Bach, J S: Prelude & Fugue in G major, BWV541

Jonathan Freeman-Attwood’s ‘A Bach Notebook for Trumpet’ is a celebration of the music of the famous Johann Sebastian and ten other lesser-known Bachs, re-imagined for the combination of trumpet and piano.

Bach specialist Daniel-Ben Pienaar has arranged music from a great uncle, close cousins, distant cousins, and five sons, all related to the great J. S. Bach in a wholly unique recital programme.

Aesthetic passions drive the repertoire and performance choices as the duo explore vocabularies not usually associated with trumpet and piano chamber music: brushing up against ‘period’ gesture, ornamentation and articulation, whilst also co-referencing less fashionable inspirations from the past, including those judged ‘romantic’ in coloration, whether in the use of the pedal, rubati or articulation.

Jonathan is an established authority on Bach interpretation, particularly as it challenges and refocuses historical  perspectives on ‘performance practices’ and how recordings of the past can influence current priorities and tastes.

As a trumpet player and recording artist, Jonathan Freeman-Attwood has attracted plaudits from the press; his producing career has resulted in over 200 recordings and several awards including Diapasons d’Ors, eight Gramophone Awards and many nominations.

Jonathan broadcasts regularly for BBC Radio 3 and is in demand as an essayist for EMI, Warner, Deutsche Grammophon and other major record labels.

Daniel-Ben is active as a recitalist and chamber musician. He has received great acclaim for his interpretations of Bach’s keyboard music: ‘Pienaar produces a breathless, highly energised reading’ Gramophone on his Goldberg Variations.

The outstanding young organ virtuoso Cameron Carpenter burst on to the scene last year with an astonishing recording entitled “Revolutionary” (CD80711). Reviewers were fulsome in their praise of his gifts as a performer. In an interview, feature, and review in the Gramophone Jeremy Nicholas stated that his “rhythmic buoyancy, clarity of voicing, and sheer élan are quite masterly” in his interpretation of pieces by Dupré, and Demessieux. There was also an interview/feature in Classic FM magazine and cover feature in “Muso”. He was recently picked as one of the “New Stars of 2010” in Classic FM Magazine.

Unlike his first recording “Revolutionary” which was made on a virtual pipe organ, Cameron Carpenter’s second album for Telarc has been made on a large-scale acoustic instrument, the massive Aeolian-Skinner organ at New York’s Church of Saint Mary the Virgin. This CD/DVD two-disc album includes three preludes and fugues from J.S. Bach’s Well-Tempered Clavier and five preludes and fugues from the major organ works of Bach. The DVD features performances on a Wurlitzer pipe organ built in the early 20th Century. It includes arrangements of Shostakovich’s Festive Overture, two pieces by George Gershwin, “The Alcotts”, from Charles Ives’ Concord Sonata, Astor Piazzola’s Libertango, Mozkowski’s Sparks (“Etincelles”), Schubert’s Erlkönig, Rachmaninov’s arrangement of Bach’s Violin Sonata No. 3 in E Major, and Carpenter’s own celebrated arrangement of Sousa’s The Stars and Stripes Forever.

Hyperion’s Bach Piano Transcriptions series reaches volume 8, and continues to surprise and delight with a disc containing many first recordings. The controversial figure of Eugen d’Albert was one of the greatest pianists of his day and, although largely forgotten now, a composer of genuinely international renown. A sometime student at the Royal College of Music, d’Albert rejected his British upbringing and nailed his colours to the mast of German music. Bach was an important part of his performing career—and like other great nineteeth-century pianists, d’Albert saw in the monumental scale of the organ works an opportunity to synthesize the works of the Master with the expanded capabilities of the modern piano.

On the 100th anniversary of the foundation of his ‘jungle hospital’ at Lambarene, Rondeau Production dedicates a very special Bach recording to Albert Schweitzer.

Ullrich Böhme performs works by Johann Sebastian Back at the Silbermann organ at St Thomas, Strasbourg.

Bonus track features a historic recording of Schweitzer in 1936 performing Adagio in A minor from Bach’s C major Tocccata at the church of Sainte-Aurélie Strasbourg.

This new recording features some unique historical organs in Germany, which have a strong link with the great composer himself, organs which Bach might have known, and whose builders he greatly respected.

This 2CD contains the famous Schübler Chorales, concert pieces based on the chorale melodies from Bach’s Cantatas, and a selection of famous Preludes and Fugues, testimony of Bach’s consummate contrapuntal skills.

Matteo Messori is one of the leading Baroque organists of Europe; his previous recordings for Brilliant Classics (Kunst der Fuge, BC 94061 and Clavierübing, BC 94201) have been awarded 5 star reviews in international classical magazines. His Schütz edition is a recorded landmark for that still neglected master.

J.S. Bach is widely regarded as the father of the Baroque period. A master of vocal, keyboard, orchestral and chamber repertoire, he is one of music’s greatest legends – a man whose works, which were truly revolutionary for their time, continue to inspire generations of composers.

Bach’s virtuoso skill as an organist was world renowned, and he was particularly celebrated for his use of registration. Spanning 2 CDs, this compilation is dedicated to some of his bestknown Preludes and Fugues, and also features the celebrated Schübler Chorales. While the former works betray the composer’s unparalleled ability to give distinctive qualities to each of the fugal voices, the latter collection – compiled by the publisher Johann Georg Schübler in 1748 – is largely made up of chorales based on melodies from Bach’s cantatas, and was intended for concert performance. The celebrated Fantasia and Fugue in C minor BWV357 and Toccata and Fugue in D minor BWV538, which Bach himself is said to have held in high esteem, complete the line up.

One of Europe’s leading organists, Matteo Messori has recorded widely for Brilliant Classics. Here he combines energy with with artistic flair to deliver consummate readings of these engaging works: a mustbuy for the keyboard and Baroque connoisseur.