Elgar: Polonia

The outbreak of the Great War caused Elgar much anguish and depression and the music composed during these years reflects his sorrow and deep patriotism.

Apart from Elgar’s early Sursum Corda Op. 11 (composed in 1894), this disc takes us on a musical journey from shortly before the war began to the composer’s last wartime orchestral work, The Sanguine Fan, a shaft of light during the darkest days of the war in 1917. The music on this disc, although not premiere recordings (they were originally recorded by the HMV label), this is the first modern recording not only of these works but also to provide a unique survey of Elgar’s compositions of this time.

Performed by the BBC Concert Orchestra and conducted by John Wilson, this CD also includes Susan Gritton and the renowned actor Simon Callow who is the speaker on Le Drapeau Belge Op 79.

The long-awaited and much anticipated recording by Tasmin Little of Elgar’s Violin Concerto will be released this November, 100 years after the work’s first performance. In concert Tasmin Little is closely associated with this concerto, having celebrated the 150th anniversary of the birth of Sir Edward Elgar with performances of it on a major tour to Southeast Asia and Australia in 2007; she has also performed the concerto extensively in London: at the BBC Proms in the Royal Albert Hall, with the BBC Symphony Orchestra at the Barbican, and with the Philharmonia Orchestra in the Royal Festival Hall. What makes this recording especially interesting is that she has included the cadenza used in the work’s first recording, made in 1916 with Marie Hall. For that occasion, Elgar, amongst other things, added harps to counter the sonic limitations of the acoustic recording process. For those used to hearing the standard version, also included, the result makes for fascinating listening, and the recording will prove a valuable addition to the Elgar discography. The 1916 version of the cadenza has been tracked separately.

Tasmin Little: ‘I have waited a long time to record the Elgar Concerto, a work that I have been playing for twenty years and one which is so close to my heart. In the inspirational Andrew Davis and the RSNO’s commitment, I found exactly the right partnership for this monumental work.’

The Violin Concerto is complemented by another piece for violin and orchestra, the charming Interlude from The Crown of India, as well as the rarely recorded but imposing Polonia, an inventive and colourful work incorporating much Polish melodic material. This was commissioned by the Polish conductor Emil Młynarski in 1915 and dedicated to Ignacy Jan Paderewski, the pianist-composer and, later, Prime Minister of Poland.

Since coming to prominence as a finalist in the string section of the 1982 BBC Young Musician of the Year competition, Tasmin Little has enjoyed an international career, making more than twenty recordings. Highly imaginative in her approach to classical music, she received the 2008 Classic FM / Gramophone Award for Audience Innovation in London for the project ‘The Naked Violin’. Whilst she has made superb recordings of the great popular violin concertos, including those by Bruch, Brahms, and Sibelius, she has made a speciality of recording and performing less familiar repertoire, especially neglected British works. On Chandos, she has released a recording of Finzi’s Violin Concerto to tremendous critical acclaim (CHAN9888).

Sir Andrew Davis is famous for his performances of British music in general, and of the music of Elgar in particular. Last year he had great success with the premiere recording of Elgar’s The Crown of India on Chandos (CHAN10570(2)). Chandos also has a long association with the Royal Scottish National Orchestra. Over the last thirty years the label, in partnership with the RSNO, has produced a string of award winning CDs, notable among much else for their sound quality. This new CD, recorded in five-channel surround sound, continues that tradition.

Andrew Neill writes: “Edward Elgar became an early star of the gramophone and the recordings he made (and supervised) between 1914 and 1934 remain among the great contributions to the recorded repertoire… Elgar was absolutely sure of himself as a conductor of his own works… He never tried to disguise the fact that his own music thrilled and delighted him.” This collection includes such gems as Beatrice Harrison playing the Cello Concerto and Fringes of the Flleet and will be of great interest to collectors.

Back in 1920, having heard the young Adrian Boult conduct the Second Symphony, Sir Edward Elgar was certain: ‘My reputation in the future is safe in your hands. It was a wonderful series of sounds. Bless you!’ How right Elgar was, as this treasury confirms: the first set to unite all of Boult’s recordings for EMI of a composer he conducted and recorded throughout his long career. We can thereby hear four different versions of the Enigma Variations, recorded between 1936 and 1970, and marvel at their clear-sighted consistency as much as changing nuances of expression over the years.

The oldest recording in this collection, being Sir Adrian’s first of his long association with Elgar, that of the orchestration of the Chopin: Funeral March from his Piano Sonata No. 2, commissioned by the Gramophone Company, was attended by the composer and his daughter.

About a tenth of the total collection is available on CD for the first time in this box set.

This set is part of our series of releases marking 30 years since the conductor’s passing.

Elgar is the quintessential English composer. He is loved as our Shakespeare of music, and we turn to him at times of solemn remembrance and national rejoicing. This edition, released to celebrate the 150th anniversary of the composer’s birth, presents all the major orchestral, choral, chamber and stage works, as well as many lesser pieces and rarities, in interpretations by the 20th century’s finest Elgarians. All your favourite Elgar is here, in over 32 hours of music on 30 CDs.