Glass, P: In the Penal Colony

This page lists our only recording of In the Penal Colony, by Philip Glass (b.1937) on CD.

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Glass, P: In the Penal Colony

Catalogue No:

OMM0078

Discs:

1

Release date:

20th Feb 2012

Barcode:

0801837007824

Medium:

CD
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Glass, P: In the Penal Colony


Michael Bennett (Visitor) & Omar Ebrahim (Officer)

Music Theatre Wales, Michael Rafferty

CD

$17.00

In stock - usually despatched within 1 working day.

This one-act chamber opera was composed and premiered in 2000, by A Contemporary Theater in Seattle. The libretto is by Rudolf Wurlitzer from the story by Franz Kafka. It is scored for string quintet and two singers. In this world premiere recording by the Music Theatre Wales, tenor Michael Bennett plays the Visitor and baritone Omar Ebrahim is the Officer.

playIn The Penal Colony: The Machine

playIn The Penal Colony: Prologue

playIn The Penal Colony: I

playIn The Penal Colony: II

playIn The Penal Colony: III

playIn The Penal Colony: IV

playIn The Penal Colony: V

playIn The Penal Colony: VI

playIn The Penal Colony: VII

playIn The Penal Colony: VIII

playIn The Penal Colony: IX

playIn The Penal Colony: X

playIn The Penal Colony: XI

playIn The Penal Colony: XII

playIn The Penal Colony: Xiii

playIn The Penal Colony: XIV

playIn The Penal Colony: XV

playIn The Penal Colony: XVI

playIn The Penal Colony: Epilogue

The Observer

12th February 2012

“This is a tough but worthwhile listen...If singers and players at times sound raw, it's fitting for this allegory of cruelty and the moral dilemma of being a bystander.”

The Independent

11th February 2012

“the repetitions of Philip Glass’s opera make a perfect reflection of Kafka’s verbal ones. Omar Ebrahim projects the fervour of a true believer as the Officer, Michael Bennett is the appalled Visitor.”

BBC Music Magazine

April 2012

****

“Glass homes in with scary effectiveness on the officer's description of the machine...Omar Ebrahim's officer moves from robotic vibrato to loving devotion as Michael Bennett's lighter timbre darkens, and the quintet maintains momentum.”

Gramophone Magazine

May 2012

“Bennett is especially impressive in the role of the visitor - the innocent bystander-turned-accomplice. Playing is not without its blemishes (the untidy conclusion to scene 9, for example) but in an opera which deals in stark detail with some of humanity's darkest blemishes, this becomes strangely appropriate.”

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