trad.: Ogundé - uaréré

This page lists our only recording of Ogundé - uaréré, by on CD.

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Patricia Petibon: Melancolia

Awards:

Gramophone Magazine

Editor's Choice - January 2012

Label:

DG

Catalogue No:

4779447

Discs:

1

Release date:

7th Nov 2011

Barcode:

0028947794479

Medium:

CD
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Patricia Petibon: Melancolia

Spanish Arias and Songs


 

Adiós Granada

Rafael Calleja Gómez & Tomas Barrera Saavedra

with Daniel Manzanas, Joël Grare

Bacri:

Melodias de la Melancholia, Op.119b

Falla:

La vida breve: ‘Vivan los que rien!'

Giménez:

La tempránica: Zapateado 'La tarántula é un bicho mú malo'

Granados:

Ay majo de mi vida!: No. 1, La maja dolorosa

orchestrated by Rafael Ferrer

Tonadillas: No. 8, El mirar de la maja

orchestrated by Rafael Ferrer

Montsalvatge:

Canción negra No. 4, Cancion de cuna para dormir a un negrito

Canción negra No. 5, Canto negro

Nin:

El Vito (from Cantos populares españoles)

with Daniel Manzanas, Joël Grare

Simeon:

Cancíon de Marinela

Torroba:

Peterna

trad.:

Ogundé - uaréré

adapted by Wieland Reissmann

with Susan Manoff, Joël Grare

Turina:

Poema en forma de canciones, Op. 19: No. 3, 'Cantares'

Villa-Lobos:

Bachianas Brasileiras No. 5: Aria (Cantilena)


Patricia Petibon (soprano)

Orquesta nacional de España, Josep Pons

CD

$16.75

Usually despatched in 2 - 3 working days.

Unique for her dramatic flair, expert musicality, and interpretive powers, soprano Patricia Petibon indulges in her love of Luso-Iberian music. From zarzuela to art song, folk song, the Aria Cantilena of Brazil’s Villa-Lobos, and the traditional Afro-Brazilian Ogundé uareré, Patricia Petibon also samples the new. She includes the world-premiere recording of Nicolas Bacri’s song cycle, which was written in dedication to her.

Patricia Petibon adds spice by teaming up with flamenco musicians for one-of-a-kind performances of the zarzuela hit Adios, Granada and the folk tune El vito. Beloved favorites are not neglected: Petibon’s take on La tarántula, Marinela, Canto negro, and La petenera sparkle with light and life.

playGranados/Ferrer: Tonadillas - 1. La Maja Dolorosa; 2. Ay Majo De Mi Vida

playMontsalvatge: Canciones Negras - Canción De Cuna Para Dormir A Un Negrito

playMontsalvatge: Canciones Negras - Canto Negro

playNin: Veinte Cantos Populares Espanolas #2 - 8. El Vito

playVilla-Lobos: Bachianas Brasileiras #5 For Soprano & Cellos - Aria (Cantilena)

playTurina: Poema En Forma De Canciones, Op. 10 - 3. Cantares

playGiménez (J): La Tempranica - 2. Tiempo De Zapateado, "La Tarántula E Un Bicho"

playGómez: Emigrantes - 2. Adiós Granada

playFalla: La Vida Breve - Vivan Los Que Rien!

playMoreno Torroba: La Marchenera - 5. Peterna

playGranados/Ferrer: Tonadillas - 7. El Mirar De La Maja

playSimeon: La Cancíon Del Olvido - 2. Cancíon De Marinela

playBraga: Ogundé - Uaréré

playBacri: Melodias De La Melancholia, Op. 119B - 1. A La Mar

playBacri: Melodias De La Melancholia, Op. 119B - 2. Silencio Mi Nino

playBacri: Melodias De La Melancholia, Op. 119B - 3. Hay Quien Dice

playBacri: Melodias De La Melancholia, Op. 119B - 4. Solo

Gramophone Magazine

January 2012

“A remarkable achievement: a fan letter to Spanish music (not excluding South America or an excursion to Villa-Lobos's Brazil) including a new commission from Nicolas Bacri. It's carried out with aplomb...Petibon is especially effective in the zarzuela numbers...Throughout, Petibon's acting and character skills evidently lift each interpretation...Hugely recommended.”

International Record Review

January 2012

“a more apt title is would be hard to imagine...This is in every respect a superlative disc and demonstrates yet again that in Patricia Petibon we have a singer with a real gift for vivid and colourful performances supported by an impeccable technique and real all-round artistry. This is not the best thing she has ever done, simply because just about everything she does is exceptional.”

Classic FM Magazine

February 2012

****

“There's a pleasingly rich core to Petibon's voice besides the coloratura heights she's renowned for. She performs with total commitment and without fear and this injects everything she sings with tremendous character.”

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