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The 4th volume of Brilliant Classics’ recordings of Handel’s complete cantatas, performed by Contrasto Armonico and directed by Marco Vitale, gathers together five works that vividly illustrate the composer’s skill at setting the words of his texts, creating hitherto unknown emotional depth and nuance from modest orchestral forces. The musical setting of Clori, mia bella Clori amply displays the genius that would establish Handel as the leading operatic composer of his day, using a range of different combinations of instruments to respond to the subject of each section of the text, from grief and weeping to passionate jealousy. Similarly, in both Pensieri notturni di Filli (Nel dolce dell’oblio) and Lungi n’andò Fileno Handel employs striking dissonance to create a musical counterpart to the despair and suffering of the texts. By contrast, Sans y penser, Handel’s only French cantata, is a comic work, closing with a humorous musical illustration of the singer’s tribute to drinking. Handel composed over 100 secular cantatas during his stay in Italy in the early 1700s. He had several patrons; among the most generous and supportive was the Marquis Francesco Maria Ruspoli, and most of the information on the works included on this disc comes from his records. These cantatas reveal the richness of the young composer’s compositional palette, and his ability to depict the content of his texts in such a way that the listener both hears and experiences the emotions of each work. As such, they are an important foreshadowing of his later career as a celebrated operatic composer.
Clori, mia bella Clori
Chiari lumi
Temo ma pure io spero
Ne' gigli e nelle rose
Non è però che non molesta e grave
Mie pupille
Tu nobil alma
Di gelosia il timore
Sans y penser
S'il ne falloit que bien aimer pour attendrir
Petite fleur brunette
Vous, qui m'aviez procuré une amour éternelle
Nos plaisirs seront peudurables
Vous ne sauriez flatter ma peine
Non, non, je ne puis plus souffrir
Clori, vezzosa Clori
Il bosco il prato il rio
Se l'usignol canoro
Non è possibile o Clori amabile
Nel dolce dell'oblio
Giacchè il sonno a lei dipinge
Così fida ella vive
Ha l'inganno il suo diletto
Lungi, lungi n'andò Fileno
Si piangete, o mie pupille
Ahi! M'inganno, infelice
Dunque se il tanto piangere
May 2012
“Fillide's 'Fiamma bella' is sung enchantingly by Stefanie True (worthy winner of the 2011 London Handel Singing Competition). Klaartje van Veldhoven's voice has a few shades more bite, which is ideal for the clarity of contrast between the two characters...Contrasto Armonico's slow-burning series continues to furnish Handelian food for thought.”
June 2012
“There are no exaggerated cadenzas nor is there any rewriting of complete lines in the dacapos. What a relief!...A project like this can't be appreciated enough. Handel is generally considered a master in depicting human emotions, and that clearly comes to the fore in his cantatas. The performers have managed to display that quality in these recordings.”
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