Denza: Non t'amo più

This page lists our only recording of Non t'amo più, by Luigi Denza (1846-1922) on CD.

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Enrico Caruso - Opera Arias and Songs Milan 1902-04

Label:

EMI

Catalogue No:

2126982

Discs:

1

Release date:

8th Sept 2008

Barcode:

5099921269820

Medium:

CD
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Enrico Caruso - Opera Arias and Songs Milan 1902-04


Bizet:

Je crois entendre encore (from Les Pêcheurs de Perles)

Sung in Italian as 'Mi par d’udir ancor'

Boito:

Giunto sul passo estremo (from Mefistofele)

Dai campi, dai prati (Mefistofele)

Cilea:

No, più nobile (from Adriana Lecouvreur)

Denza:

Non t'amo più

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Franchetti:

Studenti! Udite! from Germania

No, non chiuder gli occhi (Germania)

Giordano, U:

Amor ti vieta (from Fedora)

Leoncavallo:

Recitar!...Vesti la giubba (from I Pagliacci)

Mattinata - 'L'aurora di bianco vestita'

Mascagni:

Apri la tua finestra (from Iris)

Cavalleria Rusticana: Siciliana

Massenet:

Enfin Manon, nous voilà enfin seuls ensemble... En fermant les yeux (from Manon)

sung in Italian as 'O dolce incanto'

Meyerbeer:

Qui sotto il ciel della Turenna (from Les Huguenots)

Pini-Corsi:

Tu non mi vuoi più bene

Ponchielli:

Cielo e mar! (from La Gioconda)

Puccini:

E lucevan le stelle (from Tosca)

Tosti:

La Mia Canzone

Trimarchi:

Un bacio ancora

Verdi:

Questa o quella (from Rigoletto)

Celeste Aida (from Aida)

Zardo:

Luna fedel


CD

$10.00

In stock - usually despatched within 1 working day.

The ten sides the Italian tenor Enrico Caruso cut at the Grand Hotel, Milan, on 11 April 1902 are among the most historic of historical recordings.

As John Steane notes in a wide-ranging essay that ideally complements this collection, these are legendary recordings by a legendary tenor. Indeed, Caruso’s fame, according to the old HMV catalogue, was perhaps the greatest ever attained by a singer.

Steane sifts fact from fiction in the story of the producer Fred Gaisberg, wowed by Caruso at La Scala and determined to secure him for his company, agreeing the then huge fee of £100 for the ten arias and then receiving a cable from London that said ‘Fee exorbitant, forbid you to record’.

Whatever the truth of that, the recording went ahead. Caruso came to the Grand Hotel that Friday afternoon ‘dressed like a dandy, twirling a cane’ with his accompanist Salvatore Cottone, and all was completed within two hours in the improvised studio Gaisberg had rigged up.

Again, the new remastering by Abbey Road 78 expert Andrew Walter improves greatly on the recordings’ previous appearance on Références.

Awards: Diapason d’Or, Timbre de Platine d’Opéra International, FFFF de Télérama

Click on any of the works listed above for alternative recordings.

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