinfonia 'Il matrimonio segreto' Perdonate, signor mio (Il matrimonio segreto) | Haydn: | Quando la rosa Signor, voi sapete Vada adagio | Mozart: | Giunse alfin il momento... Deh, vieni, non tardar… (from Le nozze di Figaro) Voi avete un cor fedele, K217 Una donna a quindici anni (from Così fan tutte) Chi sà, chi sà qual sia, K582 Un moto di gioia, K579 Ah se in ciel, benigne stelle, K538 | Salieri: | Tremo, bell’idol mio (Armida) Sinfonia (La scuola de gelosi) |
Chen Reiss (soprano) L’arte del mondo, Werner Ehrhardt Chen Reiss appears in leading roles at La Scala, Vienna State Opera, Bavarian State Opera, Semperoper Dresden, Deutsche Oper Berlin, Hamburg State Opera, and Frankfurt Opera. She also sang the soundtrack to the film ‘Das Parfum’ (Perfume) with the Berlin Philharmonic under Sir Simon Rattle. Chen Reiss starred with Rolando Villazon on German TV in an opera gala show. She sings Sophie in Der Rosenkavalier in December 2011 at the Staatsoper Wien. “What a stimulating assemblage of arias, and in intelligent, standard-setting performances...Unexpected insights arrives at every turn...Reiss makes [Salieri and Cimarosa] feel like worthy companions, always looking to find their specific character and never falling into soubrette cuteness...My favourite moment is how wonderstruck her Susanna sounds while absorbing the beauties of the night in the Act 4 Figaro aria.” Gramophone Magazine, November 2011 “Reiss has an agile, bell-bright, fluty timbre that's well suited to the soubrette and coloratura repertoire here. She's best in the showy numbers - the glittering roulades of the Mozart concert aria 'Ah se in ciel' and Salieri's 'Tremo bell'idol mio' are bright and fresh. She also displays a lovely line in the short, sweet 'Quando la rosa'” Classic FM Magazine, December 2011 *** “Reiss is a properly pert Despina (Cosi) and an affecting Susanna...Her attention to detail in the recitative is scrupulous...Reiss's diamond bright coloratura is a mighty weapon...All told, this is a beguiling combination of top-drawer musicianship and fresh ideas about opera in Enlightenment Vienna.” BBC Music Magazine, January 2012 *****  BBC Music Magazine
Opera Choice - January 2012 |
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| |  | Angelica Tuccari: Soprano in Concert
anon.: | Pauvre Jacques Giorgio Favaretto (piano) | Beethoven: | No, non turbati Orchestra Sinfonico di Torino della RAI, Pierre Dervaux | Bloch, E: | Psaume 114 Orchestra Sinfonico di Roma della RAI, Ferruccio Scaglia | Campra: | Accourrez, hâtez vous (from Les fêtes vénitiennes) Ferruccio Vignanelli (harpsichord) | Dalayrac: | J'aimerai toute ma vie (from Roméo et Juliette) Ferruccio Vignanelli (harpsichord) | Franz, R: | Widmung Weisst du noch Denk ich dein Genesung Wie des Mondes Abbild Fûr einen Er ist gekommen Für Musik Tanzlied im Mai, Op. 1 No. 6 Rate Furlan (piano) | Gluck: | Voici la charmante retraite (from Armide) Ferruccio Vignanelli (harpsichord) | Gretry: | Ma barque légère (from La Rosière de Salency) Tandis que tout sommeille (from L'Amant Jaloux) Ferruccio Vignanelli (harpsichord) | Haydn: | Solo e pensoso (Hob. XXIVb:20) La moglie quando è buona, Hob.XXIVb/18 Infelice sventurata, Hob.XXIVb/15 Sono Alcina, e sono ancora (insertion aria for Gazzaniga's 'L'Isola di Alcina') Vada adagio Orchestra A. Scarlatti di Napoli della RAI, Massimo Pradella | Jadin, L: | Colas sois moi fidèle Ferruccio Vignanelli (harpsichord) | Lully: | Bois épais (from Amadis) Ferruccio Vignanelli (harpsichord) | Matho: | Aimable solitude Ferruccio Vignanelli (harpsichord) | Mortari: | Variations sur le 'Carnaval de Venise': Variation II Variations sur le 'Carnaval de Venise': Variation IV Orchestra Sinfonico di Torino della RAI, Armando la Rosa Parodi | Mozart: | Ch'io mi scordi di te?... Non temer, amato bene, K505 Orchestra A. Scarlatti di Napoli della RAI, Adriano Lualdi | Pasquini, B: | Perduto ho il core Ferruccio Vignanelli (harpsichord) | Philidor, F-A: | Il fallait le voir au village (from Sancho Pança) Ferruccio Vignanelli (harpsichord) | Pizzetti: | I Pastori Orchestra Sinfonico di Roma della RAI, Ranco Caracciolo | Roze: | Voici le printemps Ferruccio Vignanelli (harpsichord) | Rutini: | Ombra che pallida Orchestra A. Scarlatti di Napoli della RAI, Massimo Pradella | Schumann: | Gedichte der Königin Maria Stuart, Op. 135 Giorgio Favaretto (piano) | trad.: | Rondinella Oellegrina La Livornese L'addio del giusti Giulia Gentil Mario Gangi (guitar) | Vivaldi: | O qui coeli terraeque serenitas, RV631 Orchestra A. Scarlatti di Napoli della RAI, Bruno Maderna |
Angelica Tuccari (soprano) | | | Usually despatched in 4 - 5 working days. |
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