Brahms: Magyarisch, Op. 46, No. 2

This page lists our only recording of Magyarisch, Op. 46, No. 2, by Johannes Brahms (1833-97) on CD.

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Brahms: The Complete Songs Volume 3 (Simon Bode)

Label:

Hyperion

Catalogue No:

CDJ33123

Discs:

1

Release date:

31st Oct 2011

Barcode:

0034571131238

Medium:

CD
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Brahms: The Complete Songs Volume 3 (Simon Bode)


Brahms:

Wach auf, mein Herzensschöne, WoO33 No. 16

Erlaube mir, fein's Mädchen (No. 2 from Deutsche Volkslieder WoO 33)

Mein Mädel hat einen Rosenmund (No. 25 from Deutsche Volkslieder, WoO 33)

Ein Sonett, Op. 14 No. 4 (Herder)

Ständchen, Op. 14 No. 7

Der Kuss, Op. 19, No. 1

An eine Äolsharfe, Op. 19 No. 5

Magyarisch, Op. 46, No. 2

Die Schale der Vergessenheit, Op. 46, No. 3

Lieder (5), Op. 49

Mein wundes Herz verlangt, Op, 59, No. 7

Im Garten, Op. 70 No. 1

Lerchengesang Op. 70 No. 2

Serenade, Op. 70 No. 3

An den Mond, Op. 71 No. 2 (Text: K. Simrock)

In Waldeseinsamkeit, Op. 85 No. 6

Auf dem Schiffe, Op. 97, No. 2

Es hing der Reif, Op. 106 No. 3

Ein Wanderer, Op. 106 No. 5

Die Sonne scheint nicht mehr (No. 5 from Deutsche Volkslieder, WoO 33)

Wo gehst du hin, du Stolze? WoO33, No. 22

Es steht ein Lind (No. 41 from Deutsche Volkslieder, WoO 33)


Simon Bode (tenor) & Graham Johnson (piano)

CD

$16.75

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Following the iconic series of the complete songs of Schubert and Schumann, Graham Johnson further demonstrates the phenomenal depth of his knowledge in the expert programming of this recital. Each disc in the series represents a different journey through the repertoire, and thus through Brahms’s life. This new volume is sensitively balanced, the opening and closing folksong transcriptions possessing beguiling charm and the five songs of Op 49 being performed in their entirety.

Hyperion is thrilled to welcome the young German tenor Simon Bode to the label. At home in the opera house and the recital hall, Bode possesses a controlled voice of great beauty, and gives performances of immediacy and conviction. Johnson, as accompanist, is immaculate and his usual scholarly notes are of course included.

playAnon/Brahms: 49 Deutsche Volkslieder, WoO 33 - #16 Wach Auf, Mein Herzensschöne

playAnon/Brahms: 49 Deutsche Volkslieder, WoO 33 - #02 Erlaube Mir, Feins Mädchen

playAnon/Brahms: 49 Deutsche Volkslieder, WoO 33 - #25 Mein Mädel Hat Einen Rosenmund

playBrahms: Lieder & Romanzen, Op. 14 - #4 Ein Sonett

playBrahms: Lieder & Romanzen, Op. 14 - #7 Ständchen

playBrahms: 5 Gedichte, Op. 19 - #1 Der Kuss

playBrahms: 5 Gedichte, Op. 19 - #5 An Eine Äolsharfe

playBrahms: 4 Lieder & Gesänge, Op. 46 - #2 Magyarisch

playBrahms: 4 Lieder & Gesänge, Op. 46 - #3 Die Schale Der Vergessenheit

playBrahms: 5 Lieder, Op. 49 - #1 Am Sonntag Morgen

playBrahms: 5 Lieder, Op. 49 - #2 An Ein Veilchen

playBrahms: 5 Lieder, Op. 49 - #3 Sehnsucht

playBrahms: 5 Lieder, Op. 49 - #4 Wiegenlied

playBrahms: 5 Lieder, Op. 49 - #5 Abenddämmerung

playBrahms: Lieder & Gesänge, Op. 59 - #7 Mein Wundes Herz Verlangt

playBrahms: 4 Gesänge, Op. 70 - #1 Im Garten Am Seegestade

playBrahms: 4 Gesänge, Op. 70 - #2 Lerchengesang

playBrahms: 4 Gesänge, Op. 70 - #3 Serenade

playBrahms: 5 Lieder, Op. 71 - #2 An Den Mond

playBrahms: 6 Lieder, Op. 85 - #6 In Waldeseinsamkeit

playBrahms: 6 Lieder, Op. 97 - #2 Auf Dem Schiffe

playBrahms: 5 Lieder, Op. 106 - #3 Es Hing Der Reif

playBrahms: 5 Lieder, Op. 106 - #5 Ein Wanderer

playAnon/Brahms: 49 Deutsche Volkslieder, WoO 33 - #05 Die Sonne Scheint Nicht Mehr

playAnon/Brahms: 49 Deutsche Volkslieder, WoO 33 - #22 Wo Gehst Du Hin, Du Stolze?

playAnon/Brahms: 49 Deutsche Volkslieder, WoO 33 - #41 Es Steht Ein Lind

BBC Music Magazine

January 2012

****

“Bode sings [Sehnsucht and the Wiegenlied] with a fine sense of artistry and wonderment. Johnson takes care over his placing of Brahms's many folksong settings within this series, inserting a few at a time. Here, they frame the recital, with Bode's instinctive musicality making an irresistably friendly greeting of 'Wach auf, mein Herzensschone.'”

Gramophone Magazine

February 2012

“His tone is sweet and gently rounded, his diction crystal-clear, his phrasing always thoughtful. Spinning a rapt, sustained lined, he movingly catches the Brahmsian twilit melancholy of 'Abenddammerung'...'Wiegenlied', too, is as dulcet as you could wish, with singer and pianist vindicating a provocatively slumbrous [sic] tempo.”

MusicWeb International

March 2012

“Bode has an unquestionably beautiful voice, his line is exquisitely controlled and his care over words and meaning were already evident in the folksong settings...There are marvellous things, such as a wondrously sustained “Es hing der Reif”. Indeed, according to their own lights, all the performances are marvellous...Every Brahmsian quality you could want is here except fullness of heart”

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