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Active in Venice and Padua at the beginning of the 15th century, Johannes Ciconia was undoubtedly the most important composer of this transitional period. Born in Liège and trained in the principles of the French and Italian Ars Nova, he played a considerable role in the musical development that led little by little towards the Renaissance.
His works are in all the forms current for the period: French chansons, Italian ballades and madrigals and Latin motets for particular occasions as well as individual movements from the Mass that proclaim the arrival of the form’s golden age in the 15th century. This recording of his complete works has been entrusted to two remarkable ensembles that are no strangers to Outhere’s catalogue: La Morra for the secular music and Diabolus In Musica for the sacred works and the motets for particular occasions.
Musique Profane: I. Una Panthera In Compagnia Di Marte
Musique Profane: II. Sus Un' Fontayne
Musique Profane: III. Chi Nel Servir
Musique Profane: IV. Le Ray Au Soleyl
Musique Profane: V. Caçando Un Giorno
Musique Profane: VI. Per Quella Strada
Musique Profane: VII. Con Lagreme
Musique Profane: VIII. Chi Vole Amar
Musique Profane: IX. Dolçe Fortuna
Musique Profane: X. Gli Atti Col Dançar
Musique Profane: XI. La Fiamma Del To Amor
Musique Profane: XII. Poy Che Morir
Musique Profane: Xiii. Aler M'en Veus
Musique Profane: XIV. I Cani Sono Fuora
Musique Profane: XV. Ligiadra Donna
Musique Profane: XVI. Merçe O Morte
Musique Profane: XVIi. O Rosa Bella
Contrafacta / Canon: I. Regina Gloriosa
Contrafacta / Canon: II. O Petre, Christi Discipule
Contrafacta / Canon: III. O Beatum Incendium
Contrafacta / Canon: IV. Quod Jactatur
Motets Et Mouvements De Messe: I. Petrum Marcello Venetum - O Petre Antistes Inclite
Motets Et Mouvements De Messe: II. O Virum Omnimoda - O Lux Et Decus - O Beate Nicholae
Motets Et Mouvements De Messe: III. Ut Per Te Omnes Celitus - Ingens Alumnus Padue
Motets Et Mouvements De Messe: IV. Gloria No. 3
Motets Et Mouvements De Messe: V. Gloria No. 4
Motets Et Mouvements De Messe: VI. Gloria Spiritus Et Alme No. 6
Motets Et Mouvements De Messe: VII. Venecie, Mundi Splendor - Michael Qui Stena Domus
Motets Et Mouvements De Messe: VIII. Gloria Suscipe Trinitas
Motets Et Mouvements De Messe: IX. O Beatum Incendium
Motets Et Mouvements De Messe: X. O Felix Templum Incendium
Motets Et Mouvements De Messe: XI. Gloria No. 9
Motets Et Mouvements De Messe: XII. Doctorum Principem - Melodia Suavissima - Vir Mitis
Motets Et Mouvements De Messe: Xiii. Gloria No. 1
Motets Et Mouvements De Messe: XIV. Credo No. 2
Motets Et Mouvements De Messe: XV. Albane, Misse Celitus - Albane Doctor Maxime
Motets Et Mouvements De Messe: XVI. Gloria Spiritus Et Alme No. 5
Motets Et Mouvements De Messe: XVIi. Credo No. 10
Motets Et Mouvements De Messe: XVIii. Gloria No. 8
Motets Et Mouvements De Messe: XIX. O Padua Sidus Preclarum
Sus une fontayne en remirant
Johannes Ciconia: Chi nel servir antico me conduce
Chi nel servir antico me conduce
Johannes Ciconia: Le ray au soleyl qui dret som kar meyne
Le ray au soleyl qui dret som kar meyne
Johannes Ciconia: Cacando un giorno vidi una cervetta (arr. M. Gondko)
Cacando un giorno vidi una cervetta (arr. M. Gondko)
Johannes Ciconia: Per quella strada lactea del cielo
Per quella strada lactea del cielo
Johannes Ciconia: Con lagreme bagnandome nel viso
Con lagreme bagnandome nel viso
Johannes Ciconia: Chi vole amar ame con vera fede (arr. M. Gondko)
Chi vole amar ame con vera fede (arr. M. Gondko)
Johannes Ciconia: Dolce Fortuna, omay rendime pace
Dolce Fortuna, omay rendime pace
Johannes Ciconia: Gli atti col dancar Francesch'inanzi passa
Gli atti col dancar Francesch'inanzi passa
Johannes Ciconia: La fiamma del to amor che gia me strinze
La fiamma del to amor che gia me strinze
Johannes Ciconia: Poy che morir mi convien per to amore
Poy che morir mi convien per to amore
Johannes Ciconia: Aler m'en veus en strangne partie
Aler m'en veus en strangne partie
Johannes Ciconia: I cani sono fuora per le mosse (arr. M. Gondko)
I cani sono fuora per le mosse (arr. M. Gondko)
Johannes Ciconia: Ligiadra donna, che'l mio cor contenti
Ligiadra donna, che'l mio cor contenti
Johannes Ciconia: Merce, o morte, o vaga anima mia
Merce, o morte, o vaga anima mia
Johannes Ciconia: O rosa bella, o dolce anima mia
O rosa bella, o dolce anima mia
Johannes Ciconia: Regina gloriosa
Regina gloriosa
Johannes Ciconia: O Petre, Christi discipule
O Petre, Christi discipule
Johannes Ciconia: O beatum incendium
O beatum incendium
Johannes Ciconia: Quod jactatur
Quod jactatur
Johannes Ciconia: Petrum Marcello venetum / O Petre, antistes inclite
Petrum Marcello venetum / O Petre, antistes inclite
Johannes Ciconia: O virum omnimoda / O lux et decus / O beate Nicholae
O virum omnimoda / O lux et decus / O beate Nicholae
Johannes Ciconia: Ut te per omnes celitus / Ingens alumnus Padue
Ut te per omnes celitus / Ingens alumnus Padue
Johannes Ciconia: Gloria No. 3 - Credo No. 4
Gloria No. 3
Credo No. 4
Johannes Ciconia: Gloria No. 6, "Spiritus et alme"
Gloria No. 6, "Spiritus et alme"
Johannes Ciconia: Venecie, mundi splendor / Michael, qui Stena domus
Venecie, mundi splendor / Michael, qui Stena domus
Johannes Ciconia: Gloria, "Suscipe Trinitas"
Gloria, "Suscipe Trinitas"
Johannes Ciconia: O beatum incendium
O beatum incendium
Johannes Ciconia: O felix templum jubila
O felix templum jubila
Johannes Ciconia: Gloria No. 9
Gloria No. 9
Johannes Ciconia: Doctorum principem / Melodia suavissima / Vir mitis
Doctorum principem / Melodia suavissima / Vir mitis
Johannes Ciconia: Gloria No. 1. - Credo No. 2
Gloria No. 1
Credo No. 2
Johannes Ciconia: Albane, misse celitus / Albanus, doctor maxime
Albane, misse celitus / Albanus, doctor maxime
Johannes Ciconia: Gloria No. 5, "Spiritus et alme"
Gloria No. 5, "Spiritus et alme"
Johannes Ciconia: Credo No. 10
Credo No. 10
Johannes Ciconia: Gloria No. 8
Gloria No. 8
Johannes Ciconia: O Padua, sidus preclarum
O Padua, sidus preclarum
December 2011
“La Morra prefer a more ruminative and thoughtful approach to the songs that is again entirely different from what has been heard before - including what must be the slowest-ever performance of 'Per quella strada'. As with any complete recording, some tracks are better than others, but we do get a new and clearer picture of who Ciconia was.”
March 2012
“the French group's manner translates into transparently clear textual declamation, especially in the single-texted 'Glorias' and 'Credos'...In short, this recording is an impressive document of both a great musical figure and the great progress over the last three decades of performance practice scholarship for late-Medieval music.”
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