Rossini: Soirées musicales: La pastorella dell'Alpi (The Alpine Shepherdess)

This page lists our only recording of Soirées musicales: La pastorella dell'Alpi (The Alpine Shepherdess), by Gioacchino Antonio Rossini (1792-1868) on CD.

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Joan Sutherland Collector’s Album: Rare Broadcasts

Label:

Alto

Catalogue No:

ALC1185

Discs:

1

Release date:

11th June 2012

Barcode:

5055354411854

Medium:

CD
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Joan Sutherland Collector’s Album: Rare Broadcasts


Bononcini, G B:

Per la gloria d'adorarvi (from Griselda)

Richard Bonynge (piano)

Donizetti:

Confusa è l'alma mia (from Emilia di Liverpool)

1957

Royal Liverpool Philharmonic Orchestra, Liverpool Music Singers Group, John Pritchard

Madre, deh placati..Ah! di contento (from Emilia di Liverpool)

1957

with April Cantelo (soprano)

Royal Liverpool Philharmonic Orchestra, Liverpool Music Singers Group, John Pritchard

Handel:

Di, cor mio, quanto t'amai (from Alcina)

with Norma Procter (mezzo), Thomas Hemsley (tenor)

Capella Coloniensis, Ferdinand Leitner

Tornami a vagheggiar (from Alcina)

Capella Coloniensis, Ferdinand Leitner

Ombre pallide (from Alcina)

1959

Capella Coloniensis, Ferdinand Leitner

Haydn:

Si ti perdo amata sposa, Hob.XXIVb: B1

1956

Dennis Brain (horn)

Goldsborough Orchestra, Charles Mackerras

Horn, C E:

Cherry Ripe

Richard Bonynge (piano)

Mozart:

Exsultate, jubilate, K165

1959

Cologne Radio Symphony Orchestra, Alberto Erede

Rossini:

La fioraia Fiorentina

Richard Bonynge (piano)

La promessa

Richard Bonynge (piano)

Soirées musicales: L'orgia

Ernest Lush (piano)

Soirées musicales: La pastorella dell'Alpi

Richard Bonynge (piano)

Soirées Musicales: La gita in gondola

Richard Bonynge (piano)


Joan Sutherland (soprano)

CD

$7.25

Usually despatched in 8 - 10 working days.

BBC Music Magazine

February 2013

*****

“This collection of broadcast material shows Sutherland's amazing precision and tonal clarity”

MusicWeb International

April 2013

“The lively, refreshing Exsultate, jubilate, a piece Sutherland didn't record commercially, shows us the capabilities of this kind of voice...you rarely hear it sung so easily and freely, or with such bright, clear, full-bodied tone. Nor is the singing merely mechanical, or inexpressive. The phrasing is deft and shapely in the outer movements...and the central Tu virginum corona is serene.”

Click on any of the works listed above for alternative recordings.

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