Oldham, A: Chinese Lyrics (3)

This page lists all recordings of Chinese Lyrics (3), by Arthur William Oldham (1926-2003) on CD.

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Peter Pears - A Treasury of English Song

Peter Pears - A Treasury of English Song


Bennett, R R:

Tom O’Bedlam’s Song

with Joan Dickson (cello)

Berkeley, L:

How Love Came In

with Benjamin Britten (piano)

Bridge:

Tis but a week

with Benjamin Britten (piano)

Goldenhair

with Benjamin Britten (piano)

When you are old

with Benjamin Britten (piano)

So perverse

with Benjamin Britten (piano)

Journey's end

with Benjamin Britten (piano)

Go Not, Happy Day

with Benjamin Britten (piano)

Love went a-riding

with Benjamin Britten (piano)

Britten:

Folksongs (selection)

with Benjamin Britten (piano)

Let the florid music praise! (from On this Island)

with Benjamin Britten (piano)

Busch, W:

If thou wilt ease thine heart

with Viola Tunnard (piano)

Come, o come, my life's delight

with Viola Tunnard (piano)

Two Songs of William Blake

with Viola Tunnard (piano)

Bush, A:

Voices of the Prophets

with Alan Bush (piano)

Butterworth, G:

Is My Team Ploughing?

with Benjamin Britten (piano)

Delius:

To Daffodils

with Viola Tunnard (piano)

Dieren:

Dream Pedlary

with Viola Tunnard (piano)

Take, o take those lips away

with Viola Tunnard (piano)

Grainger:

Bold William Taylor

with Viola Tunnard (piano)

Holst:

Persephone (No. 1 from 12 Songs Op. 48)

with Benjamin Britten (piano)

Ireland:

The Land of Lost Content

with Benjamin Britten (piano)

The Trellis

with Benjamin Britten (piano)

Three Songs

with Benjamin Britten (piano)

I Have Twelve Oxen

with Benjamin Britten (piano)

Moeran:

The Merry Month of May

with Viola Tunnard (piano)

In youth is pleasure

with Benjamin Britten (piano)

Oldham, A:

Chinese Lyrics (3)

with Benjamin Britten (piano)

Rainier:

Cycle for Declamation

Tippett:

Songs for Ariel

with Benjamin Britten (piano)

Warlock:

Piggesnie

with Viola Tunnard (piano)

Along the Stream

with Viola Tunnard (piano)

Yarmouth Fair

with Benjamin Britten (piano)


Peter Pears (tenor)

These recordings, made over the space of a decade from March 1954 to December 1964, capture Peter Pears in the high summer of his career and at the peak of his powers, a period roughly framed by some of the highlights of his partnership with Benjamin Britten: the creation of the character of Peter Quint in the composer’s The Turn of the Screw in Venice in September 1954 and the euphoric response to the first performance in 1962 of the War Requiem, one of the great events of post-war English musical life. The title ‘An Anthology of English Song’ was chosen by Decca for a projected three volumes featuring Pears. The first, with Julian Bream, included Renaissance lute songs by Dowland, Morley and others. The second was presumably intended to included 18th and 19th-century titles but was never made. The third, made in 1955, consisted of 20th-century English song, and much of this material appears on CD for the first time [CD2: 10-21].

A year earlier, Pears and Britten recorded nine of Britten’s folk song arrangements; these particular recordings (made in the same sessions as those for Winter Words) too receive their first release on CD [CD2: 1-9].

More British song was recorded with Britten in 1963 and with pianist Viola Tunnard (who worked closely with Britten in the 1960s, particularly on the Church Parables) in 1964. Of special interest too, will be works Pears commissioned from contemporary composers including the Cycle for Declamation by the South-African-born Priaulx Rainier, a testing tour de force for unaccompanied voice and Richard Rodney Bennett’s dramatic 1961 setting for voice and cello of the anonymous 17th-century ballad Tom O’Bedlam’s Song.

“Gracefully patrician in tone but always perceptive, Pears, with Britten's acute accompaniment, explores a wide range of British song from Butterworth to Tippett.” BBC Music Magazine, December 2011 ****

“To Daffodils is exquisitely sung, and The merry month of May is a tour de force spectacularly brought off by Viola Tunnard” … “The record is completed by a splendid scena by Richard Rodney Bennett, the accompaniment for cello alone, and three prose texts by John Donne set by Priaulx Rainier for unaccompanied voice. Peter Pears sings these with marvellous intensity and understanding, and Joan Dickson’s cello playing in Tom O’ Bedlam is very good indeed.” Gramophone Magazine

Australian Eloquence - 4801273

(CD - 2 discs)

$14.50

Usually despatched in 2 - 3 working days.

English Song

English Song


anon.:

Miserere, my Maker

Berkeley, L:

How Love Came In

Bridge:

Go Not, Happy Day

Love went a-riding

Britten:

Let the florid music praise! (from On this Island)

Butterworth, G:

Is My Team Ploughing?

Campion:

Come let us sound with melody

Fair, if you expect admiring

Shall I come, sweet love, to thee?

Dowland:

I saw my Lady weepe

Awake, sweet love

Fine knacks for ladies

Sorrow, stay

If my complaints could passions move

What if I never speed?

Ford, T:

Faire, sweet, cruell

Come Phyllis come

Holst:

Persephone (No. 1 from 12 Songs Op. 48)

Ireland:

I Have Twelve Oxen

Moeran:

In youth is pleasure

Morley:

It was a lover and his lass

O mistress mine

Thirsis and Milla

I saw my lady weeping

What if my mistress now

Oldham, A:

Chinese Lyrics (3)

Pilkington:

Rest sweet Nimphs

Rosseter:

When Laura smiles

What then is love but mourning?

Sweet come again

What is a day?

Warlock:

Yarmouth Fair


Peter Pears (tenor), Julian Bream (lute) & Benjamin Britten (piano)

Peter Pears’ voice was undoubtedly one of the finest and most distinctive of the twentieth century and here he collaborates with Julian Bream and Benjamin Britten in performances of English song. Repertoire includes works by Ford, Morley, Rosseter, Dowland, Pilkington, Campion, Bridge, Butterworth, Ireland, Moeran, Warlock, Holst, Berkeley, Oldham and Britten.

Heritage - HTGCD224

(CD)

$10.75

Usually despatched in 8 - 10 working days.

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