Handel: Sans y penser (Cantate française) HWV 155

This page lists our only recording of Sans y penser (Cantate française) HWV 155, by George Frideric Handel (1685-1759) on CD.

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Handel: Complete Cantatas Volume 4

Catalogue No:

94257

Discs:

1

Release date:

5th Dec 2011

Barcode:

5028421942575

Medium:

CD

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Handel: Complete Cantatas Volume 4


Handel:

Clori, mia bella Cloria HWV 92

Stefanie True (soprano)

Sans y penser (Cantate française) HWV 155

Stefanie True soprano (Silvie) & Klaartje van Veldhoven soprano (Tirsis)

Clori, vezzosa Clori HWV 95

Stefanie True (soprano)

Pensieri notturni di Filli (Nel dolce dell'oblio), HWV 134

Klaartje van Veldhoven (soprano)

Lungi n’andò Fileno HWV 128

Stefanie True (soprano)


Contrasto Armonico, Marco Vitale

CD

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The 4th volume of Brilliant Classics’ recordings of Handel’s complete cantatas, performed by Contrasto Armonico and directed by Marco Vitale, gathers together five works that vividly illustrate the composer’s skill at setting the words of his texts, creating hitherto unknown emotional depth and nuance from modest orchestral forces. The musical setting of Clori, mia bella Clori amply displays the genius that would establish Handel as the leading operatic composer of his day, using a range of different combinations of instruments to respond to the subject of each section of the text, from grief and weeping to passionate jealousy. Similarly, in both Pensieri notturni di Filli (Nel dolce dell’oblio) and Lungi n’andò Fileno Handel employs striking dissonance to create a musical counterpart to the despair and suffering of the texts. By contrast, Sans y penser, Handel’s only French cantata, is a comic work, closing with a humorous musical illustration of the singer’s tribute to drinking. Handel composed over 100 secular cantatas during his stay in Italy in the early 1700s. He had several patrons; among the most generous and supportive was the Marquis Francesco Maria Ruspoli, and most of the information on the works included on this disc comes from his records. These cantatas reveal the richness of the young composer’s compositional palette, and his ability to depict the content of his texts in such a way that the listener both hears and experiences the emotions of each work. As such, they are an important foreshadowing of his later career as a celebrated operatic composer.

playClori, mia bella Clori

playChiari lumi

playTemo ma pure io spero

playNe' gigli e nelle rose

playNon è però che non molesta e grave

playMie pupille

playTu nobil alma

playDi gelosia il timore

playSans y penser

playS'il ne falloit que bien aimer pour attendrir

playPetite fleur brunette

playVous, qui m'aviez procuré une amour éternelle

playNos plaisirs seront peudurables

playVous ne sauriez flatter ma peine

playNon, non, je ne puis plus souffrir

playClori, vezzosa Clori

playIl bosco il prato il rio

playSe l'usignol canoro

playNon è possibile o Clori amabile

playNel dolce dell'oblio

playGiacchè il sonno a lei dipinge

playCosì fida ella vive

playHa l'inganno il suo diletto

playLungi, lungi n'andò Fileno

playSi piangete, o mie pupille

playAhi! M'inganno, infelice

playDunque se il tanto piangere

Gramophone Magazine

May 2012

“Fillide's 'Fiamma bella' is sung enchantingly by Stefanie True (worthy winner of the 2011 London Handel Singing Competition). Klaartje van Veldhoven's voice has a few shades more bite, which is ideal for the clarity of contrast between the two characters...Contrasto Armonico's slow-burning series continues to furnish Handelian food for thought.”

MusicWeb International

June 2012

“There are no exaggerated cadenzas nor is there any rewriting of complete lines in the dacapos. What a relief!...A project like this can't be appreciated enough. Handel is generally considered a master in depicting human emotions, and that clearly comes to the fore in his cantatas. The performers have managed to display that quality in these recordings.”

Click on any of the works listed above for alternative recordings.

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