Böhm, G: Menuett G-Dur

This page lists all recordings of Menuett G-Dur, by Georg Böhm (1661-1733) on CD, SACD & download (MP3 & FLAC).

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North German Organ Baroque Volume 8

North German Organ Baroque Volume 8

Georg Böhm: Complete Organ Works


Böhm, G:

Praeludium in C

Partita 'Ach wie nichtig, ach wie flüchtig'

Allein Gott in der Höh sei Her

Auf meinen lieben Gott

Chorale Partita with Variations on 'Aus tiefer Not schrei ich zu dir'

Christe, der du bist Tag und Licht

Christ lag in Todesbanden

Christum, wir sollen loben schon

Erhalt uns, Herr, bei deinem Wort

Capriccio in D major

Praeludium g-Moll

Praeludium G-Dur

Praeludium F-Dur

Menuett G-Dur

Praeludium d-Moll

Partita 'Freu dich sehr, o meine Seele'

Gelobet seist du, Jesu Christ

Partita 'Herr Jesu Christ, dich zu uns wend'

Partita 'Jesu, du bist allzu schöne'

Nun bitten wir den heil'gen Geist

Choral Prelude: Vater unser in Himmelreich

Vom Himmel hoch da komm ich her

Partita 'Wer nur den lieben Gott lasst walten'

Praeludium a-Moll


Friedhelm Flamme (Creutzburg-Orgel der Propsteikirche St. Cyriakus zu Duderstadt)

On Vol. 8 of our Organ Works of the North German Baroque Friedhelm Flamme interprets Georg Böhm’s complete organ works on the Creutzburg organ in the Church of St. Cyriacus in Duderstadt. Böhm was an organist and composer, notable for his development of the chorale partita and for his influence on the young J.S Bach.

Super Audio CD

Format:

Hybrid Multi-channel

Early Music - up to 25% off

CPO Northern Organ German Baroque - 7775012

(SACD - 2 discs)

Normally: $34.00

Special: $29.58

(also available to download from $20.75)

In stock - usually despatched within 1 working day.

From the House of Master Bohm

From the House of Master Bohm


Böhm, G:

Praeludium g-Moll

Suite in C minor

Partita 'Ach wie nichtig, ach wie flüchtig'

Menuett G-Dur

Suite in E flat major

Partita 'Wer nur den lieben Gott lasst walten'

Suite in F minor

Suite for Harpsichord No. 11 in A minor

Ouverture in D major


John O'Donnell (harpsichord)

From the House of Master Bohm presents spirited and musicalogically authoritative performances of Georg Böhm's keyboard suites and chorale partitas by the renowned Australian Bach scholar John O'Donnell. He imbues the exuberant dance movements in Böhm’s suites with rustic energy, lilt and swing.

In the suites' slow movements O'Donnell demonstrates the uncanny ability to make his plucked instrument sing, the oft expressed ideal of centuries of the finest instrumentalists.

In achieving this ideal he is aided by the angelic resonance of his 1995 William Bright Harpsichord. And Böhm’s extravagant “stylus phantasticus” passages, features of his choral partitas, are executed by the harpsichordist with Dionysian sparkle.

The whole of O’Donnell’s performance is informed by a life of scholarship at the cutting edge of early music performance. His performance eloquently articulates how much more that there is in Böhm’s music than the mere notes on the page.

The earthy quality characteristic of many of Böhm's pieces harks back to the instrumental dances of earlier times, yet his suites of dance movements also look forward to their zenith in the keyboard suites of J S Bach. Böhm’s music comes down to us almost exclusively via manuscript copies from the Bach family’s collection, at least one piece having been copied in the house of master Böhm by a 15-year-old Johann Sebastian Bach.

Melba Recordings - MR301143

(CD)

$17.50

Usually despatched in 4 - 5 working days.

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