Hindemith: Sonata for 10 Instruments (fragment 1917)

This page lists our only recording of Sonata for 10 Instruments (fragment 1917), by Paul Hindemith (1895-1963) on CD.

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Hindemith: 20th Century Classics Volume 2

Label:

EMI

Catalogue No:

6784112

Discs:

2

Release date:

9th Jan 2012

Barcode:

5099967841127

Medium:

CD
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Hindemith: 20th Century Classics Volume 2

Kammermusik


Hindemith:

Kammermusik No. 1 Op. 24 No. 1 für 12 Solo-Instrumente

Berliner Philharmoniker, Claudio Abbado

Kammermusik No. 2 Op. 36 No. 1 Klavierkonzert

Lars Vogt (piano)

Berliner Philharmoniker, Claudio Abbado

Kammermusik No. 3 Op. 36 No. 2 Cellokonzert

Georg Faust (cello)

Berliner Philharmoniker, Claudio Abbado

Kammermusik No. 4 Op. 36 No. 3 Violinkonzert

Kolja Blacher (violin)

Berliner Philharmoniker, Claudio Abbado

Kammermusik No. 5 Op. 36 No. 4 Bratschenkonzert

Wolfram Christ (viola)

Berliner Philharmoniker, Claudio Abbado

Kammermusik No. 6 Op. 46 No. 1 Konzert für Viola d'amore

Wolfram Christ (viola d'amore)

Berliner Philharmoniker, Claudio Abbado

Kammermusik No. 7 Op. 46 No. 2 Konzert für Orgel

Wayne Marshall (organ)

Berliner Philharmoniker, Claudio Abbado

Sonata for Solo Violin, Op. 11 No. 6

Première of the complete version

Christian Tetzlaff (violin)

Sonata for 10 Instruments (fragment 1917)

Kornelia Brandkamp, Diemut Schneider, Ib Hausmann, Jochen Ubbelohde, Dag Jensen, Julia Fischer, Daniel Hope, Tatjana Masurenko, Alban Gerhardt & Rolf Jansen


CD - 2 discs

$11.50

In stock - usually despatched within 1 working day.

Paul Hindemith (1895-1963) is a greatly misunderstood composer. General opinion would have it that his music is rather dry, academic and lacking in humour but this is very far from the truth, as this set of his complete Kammermusik beautifully illustrates. The seven Kammermusik (Chamber Music) were written in the 1920s and are the first works of Hindemith's maturity, at a time when he had already established himself as one of the leading young composers in Germany. Hindemith's music here is very much of its time, being a thumb-to-nose reaction to the romantic excesses that had gone before. Kammermusik No.1, written in 1921, reflects the composers earlier experience as a performer in dance bands and musical comedy orchestras; Nos.2-7 are all concertos, each for a different soloist and instrumentation, that in essence have a more than passing resemblance to the Brandenburg Concertos of Bach.

Click on any of the works listed above for alternative recordings.

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