Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Peter Pears - A Treasury of English Song
Bennett, R R: | Tom O’Bedlam’s Song with Joan Dickson (cello) | Berkeley, L: | How Love Came In with Benjamin Britten (piano) | Bridge: | Tis but a week with Benjamin Britten (piano) Goldenhair with Benjamin Britten (piano) When you are old with Benjamin Britten (piano) So perverse with Benjamin Britten (piano) Journey's end with Benjamin Britten (piano) Go Not, Happy Day with Benjamin Britten (piano) Love went a-riding with Benjamin Britten (piano) | Britten: | Folksongs (selection) with Benjamin Britten (piano) Let the florid music praise! (from On this Island) with Benjamin Britten (piano) | Busch, W: | If thou wilt ease thine heart with Viola Tunnard (piano) Come, o come, my life's delight with Viola Tunnard (piano) Two Songs of William Blake with Viola Tunnard (piano) | Bush, A: | Voices of the Prophets with Alan Bush (piano) | Butterworth, G: | Is My Team Ploughing? with Benjamin Britten (piano) | Delius: | To Daffodils with Viola Tunnard (piano) | Dieren: | Dream Pedlary with Viola Tunnard (piano) Take, o take those lips away with Viola Tunnard (piano) | Grainger: | Bold William Taylor with Viola Tunnard (piano) | Holst: | Persephone (No. 1 from 12 Songs Op. 48) with Benjamin Britten (piano) | Ireland: | The Land of Lost Content with Benjamin Britten (piano) The Trellis with Benjamin Britten (piano) Three Songs with Benjamin Britten (piano) I Have Twelve Oxen with Benjamin Britten (piano) | Moeran: | The Merry Month of May with Viola Tunnard (piano) In youth is pleasure with Benjamin Britten (piano) | Oldham, A: | Chinese Lyrics (3) with Benjamin Britten (piano) | Rainier: | Cycle for Declamation | Tippett: | Songs for Ariel with Benjamin Britten (piano) | Warlock: | Piggesnie with Viola Tunnard (piano) Along the Stream with Viola Tunnard (piano) Yarmouth Fair with Benjamin Britten (piano) |
These recordings, made over the space of a decade from March 1954 to December 1964, capture Peter Pears in the high summer of his career and at the peak of his powers, a period roughly framed by some of the highlights of his partnership with Benjamin Britten: the creation of the character of Peter Quint in the composer’s The Turn of the Screw in Venice in September 1954 and the euphoric response to the first performance in 1962 of the War Requiem, one of the great events of post-war English musical life. The title ‘An Anthology of English Song’ was chosen by Decca for a projected three volumes featuring Pears. The first, with Julian Bream, included Renaissance lute songs by Dowland, Morley and others. The second was presumably intended to included 18th and 19th-century titles but was never made. The third, made in 1955, consisted of 20th-century English song, and much of this material appears on CD for the first time [CD2: 10-21]. A year earlier, Pears and Britten recorded nine of Britten’s folk song arrangements; these particular recordings (made in the same sessions as those for Winter Words) too receive their first release on CD [CD2: 1-9]. More British song was recorded with Britten in 1963 and with pianist Viola Tunnard (who worked closely with Britten in the 1960s, particularly on the Church Parables) in 1964. Of special interest too, will be works Pears commissioned from contemporary composers including the Cycle for Declamation by the South-African-born Priaulx Rainier, a testing tour de force for unaccompanied voice and Richard Rodney Bennett’s dramatic 1961 setting for voice and cello of the anonymous 17th-century ballad Tom O’Bedlam’s Song. “Gracefully patrician in tone but always perceptive, Pears, with Britten's acute accompaniment, explores a wide range of British song from Butterworth to Tippett.” BBC Music Magazine, December 2011 **** “To Daffodils is exquisitely sung, and The merry month of May is a tour de force spectacularly brought off by Viola Tunnard” … “The record is completed by a splendid scena by Richard Rodney Bennett, the accompaniment for cello alone, and three prose texts by John Donne set by Priaulx Rainier for unaccompanied voice. Peter Pears sings these with marvellous intensity and understanding, and Joan Dickson’s cello playing in Tom O’ Bedlam is very good indeed.” Gramophone Magazine | | | Usually despatched in 2 - 3 working days. |
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| |  | English Song
anon.: | Miserere, my Maker | Berkeley, L: | How Love Came In | Bridge: | Go Not, Happy Day Love went a-riding | Britten: | Let the florid music praise! (from On this Island) | Butterworth, G: | Is My Team Ploughing? | Campion: | Come let us sound with melody Fair, if you expect admiring Shall I come, sweet love, to thee? | Dowland: | I saw my Lady weepe Awake, sweet love Fine knacks for ladies Sorrow, stay If my complaints could passions move What if I never speed? | Ford, T: | Faire, sweet, cruell Come Phyllis come | Holst: | Persephone (No. 1 from 12 Songs Op. 48) | Ireland: | I Have Twelve Oxen | Moeran: | In youth is pleasure | Morley: | It was a lover and his lass O mistress mine Thirsis and Milla I saw my lady weeping What if my mistress now | Oldham, A: | Chinese Lyrics (3) | Pilkington: | Rest sweet Nimphs | Rosseter: | When Laura smiles What then is love but mourning? Sweet come again What is a day? | Warlock: | Yarmouth Fair |
Peter Pears’ voice was undoubtedly one of the finest and most distinctive of the twentieth century and here he collaborates with Julian Bream and Benjamin Britten in performances of English song. Repertoire includes works by Ford, Morley, Rosseter, Dowland, Pilkington, Campion, Bridge, Butterworth, Ireland, Moeran, Warlock, Holst, Berkeley, Oldham and Britten. | | | Usually despatched in 8 - 10 working days. |
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