Vivaldi: Trio Sonata for Violin, Lute and Basso Continuo in C major, RV 82

2CDs for price of 1

This comprehensive collection includes works for two guitars, solo guitar, flute and guitar and violin and guitar.

A delightful collection of some of the most famous of Vivaldi's Guitar Concertos, many of these being transcriptions of lute works, and some in unique arrangements for four guitars or guitars with strings. Los Romeros are of course a legendary family of guitarists, so the recording is self-recommending

Even within Vivaldi’s vast treasure-store of concertos (555 and counting) there is very little music that features solo plucked instruments. Three of the works on this disc (two sonatas, and a D major concerto) were intended for the lute, while the fourth was for mandolin. When the revival of ‘early music’ in the first half of the 20th century brought with it a re-discovery of Vivaldi’s music, there simply were no lute players, and it became traditional for these works to be adapted for guitar. The concerto in C has latterly gained wide popularity, at least in its original guise as a mandolin concerto; playing it on the guitar requires minimal rearrangement and introduces it to a broader listenership. More intimate than the concertos, the two sonatas are slightly odd in that, rather than being a dialogue between two equal soloists as one might expect, the violin and the guitar actually play the melodies together for much of the time, with the former sometimes sustaining longer notes while the latter plays arpeggiated patterns. Massimo Scattolin was a pupil of the great Segovía; composers such as Astor Piazzolla and Violet Archer have written concertos for him. Here he is accompanied by a chamber ensemble based in Vivaldi’s own city of Venice.

Recorded in 1989

One of the United States best period instrument ensembles teams up with one of the worlds best lutenists to perform the music of one of the most beloved composers of all time for this exciting new release from Sono Luminus. The Bach Sinfonia, under the direction Daniel Abraham performs the lute works of Vivaldi with GRAMMY® Nominated lutenist Ronn McFarlane delivering one of the years most exciting concerto albums.

The Baroque concerto owes much of its development and advancement to Vivaldi. At the essence of the genre’s structure is idea of the ritornello. In the Baroque concerto, these reoccurring statements each alternate with modulating episodes with freer character in which the soloist(s) dominate the overall texture. Treatment of the ritornello within the works varies greatly among composers: whereas Bach and other Germans often integrated the ideas of the refrain, either complete or in part, as accompaniment to the episodes, Vivaldi relies heavily on exploring only specific ideas of the complete refrain and regularly ignores or alters other elements of the ritornello during repetitions.

In addition, Vivaldi’s works advance the standard Italianate concerto scheme of three movements in a fast-slow-fast pattern. The Bach Sinfonia is dedicated to excellence in performance, public education and disseminating a greater understanding of the variety of styles, composers, and masterpieces of the baroque, pre-classical, and classical periods. Specialists in the performance of music of the 17th and 18th centuries, the ensemble presents concerts, lectures, and other cultural events designed to be not only entertainment but also an educational experience. Their performances and recordings have received outstanding reviews and international recognition.

The work of conductor Daniel Abraham has garnered praise from many noteworthy sources including The Washington Post, Choral Journal, the BBC and Early Music America. Abraham’s performances have been nationally broadcast on National Public Radio’s Performance Today, he has appeared at the John F. Kennedy Center for the Performing Arts, the Concert Hall of the Music Center at Strathmore, The National Women’s Museum of the Arts, and has prepared choruses for the national broadcasts of the Kennedy Center Honors Gala (PBS) and Christmas in Washington (TNT). Abraham is associate professor of music and director of choral activities at American University in Washington, D.C., and is a sought after clinician who has given master classes and clinics throughout the United States, Canada, and as far as Cairo, Egypt.

Ronn McFarlane, lutenist, is one of the most outstanding lutenists performing today and is largely responsible for bringing the transcendent charm and timeless quality of the lute into the musical mainstream and making it accessible to a larger audience. McFarlane has numerous recordings on the Dorian and then Sono Luminus labels including solo recordings, lute song recordings, over ten CDs with the Baltimore Consort and ballad recordings with Custer LaRue and members of the Baltimore Consort. In 2009, his CD Indigo Road, released with Sono Luminus, was nominated for a GRAMMY® award.

Along with the beautiful lute works featuring McFarlane, the album enjoys a beautiful vocal performance from soprano Jennifer Ellis Kampani as the featured soloist for In Turbato mare irato.

The mandolin was essentially the instrument of amateur musicians in the early to mid 18th century. Vivaldi composed many concertos and trios for the young ladies of the Ospiedale della Pieta – including the famous G major RV532, which must rank as one of his most popular works after the Four Seasons.

The concertos and trios on this CD make a delightful programme, written for the pleasure of gifted students and patrons, full of the hallmarks of Vivaldian style that will not disappoint those who love the famous Four Seasons violin concertos from his Op.8 set. Simple, catchy melodies abound, in both still and often poignant slow movements as well as sparky fast movements.

Recording made in 2009.

Booklet notes.

Frederico Gugliemo studied with Salvatore Accardo, Isaac Stern , The Amadeus, LaSalle and Quartetto Italiano string quartets before turning to period instrument performance under the guidance of Christopher Hogwood.